True Tales From Brunch: SCRAM FLAT, Part II.

posted in: Chicago, Day In The Life, Food 0
Way bigger than the restaurant's actual kitchen, but a decent facsimile. Photo: Wikipedia
Way bigger than the restaurant’s actual kitchen, but a decent facsimile. Photo: Wikipedia

Please read Part I of this story (one post prior) or you’ll miss the important setup.

I approach the family, who was spilling out of the booth. There were Cheerios everywhere, but we did not serve cereal at the restaurant, so these were brought in from home. Two booster seats were cramming the narrow aisle but it was cool; these folks deserved (?) brunch like everyone else in Chicago. A yoga mat was stuffed into the corner because Mom had just come from class. Even though there was jelly soaked into my apron and egg on my shoe, I was chipper.

“Good morning, you guys,” I say, “You’ve been here a few times — I bet you know what you want!” I’m doing the assumed close, you see. Three new tables had been sat behind me and had already gotten coffee. Let’s do this.

“Yeah,” the mother said, and she put her fingers to her chin to ask what I prepared myself to be a focused question. “Belle is going to have the corned beef hash — do you think that’s something she’ll like? Corned beef?” Belle was six, so probably not. I told Mom, “Probably not. There are lots of peppers and corned beef is kind of an advanced thing… It’s a big plate.”

“Okay… I think… Belle, do you want corned beef?” Belle colored her placemat and said “Whatever,” without looking up.

“Let’s do that,” Mom said. “And Slade wants scrambled eggs, but can you have the kitchen make the eggs flat like a pancake?”

“Eggs on a pancake, sure,” I said, scribbling on my pad, making sure to press my pen hard so the carbon copy would come out clear for the kitchen.

“No, not on a pancake,” she said. “I’m wondering if you can scramble the eggs, like, flat.” She cocked her head and she looked like a cockatiel.

I looked up. “Scramble them flat.”

“You know, like put them on the grill and smooth them out, so they’re scrambled but, like, flat. And then flip it? So it’s flat? It would be like a pancake?”

I couldn’t stop blinking at her. Teddy, my righthand man, the best busboy who has ever lived, squeezed past me to grab the twenty-fourth pot of coffee of that morning.*

“Well,” I said. “I’ll ask the kitchen,” I said. On my pad, I wrote the shorthand word for scrambled eggs, which is “SCRAM.” Then, cocking my head like a cockatiel, I wrote, “FLAT.” So on my pad I had “SCRAM FLAT.”

“Thanks,” the woman said, “Is that weird?” I told her it was really, really weird. And I left them with a thank-you and a smile and banged through the double doors to the kitchen like we all banged through the double doors because that’s what double doors in a restaurant do: they bang.

“Glen,” I said, approaching the line. I could see the Great Men through the metal line where they were putting plates up. It was like a ballet back there. “Glen, this ticket says SCRAM FLAT. They want…” I could hardly tell him. This was a grown man. This was a man with dignity. I just came out with it: “Glen, they want the scrambled eggs flat. Like, scramble the eggs… Flat.”

 

There was no time for pausing but Glen stopped what he was doing and asked me what the [redacted] that meant. I explained the best I could. And he said “Alright,” because that’s what a Great Man does when faced with a challenge and indeed, about fifteen minutes later, I had a plate with SCRAM FLAT, sprinkled with parsley, with a twisted orange slice on the side. And love in there, because every plate had love in there.

Belle sent back the corned beef; Slade ate every bite.

*Teddy once caught me in the coat closet, bent me back like we were on the cover of a romance novel and kissed me on the lips. “Mi amor,” he said, “I’m in love with you.” That’s a story for another day.

A Problematic Crouton.

posted in: Art, Food 1
Judgemental croutons, since there are no pics of the Top Chef show on Wikipedia. But there are croutons.
Judgemental croutons, since there are no pics of the Top Chef show on Wikipedia. There are croutons, though.

 

While designing and sewing together my latest quilt — a complicated affair — I took in a little Top Chef on Hulu. I watched the entirety of Season 9 and enjoyed it, but I’ve had enough of that show for a while. I’m pushing my plate away. I’m dabbing the corners of my mouth with my cloth napkin. I’m telling the waiter to not serve me any more…metaphors.

Top Chef is a great show. I watched 17 episodes back to back over the course of about ten days as I stitched and snipped through the evenings. It’s good television. But either the show changed or I forgot just how grave it all is, and by the last four episodes, the vacuum of food-centric seriousness began to (cheese) grate on me.

The judges got to me first. Each judge is a talented and successful food industry person who has earned his/her opinion on kumquat, fried caper blossoms, fried caper kumquat blossoms, etc., etc. You’ve got restaurateurs, cookbook authors, chefs, vintners, celebrities in their industry — hard workers all, at the top of their game. Plus, the three main host/judges, Tom Colicchio, Padma Lakshmi, and Gail Simmons, have been conducting Top Chef for years. They not only know food, wine, and chef-i-ness, they know Top Chef.

But all this success and knowledge is diminished after too long in hyper-focus. I don’t know if that hyper-focus is the nature of the show itself or the nature of watching an entire season in about as much time as it takes to roast a turkey. Either way, let’s look at some examples of what started to burn me out.

Example 1 
Gail Simmons, pained, looks at Contestant X, who is also pained. Simmons then looks at Tom Colicchio, then back at Contestant X. “That crouton was…problematic,” Simmons says, and folds her hands. Contestant X deflates, stares hard at ground.

Example 2
Tom Colicchio, pained, looks at agonized, pained Contestants Y and Z. “I just don’t understand,” Colicchio says, earnestly baffled. “Where was the cohesion? I’m eating arugula, I’m eating cod. The cod and the arugula were not having a conversation. That was upsetting.” Contestants Y and Z shuffle feet, mumble something about the oven not being hot enough. Colicchio doesn’t blink.

Look, I get that the stakes are high. There’s a lot riding on the competition and it is a cooking show. But the problematic croutons feel silly at a certain point.

The contestants started getting to me next, but not because I decided I didn’t like them personally. I make a small portion of my living being on television, and I know firsthand how unfair it is to pass judgment on people you have never met simply because they show up on a screen in your home. A few edited minutes on camera hardly illustrates the grand symphony of one human’s experience, so judge not.

In fact, it was precisely this human shrinkage that I couldn’t get over. I’m certain the show’s audience sees 10-15% of what’s filmed in a day of Top Chef activity, and I got more and more frustrated at the style of editing we the audience are made to endure. Let’s say this is an actual sentence said by a contestant on Day 26 of the competition:

“There are no useable cherries in this bag. What the heck am I supposed to do with this? Oh, wait. Phew! Here they are! Gosh, I was really worried for a second. Sorry, that was uncalled for. Hey, does anyone have any lip balm? It’s windy on this mountaintop where we have to cook fresh fish that we caught ourselves with one hand behind our back. I really need some lip balm because I’m concerned that my lip is cracking.”

What you get on the show is this:

“There are no useable cherries in this bag. What the heck am I supposed to do with this?… I was really worried… It’s windy… We have to cook… I’m cracking.”

The fractured image I was getting of the contestants, the characters I was seeing as shaped by the producers and line editors, it all just stopped working for me.

I love to cook and I love to sew and I love to see talented people doing what they love. Therefore, I enjoy shows like Project Runway and Top Chef, because it’s interesting to watch real people do hard things that they (usually) love to do. But it’s only fashion, and it’s only food, and it’s just a bit much after so many hours, even when I’m busy doing my own art. Maybe some people live in a world where they mete out an episode a week for themselves, even while entire seasons are at their fingertips, but I am not those people. I go big when I’m home.