My Social Media Rendezvous

It’s impossible to explain just how much pleasure I get from finding public domain pictures for PaperGirl posts from WikiCommons. My thinking here is that a) social media is a pantomime in every sense and b) this picture is fabulous! WikiCommons tells us that it’s a performance by students at the Holy Cross School in Salem, India.

 

If you follow me on social media, you probably know that I’m in London. If you don’t follow me on social media and we don’t communicate IRL, London might come as a surprise. Heck, London is still a surprise to me and I’ve been here for two months.

There’s a lot to cover. But we have to start somewhere, and I’d like to start with social media. Let me put down my fish and chips. (Drops greasy wax paper into bin; wipes mouth with sleeve.)

This summer, after years of resisting all but the barest minimum of engagement on social media, I succumbed to her deadly embrace. For the past couple months I’ve been regularly posting content on Instagram, and it turns out that I like making short videos for the internet and captioning the pictures I post with more than brief, sterile descriptions and arbitrary timestamps, which is all I did with my Instagram photos for years.

I’ve not been completely out of the social media game, it’s true. I like Instagram because I genuinely enjoy taking pictures and it’s fun to throw my adventures into the mix with everyone else’s. It’s a good thing I like Instagram because at this point, you have to commit to at least one platform. My husband is a Twitter person, for example, but I never use it. So Eric, the Twitteriot, reads me breaking news and I, the Instagramarian, show him puppies. Neither of us do complicated dance breaks, as those are best left to TikTokerean youngsters who, judging by the volume of content they create, are very, very ready for the pandemic to be over.

But I never felt like I was doing Instagram — or any social media — correctly. In case you missed it, “doing” effective social media now basically requires a master’s degree. (I think I’m kidding, but it could be true.) Successful social media engagement is a scientific proposition. Or a militaristic one. Because if you want results, it takes a war-room approach: You have to tag things, always, and you’d better be cross-posting to all the platforms or you’re wasting your time. You have to use the right hashtags and follow others so they’ll follow you, but don’t just randomly follow anyone; you must be smart about the followed and the followers — and you need a lot of the second kind. No, like a lot. At all costs, you must not commit a cardinal social media sin in front of God and Mark Zuckerberg and everybody, because they will eviscerate you. What sin? It depends. And who is “they”? No one knows. It’s just them, and you’d better watch out because if they decide you screwed up, they will hate you. But who cares! It’s the internet. Everyone’s attention span has been worn down to a nub by this point. They’ll forget about it by tomorrow. It’s just social media! Have fun with it!

All this is vexing in the extreme, so my post volume has always been extremely low. Until recently, I never posted videos. And I’ve always been religious about writing as little as I could in any given caption or comment box. I mean, if you want to write 500 words on the internet, get a … blog.

Well that’s an interesting point, Mary.

Right, so about a month ago, I caught myself writing a paragraph’s worth of copy for a single Instagram caption. “This is a blog post,” I said to myself, looking up at the clock. I’d been at it for 20 minutes. “What are you doing?”

It appears that I’m still producing content on the internet, just in a different form. I’m not entirely comfortable with this arrangement, but I have to admit it reminds me of something.

From about 2001 to 2005, I was a hardcore performance poet, slamming my early-twenties heart out every Sunday night at Chicago’s legendary Green Mill Cocktail Lounge, the birthplace of slam poetry, the cradle of slam civilization. The form has extreme specifications: A slam poet goes onstage in front of a captive audience and gets a microphone. That’s it. No props, no costumes. She does not have access sound cues or lighting changes. It’s just her and her poem. And the simplicity of that set-up, the restrictions imposed by it, that spareness, it shapes the work in a beautiful way. You, the poet, have nowhere to hide. You have to come out swinging because you are the show and your poems and your performance provide the drama, the humor, the set and the scenery. But a good slam poet shouldn’t need light cues or a soundtrack to evoke emotion: The words and the delivery should be enough — and when performance poetry is done right, it’s more than enough.

By the way, everything I just said I learned in real time. And after years in the solo performance trenches, I had to admit that I desperately wanted to play with some props. Anything, really. Plastic lobster. Paper hat. Peanut butter and jelly. Anything. I had so many ideas! Imagine what I could do with just one tiny sound clip! My kingdom for a sock puppet! I had the word stuff down well enough; I needed to advance to the next level of making work for the stage: blackouts. Stage doors. Sound effects. Maybe someone other than my damn self onstage for once.

So I auditioned for the Neo-Futurists — a prop-friendly ensemble if there ever was one — and for the next almost-six years, I had all the plastic lobsters a girl could want. I got my paper hat, my light cues, all of it. The work I was allowed to do with the Neos was full-color and required tremendous physical effort. There was so much material in every sense of the word. The two eras shared much in common (e.g., wild creativity, breathless excitement, incredible people) but if Neo-Futurism was abundance, slam performance was austerity, and both eras brought tremendous gifts.

I think PaperGirl is slam. And my social media content isn’t Neo-Futurism, exactly, but it’s definitely a space where I get to use props if I want to, or goof around with sound cues, or make as many set changes as I please. You could make the argument that I’d better use all of those things if I want to exist in the dripping, gaping maw of social media. And doesn’t that sound fun.

So, if you want to hang out with me on my Instagram page or on my Facebook page, that would be nice. You’ll get a peek at London, and at Eric, every once in awhile. I styled a photo shoot for Liberty, and I posted about that. I am posting pictures of London, a city I am deeply in love with, which is alarming. And I’m filming a lot of quilt-related video content and that makes me happy.

Most of the content is on Instagram but I try to make sure it’s cross-posted to Facebook. However much I advance in the social media game, I remain deathly allergic Facebook. It’s bad. Facebook makes my throat close up and my body gets all scratchy and puffy and then I basically die of anaphylactic shock and then I’m buried and then I rise from the dead and come back and put a 1,000-year curse on Facebook for its crimes against humanity and then, just to be safe — and since at that point I’m a sentient, powerful ghost — I melt all Facebook’s servers and turn the resulting river of boiling plastic into a sweet, clear, babbling brook, which becomes a home for magic ducklings who grant me three wishes.

Oh, look: I have a chunk of fish left and a few chips.

(Picks up fish, eats. Wipes mouth on sleeve.)

Journal Buddies #11 : If I Could Be Anywhere In the Entire Universe, I’d Be …

posted in: Story 8
Portrait of the car radio as black box. Image: Wikipedia.

 

 

This is the 11th installment in a series of 51 posts inspired by a list of writing prompts from the website Journal Buddies. If you’d like to know more, here’s where I explain what this is and why I’m doing it.

 

On Thursday, March 12th, I went to the Las Vegas Airport — twice.

The first time, it was early afternoon. After a 10-day trip to Nevada, the time had come for the Quiltfolk girls to head home. One of them would fly to Denver, the other to Chicago.

Me, I wouldn’t leave till morning. Since Eric was in San Francisco at the time, we decided it made more sense for him to meet me in Vegas that evening and we’d fly to Mexico the next day. Though it would’ve been nice to swap out some of my travel clothes and get the mail, to go all the way back to Chicago only to turn around and head back west would only add more travel time. Plus, it was giving me a great deal of pleasure to practice saying the sentence, “Well, last week I was in Reno, then I flew to Vegas, then I flew to Cabo.” It sounded ridiculous and I suppose it still does.

So I’m driving to the airport that afternoon, and to describe the mood as “tense” doesn’t quite cover it. The team had gotten along great, we met extraordinary people, and we did solid work; the team was not the problem. The problem was that things in the world were starting to get very weird. Nevada is a large state, and as we drove across, up, and down it, we listened to the radio. We weren’t glued to it the whole time, but we were tuned in when the stock market lost 2,000 points in a matter of hours. We were tuned in when the NBA cancelled the season. We were listening when Italy went on total lockdown and we were among the first to learn that the WHO had officially declared COVID-19 a pandemic.

It was interesting to gauge the levels of alarm in the car: One of us was more or less unconcerned and felt everyone was getting too worked up; another of us was disturbed by the news but was taking a “let’s wait and see” approach, though she was becoming quieter by the hour.

As for me, I was gripping the steering wheel so hard my knuckles were white. I was trying to relax my jaw and trying not to make it worse by saying what was on my mind.

“This is not good,” I said, failing at that. “This is bad, you guys. This is very bad.”

When we spied a Wal-Mart just before getting on the interstate, I suggested we try one last time to find some hand-sanitizer. Without exception, every place we had stopped on our 10-day trip — and I mean every gas station, grocery store, convenience store, big box store like Target and Wal-Mart across the entire state of Nevada in towns big and small — that stuff was gone. Not one place had it in stock. It was unnerving, but now that the girls were headed into McCarran International Airport, into throngs of germy travelers from all corners of the world, going in without any tool of the bacteria-killing agent kind felt straight-up dangerous. But we found no hand-sanitizer at that last Wal-Mart, either. What we did find were entire shelves empty of cleaning supplies, toilet paper, paper towels, pasta, diapers, all of that stuff that by now, we’re all used to not seeing. But that Las Vegas Wal-Mart was the first place the three of us saw it, and I suspect our stomaches all dropped in sync. We headed back to the parking lot and got in the car.

I doubted the girls noticed that I was holding my breath the entire ride to the airport, but we all noticed after awhile that I had being driving the wrong direction for about 10 miles. We turned around — and then I missed my exit. I shook my head and forced myself to focus, but with the bad news streaming out of the radio, it took a great deal of effort. Something that had felt like it was slowly descending over the past week had officially pierced the ozone. Through no fault of their own, much of the information radio and TV news anchors announce is of marginal importance to most people; these last few days of our trip, there was an unmistakable edge to their voices that I hadn’t heard since 9/11. There’s no other way to say it: I was frightened. By the time we finally pulled up to the airport drop-off curb, no one was talking.

Now, at some point on the trip I had picked up a tube of Clorox wipes. “Let’s divvy these up,” I said, and we found a couple plastic bags. I pulled out the wet fabric and tore off portions for each of us. “Wipe down your seat,” I told them, “and your tray table and … Just wipe down everything, okay?” We all hugged goodbye and said “be safe” and “text when you get home” and “good luck”.

In the five or so minutes it took me to get to the rental car garage, three things became absolutely clear:

  1. I had to call Eric, because there was nowhere I’d rather be in the entire universe than with him at that moment.
  2. We were definitely not going to Mexico.
  3. People were going to die.

 

In the next installment, I’ll tell you about the second trip to the airport. Stay safe, everyone.

The PaperGirl Persona

 

If you’re reading this, I’ll bet there are some books in your house. It doesn’t matter what kind, but I’ll bet there’s more than 20. I don’t have hard data on this, but I was at an event in Indiana a few weeks ago and met a number of PaperGirl readers who were clearly book-owning people. It was a vibe.

If you’re like me, the books you’ve kept for years in your living room or den or office you’ve kept for an obvious reason: They matter. I think the books we keep are meaningful because they reflect to us and everyone else who we are — and/or maybe who we’d like to be. Our bookshelves speak volumes (I know, I know!) because they’re essentially an exhibit we’ve curated. The books on a person’s shelf say, “I’m a hopeless romantic”, or “My political views are central to who I am”, or “I’m a Christian”, or “I’m an atheist”, or “I’m an actor” or “Science fiction helps me deal with reality.” What do your books say about you? Maybe there are so many books on your bookshelves, they’re groaning under the weight of all that paper. In that case, what your books say is: “I can’t throw books out.” That’s your answer: You’re a person who can’t bear to let go of books.

The books on my shelves cover a lot of ground. I’ve got anthologies of humor writing wedged in next to a pristine set of Quiltfolk magazines, the ones I refuse to mark up, make notes in, or review incessantly so that the next issue will be better than the last. On the other shelf, I’ve got everything Camille Paglia has ever published. Next to all that is (for example) a collection of Saul Bellow letters and two or three Nabokov novels … which butt up against a tiny portion of my quilt history library. (The rest is in my basement storage unit at the moment.) To an outside observer, this quilt history/cultural fireband/chuckle fest/Lolita mix is super weird, but to anyone who knows me, the books on my shelves makes perfect sense: My library, myself. And it’s the same with you.

However mishmashed the subcategories may be, there is one prevailing genre within my shelves: Nearly everything fits into the genre of personal narrative. Personal narrative is nonfiction that comprises memoir, autobiography, diary, personal essay, and certain longform journalism. As a writer and reader, this stuff is my jam. It’s been this way since I was in high school. I don’t check novels out from the library, I don’t buy them, and I don’t read the few I still have in my possession. Why?

The way I figure, it’s unfettered reality I want — the “straight tea”, as the kids say. I’m curious about people’s direct experience being a human and if a person writes about that experience as honestly and thoughtfully as they can, I want to read that. In fact, I’m desperate to read it. Everyone has way, way more to learn than they think they do, and I know I’ll learn from people if I can access their respective alternate realities. Of course I realize that novels offer alternate realities, too, and that novels can weave reality in a lovely, different way, but I don’t want a surrogate. I don’t want a (however well-wrought) fabrication standing in between me and the story. I’m too impatient, as usual, but I’m also unapologetic about this: I want my reality uncut. Mainline me.

There are giants of the personal narrative genre. These people are my heroes. Those giants include James Baldwin, Virginia Woolf, Susan Sontag, Michel de Montaigne, Zadie Smith, Christopher Hitchens, David Foster Wallace … and Vivian Gornick.

It’s that last name we’re going to spend the rest of our time with, because Vivian Gornick wrote a book I have kept on my shelf for many years and I shall always keep it on my shelf. It’s like an old, worn, freshly washed bathrobe. The other day, needing one of those, I pulled that book down and leafed through, for old times’ sake. The content I found did two things: 1) it caused me to think about the books we keep on our shelves and 2) it broke open why I can’t get a grip on this blinkin’ blog.

First things first: Vivian Gornick is a genius at writing. Her writing is efficient and elegant — think Einstein’s theory of relativity. Her sentences have zero fat. There is no ego, no flourish. She doesn’t stand for that crap. She observes everything and then she writes down the truth of it, however mundane. She writes books and essays and critical reviews and they will inspire you and also depress you if you’re a writer, because guess what? There’s only one Gornick, baby. If you want a place to start, read her memoir about her relationship with her mother, Fierce Attachments. 

Okay, okay, so Gornick wrote a book a few years ago called The Situation and The Story: The Art of Personal Narrative. When I was teaching writing at the University of Chicago, I used this book a lot, especially in the blogging class and the storytelling class. The book is one big revelation, but perhaps the biggest, baddest one is essentially this: to write about your life, you have to craft a persona, because a persona will give you the voice you need to write the story of your life. Here’s an excerpt from the book, and I know I’m just diving in here, but I looked hard for the right passage so I hope you’ll track with me on this:

“The writing we call personal narrative is written by people who, in essence, are imagining only themselves in relation to the subject in hand. … Out of the raw material of a writer’s own undisguised being a narrator is fashioned whose existence on the page is integral to the tale being told. This narrator becomes a persona. Its tone of voice, its angle of vision, the rhythm of its sentences, what it selects to observe and what to ignore are chosen to serve the subject; yet at the same time the way the narrator — or the persona — sees things is, to the largest degree, the thing being seen. 

To fashion a persona out of one’s own undisguised self is no easy thing … Yet the creation of such a persona is vital in an essay or a memoir. It is the instrument of illumination. Without it there is neither subject or story. To achieve it, the writer of memoir or essay undergoes an apprenticeship as soul-searching as any undergone by a novelist or poet: the twin struggle to know not only why one is speaking, but who is speaking.”

This blog has existed since 2005. For more than a decade, save for a few periods when I’ve gone dark — as I’ve been lately — I’ve shared my life here and I have told you the truth. I am vulnerable here. I don’t bullshit you. I respect you, I respect myself, and I tell the truth and because of that respect, I cannot write things that are fake. The times when the blog has evaporated for a spell, it’s evaporated precisely because I refuse to be inauthentic, and sometimes it’s impossible to be authentic without turfing out. Put another way: If what’s going on with me is deeply private, if it is not for public consumption, yet, if it would compromise other people, if it simply makes no discernible sense yet, or if I’m just plain too scared to tell you, I don’t know how to write PaperGirl. 

PaperGirl is fun. Yes, she’s vulnerable and open. We know that. I talk about sad stuff and bad stuff and gross stuff. But she bounces back. She’s a total dork, a complete spaz. She has perspective and she knows who she is. I love PaperGirl. She’s definitely real. She’s me. She’s a part of me, anyway, which means PaperGirl is … a persona. Absolutely authentic, no fake-out, no bullshit. But a specific voice from me who can take “the raw material of [her] own undisguised being” and tell you about it using a specific “tone of voice”, “angle of vision”, and with a certain rhythm to her sentences. I don’t want to get too writer-rabbit-hole-y on you — too late — but believe me: For years and years, when it was time to sit down and write PaperGirl, I mentally and involuntarily slipped on my PaperGirl shoes, cracked my knuckles, and voila: I could write about my life.

I’m afraid that persona has left the building.

Wait, wait! I don’t mean that in some dour, gloomy way. It’s weird and yes, it is sort of sad: I liked her. I liked that goofy, chummy, weird, sensitive, earnest PaperGirlI hung out with her a long time, and so did you, and I love you very much, and she loved you very much. But after everything that happened this past winter and everything that has happened since, I can’t get those shoes on my feets. They do not fit. I observe things constantly that I want to tell you about, every single day, but I can’t get it on the page/screen. For awhile, every time I saw something I would normally zip out to you, I’d think, “Yes. That’s it. Tonight I can blog. Yes, I have to write about that, I have to share that. I love that and they’ll love that.” But that night, I’d try to put the shoes on and … I couldn’t write in that PaperGirl voice anymore and that was hard, but even harder was that I didn’t know what voice would take its place. Or if one would. That is a very scary thing for a writer and for a person.

The good news is simply that I’ve figured all this out, and I send my regards to Vivian Gornick. And because I’ve figured it out — that it’s impossible for me to blog like I used to because I’ve outgrown the PaperGirl persona/narrator — this means I can let myself off the hook. I’m not a bad blogger, I’ve just got a concussion. I’ll always write about my life; I just have to figure out who’s doing the writing.

In conclusion: If I let myself off the hook for not being “PaperGirl”, I think I can blog. I think so. There’s an opening. Thank you for all the emails and the comments and everything. You people are amazing. I’m doing pretty good and oh man do I have so much to tell you, big things and little things. I’m bursting to tell you, but I just don’t know what the PaperGirl 2.0 voice is, yet. I’ll get her. I’ll catch her. I get back on my feet. I’ll practice.

This is me, practicing.

Whither the AirPods

posted in: Day In The Life 25
Ms. Florence Violet McKenzie sitting at a desk listening to an early radio in 1922. Image: Wikipedia.

 

 

When you live in a big city, it’s possible to witness significant cultural shifts happen in real time.

You have a healthy sample size, for one thing. There are a lot of people to observe. And cities — not always, but most of the time — birth Next Big Things or adopt them early. So if you walk down the street in a big city and notice that lots and lots of people are engaging with a particular thing at the same time, or talking about the same thing, that thing is probably going to have a broader impact before very long.

Which brings us to wireless headphones. Specifically, the Apple AirPods. EarPods? iBuds. I realize that my inability to get the name of those damn things right makes me 1,000 years old, and calling them “those damn things” isn’t helping.

You’ve seen those damn things, right? Many of you may own a pair. If you don’t know what I’m talking about, the next time you’re out someplace being 1,000 old* look for people walking around with white plastic sticks in their ears. Since humans are not (yet) made of bright white plastic, people using these newfangled headphones will hard to miss. Look for people who can’t hear you when you ask them a question because they have thin white sticks coming out of both ears that hang down past their earlobe. These people are wearing wireless headphones, i.e., headphones that connect to their phone without a cord that attaches the two. I don’t know how it works, but it does work.

More than a year ago, when Apple first released those damn things, a friend at the school newspaper immediately purchased a pair. He sashayed into the office wearing them and announced that his life had changed forever, that he was a new man with these wireless headphones. He looked strange to the rest of us, those bright white tubes hanging off both sides of his head. I thought he resembled a tagged deer. Nevertheless, he swore by them. We all nodded and went back to work.

Some months later, I saw more of these deer walking around. I don’t begrudge anyone their thing; we should all do our thing. But I must confess to feeling the tiniest bit smug when I’d pass someone wearing the white sticks. “Ha!” I’d think to myself, “You fell for it! Apple puts out a new product and you line up. New iPhone. Apple Watch. Filth! Stand up for yourself! Resist the tyranny of Apple!” I thought the deer were suckers, frankly, and conspicuous ones, too, which is the worst sort of sucker to be. I’m a sucker for lots of stuff, but it doesn’t show up on my ears.

Then everything flipped.

Just like in autumn when you look around one and realize all the leaves changed overnight; just like in spring when all of a sudden everything is green and flowers are having a lot of sex with each other (that’s how come there’s flowers, people, let’s face it), so it was with these wireless headphones. Suddenly, everyone was wearing them. Not everyone everyone, but many. Instead of seeing one tagged deer for every 300 people I’d pass while walking up Michigan Avenue, there were one or two in every 50 people, maybe more. I don’t have to count to see what’s happening: Wireless headphones are now The Thing. They are not a trend; they represent a major shift. You’re either tagged now or you’ll be tagged later. Now when I walk up or down the street, the people who stand out are the sad sacks with headphone cords. The plebes! Sad!

I got a pair of the damn things as a gift. I was most grateful for the gift, but to me, the accessory was just okay. It was cool to put the phone at one end of my apartment while I was on a work call and slowly walk away from it without having to shout. And I very much liked not having to untangle my headphone cord every time I took it out of my purse. As for wearing the wireless headphones in public, I felt very with it. I felt very tech savvy. I felt very au courant.

Well, I hate feeling all of those things. I don’t want to be a tagged deer! Trying to stay on top of the times is a tricky proposition: A gal must allow herself to be carried at least some distance on the winds of change; living under a rock is lonely and dark and then you’re living under a rock, so that’s not going to be very comfortable. But to pay too much attention to whatever culture is demanding of you this week is to be used up real quick by forces you can’t control. That’s not very comfortable, either.

Better to watch and wait a little while and see what sticks — or sticks out. Incidentally, I managed to lose my headphones in an Uber in New Orleans. I am 95 percent sure this was an accident.

 

*call me

I Have Become a Sleep Mask Person

posted in: Confessions 14
It’s from Paris! Photo: Wikipedia.

 

 

I’m not sure why it happened, but it happened: I am a person who wears a sleep mask.

Not all the time — just when I sleep. And after about a year or so of sleeping with a sleep mask on, I find it almost impossible to sleep without wearing one. I need it to be dark when I sleep. I need to check out, go away, be in the state of sleep, not in the state of waking. I need darkness.

When I was a kid, sleep masks were so weird. Well, they were either weird or glamorous. You’d see them in movies, sometimes; Audrey in Breakfast at Tiffany’s, probably a lot of Bette Davis movies, etc., and that was glamourous. But there were other cultural cues that sleep masks were weird. I can’t think of any right now, but for a kid, it’s like, “Why are you putting on a blindfold at naptime??”

Oh, kid. If you only knew how badly adults need naptime and how much we want to be unavailable for comment while naptime is taking place. Blindfolds are good at communicating “I am unavailable for comment.” The sleep mask is that blindfold play — and I’m hooked.

I have a lot of eye masks/sleep masks/blindfolds. I’m becoming a connoisseur, you could say. Some are foamy. Some are silky. Some are cheaply made and don’t work very well; others are expensive but can’t work that much better than a regular old blindfold, can they?

All I know is that if I don’t “put on my eyes,” as Nick* puts it, I can’t get — or stay — asleep. Lucky for me, a sleep mask is pretty easy to get and maintain as part of my sleep hygiene.

It could be worse.

What if I needed to put on a chicken costume to fall asleep? How weird would that be? I’d have to travel with it! I’d have to get it cleaned and repaired. Every night. A chicken costume! A sleep mask doesn’t seem like a big deal, you know? When you put it that way.

 

*Nick is back. I am glad.  

I Kicked My Sandwich

posted in: Day In The Life 8
Amazing. This is a picture from Wikipedia showing the EXACT LOCATION OF THIS STORY. Pretty much. Image: Wikipedia.

 

I was hungry for pizza, but there wasn’t time.

This was three days ago, when I was connecting in St. Louis on my way to Baltimore. I know the St. Louis airport well, so I knew there was pizza to be had at the California Pizza Kitchen (CPK) but I also knew I couldn’t trust the St. Louis airport CPK to get me a pie before I had to get on the plane. Oh, they say they can make your pie in under 10 minutes, but they can’t. They are very nice people but they never, ever can ever do that.

I knew I’d have to grab a different snack, but I really needed something hot. You know how it is, how you get when you travel — or maybe when you don’t travel — and the thought of consuming a handful of dumb trail mix or a dumb bag of chips just makes you feel despondent and wan while the thought of a Hot Item Of Some Kind gives you the strength to go on. You know that feeling, right? That’s where I was the other day.

On my way to my gate, having resigned myself to eating trail mix and/or chips for dinner, I passed by a Starbucks. Because I am trained by Jeff Bezos* to want the things his company sells, I thought:

“Oh. That egg-white sandwich thing. That’s hot and not horrifying. I’ll get one of those.”

So I approached the counter and I ordered my egg-white sammy and waited for the gal to heat it up. When she wrapped up the sammy in the paper and handed it to me, I have to tell you: I felt happy. I felt a mini-frisson of energy, a zap of hope that I could take up arms against a sea of troubles — at least until I got to the east coast.

“Thank you,” I said to the nice girl at the register, probably too intensely. “Thank you … so much.”

And so I’m walking to my gate. And I’m adjusting my attaché and  re-hitching my purse up on my shoulder, when … plop.

Egg-white sammy down.

Ah, yes: I had turned the paper bag the wrong way as I was adjusting my things and that Starbucks sammy just fell right out onto the airport floor and came completely apart. I didn’t know what had happened at first; a rounded egg disc made for a Starbucks breakfast-style sammy does not make sense out of context. I mean, I felt something drop as I was walking and as I looked down, I thought, “Okay, I think I dropped my sammy,” but I didn’t stop walking because I was not yet computing, so as I’m trying to compute, I kicked the egg disc. Not on purpose, of course; it’s that I was walking and adjusting and obviously dropping egg-white sammy components and before I could stop everything and avoid contact with the sammy pieces and/or regain my dignity (lol), I kicked my own food.

I bought a sammy and I dropped it in the airport and then I kicked it.

That was new. That was a new experience, traveling.

Oh, I muddled through. Within 45 minutes or so I was nestled in 6D, munching airplane peanuts and drinking white wine. I had a drink coupon from Southwest, you see, so I got the wine. Because I fly a lot. And that’s what I get. I get coupons for white wine and packets of peanuts and when you are the kind of person who accidentally kicks her “delicious” dinner down an airport terminal on a Tuesday night, these kinds of perks are real. Real good.

*Wait, wait. That’s not right. Jeff Bezos is the Amazon guy. The Starbucks guy is the other guy. Zuckerberg. 

My Cell Phone Phobia, Part One: ‘The Problem’

posted in: Tips 6
Girls on phones — are they as anxious as I am? Image: Wikipedia.

 

How was Christmas?? Was everything okay? Did you eat cookies? I got a hairdryer! It’s the only thing I asked for, so I’m batting 1000. Now, onto a serious matter:

I have terrible cell phone anxiety.

The first cell phone I ever had I got the summer after college, right before I moved to Chicago. It was a Samsung flip phone, the pre-iPhone era. I remember being excited to have a number with a Chicago area code. I remember thinking the flip thing was cool. But I’m pretty sure that right away, I started to not like answering my phone when it rang. And when texting became a thing, I remember being extremely resistant to responding to texts in a timely fashion, most of the time.

But why?

To answer that question, I’m going to get a little armchair-psychologist on you; just bear with me.

When we don’t do something we’re supposed to do — or when there’s something we shouldn’t do but we keep doing it, anyway — it’s worth asking what deeper reasons might causing the detrimental behavior.

For example, if a kid is told over and over again that he shouldn’t hit his little brother but he keeps doing it, at a certain point it becomes more important (and far more effective) to ask lil’ dude what’s going on with his emotions and his heart. Is he frustrated with something? Is he sad? Maybe he needs attention. Maybe he doesn’t feel like anyone’s listening to him and he hits his brother so someone will look at him for once. The point here is that human beings have exquisite reasons for doing the things we do, even if the things we do are lame/weird/not helpful. Such as hitting your kid brother.

Or being “terrible” at cell phones.

I’m starting to understand something big about my cell phone problem because I’ve been looking at the whole situation with compassion instead of guilt and shame. (Amazing when you turn the tables on yourself with love, eh?)

The truth is, I hate that I have to have a telephone-computer-homing device with me at all times and that I will have said device, in whatever incarnation it takes, from now until I die. I deeply resent the tyranny of this small, plastic and metal box which pings and dings at me incessantly. It startles me. It breaks my concentration. And for the priviledge of all this, I pay an awful lot of money, just like you do.

I know I sound like a real luddite jerk. I’m not! I love GPS and being able to look up definitions of words while I’m waiting for an elevator. I love being able to check my email while I’m on the bus. I love Instagram! I love the Southwest app! And the other apps! Most of them!

In fact, part of the reason I hate cell phones so much is precisely because they allow for these kinds of things. My cell phone sucks me in when there are other things that could suck me in (e.g., the landscape, the beautiful woman sitting near me on the train speaking Swahili to her son, etc.), but other, real-life things are usually no match for flashing, beeping screen pictures, because people are like crows and crows are easily distracted by shiny objects. I am a person. I like shiny objects. I’m a crow, too. I get it.

So my friends and family get hurt because I turn my phone off a lot. I have missed important calls. I’ve played games of phone tag so long it approached being an Olympic sport. If you leave a voicemail for me … Woe, woe unto you. Checking my voicemail is like dental work for me; ergo, I don’t get around to checking it very often. This is bad. This is not good. Something has to change. I have to make peace with the phone thing.

Guess what? Peace is being delivered tomorrow — as in, UPS is bringing peace and will leave it in the receiving room.

I’ll explain everything tomorrow — and this time, I won’t leave you hanging. Hey! That’s kind of a phone joke. “Hanging”? Get it? Like a phone? Hanging up? Like …

Let’s just talk tomorrow.

The “Crit” Approacheth. (And I’m Really Writing A Book.)

posted in: Day In The Life, School 6
This is the conference room in the Ministry of Health, in London. I don't know if I'd be more relaxed or less relaxed if this was the conference room where my crit was to be held. Image: Wikipedia.
My image search for “conference room” turned up this one at the Ministry of Health in London. I don’t know if I’d be more relaxed or less relaxed if this was the room I was assigned. Image: Wikipedia.

 

In just over a week, I will have my first-ever, very official, art school critique. I am excited and nervous.

At the School of the Art Institute (SAIC), all classes are cancelled for one week near the end of each term for Crit Week. This is because the formal critique is given great importance here. Every student is assigned a panel of three faculty (visiting artists may also serve on panels) who look at that student’s work the week prior and then critique it with/for her at her appointed time.

My appointed time is Wednesday morning at 9 a.m. I will go into a room and sit in a chair and three people at a table will rip me apart, give me praise, ask me questions, etc. Gah!

Just today, I sent off pages to my panelists. What did I send?

I guess this is as good a time as any to tell you that I am writing a book. I mean a real-life, honest-to-goodness book, you guys. It’s got chapters and everything. It’s a collection of personal essays and I have to tell you: I’ve never worked harder as a writer in my life. There have been times in the past couple years when I got excited about the idea of writing a book — I even sent a proposal to several agents while I was living in D.C. and I did get several letters of interest back — but it wasn’t time and I didn’t have the fire within me.

Now that my quilts and my writing are married like never before, now that I’m exposed to the most extraordinary reading and art I’ve ever known, the fire has been lit. The book is happening. I’ve been working on it since school began. I can’t tell you too much more about it right now because that is dangerous. In fact, one of my advisors said to me the other day, “You should talk less about what you’re writing and just write it, instead.” This is good advice — and he was saying that while holding the latest 15 pages I had turned in that week, so I’m no slouch.

That’s what’s so incredible: I’m churning out pages like crazy because I’ve learned that when you’re really writing a book, it’s like being pregnant. What I mean is, the old saying “You can’t be ‘a little bit pregnant'” seems to parallel the writing of a book if you’re doing it in earnest. If you’re really writing a book, the energy is sort of shocking. There’s no halfway. I feel like this thing is coming — like a baby — and I’m just trying to get to the hospital in time.

True confession: It’s why I’ve been a little slow on posts lately. I’m writing so much but it’s like, where do I turn the hose?

I submitted two excerpts of the book to the crit panel; just over twenty pages. I’ve worked those pages, man. Hours and hours and hours. I’ll let you know how it goes. I thought about posting the panelists’ names and email addresses and so you could all send them super sweet, thinly-veiled threats to be nice to me, but that’s counter-productive: I want the truth. The truth will set you free. The truth is a far better read.

 

 

Chutzpah: If You Can’t Pronounce It …

posted in: Word Nerd 0
Matzoh ball soup. I know how to pronounce it, too! Photo: Wikipedia.
Matzoh ball soup — that’s “MOTT-zuh.” Photo: Wikipedia.

 

One Sunday afternoon, many years ago in Iowa City, I was trying desperately to charm my then-boyfriend’s parents.

We were all riding in his parents’ car. His dad was driving. His mother sat in front seat. Guy and I were in the back. And I did fine the majority of the trip.

The fellow I was dating at the time was a chef — a good one. When I got the job at the cafe where he cheffed, I knew nothing about food beyond Mom’s spaghetti and my young-adult version of it.* But this person, this chef, taught me how to eat. He showed me the world of fresh food beautifully prepared and it changed my life because I love my family, would die for my family, respect and value my family — but my family is not a food family. That’s okay! But when I learned how to eat (and how to cook) because of the chef, life tasted different. And I like different.

So we’re in the folks’ Beemer and Chef’s lovely, intelligent, handsome mother asks me this or that question about this or that thing. I have the occasion to use a word that I liked — liked, past tense: chutzpah. Great word. Yiddish. Means “shameless audacity, impudence.” Like, “He had the chutzpah to run for class president after pulling that stunt in gym class.” I knew how to use the word. But I didn’t know that chutzpah was pronounced “HOOTZ-pah” and ideally, one should do that Yiddish glottal cough thing with the “H” sound. I didn’t know any of that. Your hapless heroine pronounced it, “CHUTT-spa.” Hard “CHUTT.” Spa.

These people were Jewish. By the way.

Chef’s mother made this sound that was half-gasp, half-snort and turned back to look at me with kindness but great, great mirth. “Honey, you pronounce it ‘HOOTZ-pah.” I cocked my head to the side.

“Ha. Ah. I see. Well, you know, then, ha. Ha, then. It’s… She had HOOTZ-pah. For the thing. Are we close? I think we’re close.”

Over a decade! Over a decade since I said “CHUTT-spa” in a car with three Jewish people all with generous Yiddish vocabularies and I still can’t forget it. I thought about it today because I saw the word in an article and that’s a pain because the chutzpah memory starts a machine in my head that spits out all the other times I’ve mispronounced words in mixed company. I was at a fancy lunch meeting once — one example — and ordered the endive salad. I said, “I’ll have the EN-dive salad, please.” The waitress repeated back, “The ahhn-DEEVE salad?” and I wanted to stick my head under the tablecloth.

Turns out you can say “ahn-DEEVE” or “EN-dive.” Both are okay. But there’s just one chutzpah.

*Note: Both versions = amazing

Dresses.

posted in: Fashion 0
Yellow chiffon dress, 1968.  Image: Maison couture Jean Dessès via Wikipedia.
Yellow chiffon dress, 1968. Image: Maison couture Jean Dessès via Wikipedia.

On the drive back from Beaver Dam to Chicago this evening, I stopped at Gurnee Mills. Gurnee Mills is a collection of small pond mills set in the rolling countryside of Illinois. Just kidding; it’s an absolutely enormous shopping center outside of Chicago off I-94 and a couple times a year for one reason or another, I’ll pass Gurnee Mills in an automobile. I’ve pulled off the highway to visit the Old Mill a couple times and both times, I was sad and happy.

Because they have a Neiman Marcus Last Call store there. The Neiman Marcus Last Call stores are where all the stuff that didn’t sell at Neiman Marcus Regular Stores goes to die. You’ve got your Dolce & Gabbana cocktail dresses here, you got your Fendi paperweights there — you get the idea. They price everything relatively low, low, low, but “relatively low” when you’re talking about Stella McCartney is still “relatively ridiculous.”

But lo, the siren song of discounted high fashion called to me and, as I was not able to lash myself to my own Toyota Corolla rental car, I had to exit and find a parking spot.

The dresses I tried on would make you crazy. Crazy with lust. With desire. There was the Akris shift with the hand-dye. There was the Isabel Marant snap-front mid-length thing that was a little tight but in a good way. The Jil Sander. The other Jil Sander. I kept thinking about restaurants I’d go to if I had this one, about various charity functions where that one would work, etc. When you try on clothes, you try on a life.

Now is not the time for dresses, though. I’ve got bigger things on my mind and don’t have the dough. Changes are afoot, comrades. More will be revealed and it’s a whole lot of more. I did buy a cute little jacket. It was 65% off the lowest marked price and is the hottest pink.

Confession: I also bought a chicken sandwich for the ride home. Jesus, take the wheel!

[The management would like to point the new reader’s attention to a three part story from April about a girl in a pretty dress.]

Ode For the Ocean: My Shedd Aquarium Adventure

posted in: Art, Chicago, Day In The Life, Poetry 0
Residents of the deep ocean. Photo: Wikipedia
Residents of the deep ocean. Photo: Wikipedia

There were fish, sharks, fish, strange plants, and 1.5 millions of gallons of water at the aquarium. In response to the Shedd, I’d like to post a poem I worked out this summer. It’s longer than most of my poems, but I hope you will read through it today and when someone asks you, “Did you read any poetry this week?” You can say, “Yes, I did.”


 

Ode for the Ocean

by Mary Fons
© 2015

I’ve never thought it beautiful.

I much prefer a mountain range, which
                         strikes me as more traversable;
The ocean just strikes you with waves.

The “treasures of the sea,” to me,
Are going silver
             (such foolish gold)
Not proof of some grand, courageous adventure,
Just wet and old.

We are to find an endless blue
              (or anything endless) a reflecting pool?
This is madness
           and all madness should frighten you.

For lurking under sunset fire, just beyond the lovers’ sighs
Are beasts with coal black eyes
                          blind with only one own-only mind:
                                                                                                        survive

And longer than you, laughs the whale;
Killer, indeed, and with a tail to crush you,
As you clap and wave and save your photo.

All combers,
Mind the suck down —
                                    that human-sized sucking sound;
So much chum and lunchmeat now,
First for the mighty maw that spied you
                           (what’s red and white and red rolled over?)
Blood becomes you
               ‘till you’re dispersed in that vast, mast-hungry pool
                                                                   adrift on the waves that lulled you
Back when Cabo was not the site of your grisly end;
The fishes catch the tissue last
                                          and any flecks of left eye that’s left —
Are you finally out of the office

Further below, in depths we cannot fathom deep —
                           translucents sleep
Why they wake at all
A question we ne’er allow to ask;
Preferring such questions as:
                         “Shall we take the pink umbrella, dear?”
                         “Is Carol bringing Jake?”

The sea does not care
The sea does not love Carol

But for heaven’s sake!” the swimmers scream,
“Death’s not all the ocean! Think of schools and dolphin,
Think of shells and oyster feasts!”

Please

A grinning manatee emerging from misty black is a heart attack —
You’d mess your pants and your electric fan;

And if walls of undulating weeds or tangerine clowns are cool to you
Fix them in your mind for
                         five minutes down the line these lives, too, are over;

Such is the lifespan of sea color
And what a drag!

The cleverest trick the ocean ever played
Was convincing us of her placidity

There’s chaos in the drink —
A jungle reversed,

                           inverted earth
Primeval monster bedlam,
Time and zero memory locked in loggerheaded war;
What in heaven’s name 
                           are you out there for

 

The sea does not love you

The sea married herself a long, long time ago
                           and she’s kept a tight ship ever since

See how she takes out the garbage

See how she freezes her food
See how she sweeps the floor

See how she claps herself on the back,
                                        see how she races herself at the shore, one more touch,
                                        one more touch, one more touch, one more

She doesn’t love you
She doesn’t even warn you

You: land creature
Get out

 

 

Small Wonders Wednesday: Giveaway No. 1

posted in: Small Wonders 0
That's not Small Wonders fabric! What can it mean?
That’s not Small Wonders fabric! What can it mean?

As many of you know, my fabric line, Small Wonders, launched in October. Small Wonders focuses on small-scale prints, which every quilter needs in her stash for a number of reasons. You can see the story on Small Wonders in this pretty video.

On this inaugural Small Wonders Wednesday (this will be a “thing” for the next seven weeks), I present to you the first of many giveaways! But I’m not giving away Small Wonders fabric. What?!

I have twelve (12) bundles of fabric like the ones above and one (1) kit from my days as a magazine editor. I got free stuff from time to time; not for the show itself, but goodies for various promotional reasons, plus freebies I picked up at Quilt Market, too. Very cool, but I’m out of room now that I have so much of my own line.

So:

For the first thirteen (13) people who contact me with a scan, phone picture, or attachment of a receipt showing they spent at least $20.00 on Small Wonders fabric get one of these fat bundles of fabric! It’s all brand new, it’s all complete, and these babies are from the fabric companies you know and love. Basically, you’re getting more than double your money for Small Wonders plus the free fabric, all of which you will adore. You can scan a receipt from your local quilt shop (!!) or show something from an online shop like Missouri Star or Fabric.com.

Send your name and receipt to SmallWondersWednesday@gmail.com as quick like a bunny and you’ll get one of the prizes! This giveaway will last for 24 hours, so you’ve got till 3pm CST to go shopping.

I’ll snap a screenshot of the email box so I have proof of the winners. I play no favorites. Good luck, friends!

 

What Happens to a Resolution Deferred?

posted in: Day In The Life 2
Phone. Holger Ellegaard, 1972. Photo: Wikipedia
Phone. Holger Ellegaard, 1972. Photo: Wikipedia

We have the Babylonians to thank for many things. They’re the ones who put 60 seconds in the minute and 60 minutes in an hour, a system called “sexagesimal” which is a word I think we can all agree is best left out of our vocabularies. We can thank the Babylonians (5500 to 3500 B.C.) for page numbers in a book. Very helpful, guys. Thank you.

And we can thank them for New Year’s resolutions. At the turn of the new year, the Babs had an eleven-day festival to celebrate the occasion, during which they made promises to the gods so the gods would show them favor. (Now that’s what I call accountability.) According to sources that I’m too lazy to cite, most Babylonians pledged to get out of debt.

I gave up resolutions years ago, mostly because I hate going with the flow. There’s one I flirt with each year, but as I know I cannot achieve it, I quit while I’m ahead. I resolve not to try and fix what I need to change. Want to know what I want to change?

I want to answer the phone every time I can see/hear it ring. I have a terrible phobia of talking on the phone, even to people I love. And I loathe voicemail. A week can go by before I finally enter the numbers to access my voicemail and when I do, my fingers feel like they have those little finger weights on them. “You seriously have to listen to voicemail,” I’ll say to myself, and it feels the same as when I say, “You seriously have to make a dentist appointment.” If I discover I only have three messages, I feel like I found twenty bucks on the sidewalk.

What is the root of this crippling phobia? Is it a control issue? Why am I this way? I just can’t do it. I can’t answer the phone. Text messages are the greatest invention since the telephone.

I cannot resolve to get better at this unless someone unlocks the problem. If you can do that, I’ll help you in your resolve to eat Marshmallow Fluff straight from the jar. I’ve got that down.

Last Pop Quiz of 2015, Administered By Pendennis.

posted in: Pendennis 1
Pendennis has nowhere to go but up. Illustration: Me
Pendennis has nowhere to go but up. Illustration: Me

1. What am I doing New Year’s Eve?
a) going to bed
b) going to a wedding
c) going to a party where I don’t know anyone
d) going to get wasted
e) b, then later a

2. What were my goals for 2015?
a) make at least $100,000 and put it all into an attractive mutual fund
b) stay in one geographical location for more than five months
c) not buy more clothes until I have holes in the clothes I have now, seriously, like holes in them because I wear them that much that they have to be replaced
d) finish Middlemarch
e) avoid writing an end-of-year pop quiz that gives me the uncomfortable feeling I’m pulling some Bridget Jones’s Diary thing by accident

3. Essay
If Bridget Jones’s Diary had been written just a few years later than it was, would it have been Bridget Jones’s Blog and if so, would it have been as popular and if so, would that have just been Sex In The City? 

4. If Pendennis could eat one thing for every meal for the rest of his life, he would eat: 
a) candy corn pumpkins
b) linguine with clam sauce
c) just sheets and sheets and sheets of nori
d) cotton balls
e) a and d but not b

5. What are you doing New Year’s Eve?
a) “Oh, right. I forgot. What night is New Year’s?”
b) having some friends over for games (e.g., Catchphrase, Twister “After-Dark” Version, etc.)
c) coming to that wedding with me (it’s going to be super fun)
d) taking a pop quiz

Answers: b, d, too tired to write it out but no and yes, e, c.

The Smartphone Thermometer: By Marianne Fons

posted in: Day In The Life 0
I'm with her. Photo: Wikipedia
I’m with her. Photo: Wikipedia

I am still quite ill. But laughter is the best medicine.

Mom read PaperGirl yesterday and saw that I was sick, so she called. She asked if I had a fever; I told her I don’t know because I don’t have a thermometer. I felt strangely embarrassed about that, like I was a twenty-two year-old dude living in an apartment with an X-box, an amp, and a bunch of Chinese take-out containers in the kitchen. That guy does not have a thermometer. Thermometers are things people have when they grow up. What does this say about me?

“You know, for all the things smartphones do,” Mom said, “They ought to be able to take your temperature.” She was driving with Mark and Scrabble back from Door County to Iowa. I laughed because she is so right.

“Just think,” she said, “You could put your tongue on the screen and it would read your temperature. Or, or! You could put it in your buttcheeks, like a baby!”

Yep.

I was mid-sip and sprayed my tea all over my blanket and some of the couch. Mom suggested that putting your smartphone under your armpit would be better, maybe, than in your “buttcheeks.” I agreed. We decided if your smartphone could take your temperature in either of these places, there would be no more phone theft. Ever. Find a cell phone? Leave it right there. Some kid’s thinking about snitching someone’s new iPhone MXII when they’re not looking? Tell that kid to think about that person’s last bout with food poisoning. They were so feverish. So sweaty. They had to take their temperature… Several times…

“I really need to feel better tomorrow, Mom. There’s so much to do. I wish Scrabble was here to cuddle with.”

“Yeah,” Mom said. “She’s a good hot water bottle.”

Small Wonders Fabric : The Story Video

posted in: Day In The Life 0

Here’s the story, you guys. Small Wonders Fabric, coming to a quilt shops and fabric stashes everywhere in November. If you’re at Quilt Market, come to booth #622 and we’ll squeak together.

xo,
Mary

15 Reasons I Don’t Like Halloween.

posted in: Day In The Life, Rant 1
Halloween revelers, 1998. Photo: Wikipedia
Halloween revelers, 1998. Photo: Wikipedia

Reasons I don’t like Halloween:

1. Never enough candy punkins
2. People hang enormous fuzzy spiders all over their front porches
3. People hang enormous rubber zombies all over their front porches
4. People hang enormous gauzy ghosts all over their front porches
5. People hang out in enormously inappropriate costumes on their front porches
6. Pumpkin spice liquor (See No. 5)
7. Orange and black are gross colors together
8. Plastic Things
9. Fake blood, real blood, blood mix
10. Not all children who trick o’ treat come prepared with a joke or trick
11. If you dress up to go to a party, you have to try to drink a cocktail without the use of your hands or mouth or both, as they are covered, wrapped up, hidden deep in a plastic lobster claw (see image), or coated with oil-based paint, usually green.
12. Everlasting Gobstoppers
13. Itchy
14. Snow possible
15. Deep brooding on entropy and decay as the faces of jack-o-lanterns begin to rot and cave in on themselves

Well, it’s true!

Grease Fires Are Very Bad: Tips For Avoiding & Stopping One

posted in: Food, Tips 0
Grease fires not this cute in real life.
Actual grease fires not adorable as illustration.

All the tips and info I’m sharing regarding the extinguishing of Hot Fire That Can Ruin Your Life is meant to be food for thought (burning, fiery food) and to inspire you to brush up on your emergency skills.

Yesterday, I had a pan of hamburgers in the oven that were surprisingly greasy and got so incredibly hot, I believe I was minutes away from a grease fire. I can’t be sure and don’t want to be; if I was sure, there would have been a grease fire and grease fires are bad.

The burgers were from Whole Foods. “Steakhouse” it said on the label when I pulled them from the freezer. When I got home yesterday there was no energy to go to the store, so this would be dinner. I put the four thawed burgers onto a cooky pan — one with a lip around all sides — and put it in at 400-degrees then went about my business. Maybe I got busy doing other things and forgot to check on the burgers halfway through. Maybe when it was time to take them out I let them cook 15 minutes longer and only did that because I was not paying attention. Maybe.

Regardless, when I opened the oven door, I gasped. The grease in the pan was a scalding pool that seemed like it was beginning to smoke. (I guess “steakhouse” means “80% fat and frightening to prepare.”) I turned off the oven immediately and got my biggest oven mitts to move the pan carefully, cautiously, I’m-not-breathing-till-this-is-ten-feet-away-from-me, to the counter. I spent several long minutes spooked. Grave. Wincing. That was almost on fire, I thought, and it made me wonder if I know how to put out a grease fire. Do you?

Here’s what you do NOT do:

– Do NOT throw water on a grease fire! This is the worst thing you could do! Do not do it!
– Do NOT try to carry the pot or the pan out of the kitchen! Leave it alone!
– Do NOT put a glass lid on the top of a grease fire in a pan! It will break!

Here’s what you CAN do: 

– Call 911. If it’s really bad — and I think mine would’ve been — there’s very little you can do and it could get dangerous, fast. Grease fires are extremely hot and spread quickly; they’re also fueled by a liquid, so splashing a la napalm is highly possible. Get help.

– Turn off the flame and put the lid on the pot. Obviously, this works if your fire is on a pan or pot on the stovetop. A lid on the pot will stop the fire from getting oxygen and may extinguish it.

– Baking soda can work. But you need a lot of it and most people don’t have a vat of baking soda three inches from their hand when they’re at the stove.

– Apparently there are better-than-ever fire extinguishers on the market that we should probably all have, including me. Get one.

– Even if you think you don’t need to, set a timer for heaven’s sake, and be somewhere within earshot of it. The fire safety info I looked at this evening said basically all kitchen fires happen because people leave the kitchen and forget they’re making things with fire and gas.

This post isn’t as fun as this one and it may not sell books — by the way, thank you for all the orders: I’m gratefully deluged! — but it’s one I hope you’ll share around online or talk about at lunch tomorrow. It’s easy to forget kitchen safety stuff.

Quilt Stolen at Iowa State Fair: Goat Also Stolen

posted in: Day In The Life, Story, Travel 0
ssd
Wikipedia is great for a lot of images, but sometimes you have to take matters into your own hands. Illustration: Me

At the Iowa State Fair a few days ago, a quilt was stolen. The quilt was a blue ribbon winner, made by a local gal who had worked so hard on it for a long time, obviously. Well, someone just up and took it off the wall where it was being displayed and now the Fair will surely have to add some long insurance rider that protects future quilters from being afraid to win first place, though they won’t be that afraid for that long.

But the story doesn’t end there. Oh, no. There was also a goat stolen.

A young goat was stolen from the petting zoo — one of triplets, apparently. I’d like to think she was a middle child like me and arranged the whole thing to get attention.

[EDITOR’S NOTE: I initially wrote the above sentence this way: “I’d like to think she was a middle child like me, goading the bad guys into kidnapping her for the attention.”  Do you see how I cannot possibly use either of these terms in this context without honking a clown horn?]

The story in the article that accompanied the ten o’clock news interviewed the man whose goat it was that was…kidnapped. He said — and this is a direct quote — “How could someone stoop that low to take a baby goat anyway? They knew it was a baby.”

That’s it. I’m done. I can never write anything as sweet, funny, charming, tragic, entertaining, or thought-provoking as those two sentences. Never, as long as I live, can I top that. It’s been nice knowing you. To the quilter who was burgled, it’s awful and I’m so sorry. Here’s hoping you get the quilt back someday. To the goat owner (who did get his goat back, by the way) you are my new hero. A girl can only have so many, so I’m taking Dos Passos off the list and sticking you on there in his place.

Let’s go eat a hotdog wrapped in bacon.

I Visited Facebook Headquarters: Also, I Can’t Login to Facebook.

posted in: Story, Travel 1

 

"10.000 auf Facebook," 2014. Photo: Wikipedia, of course.
“10.000 auf Facebook,” 2014. Photo: Wikipedia, of course.

I have no idea who these people are. When I searched Wiki Commons for “Facebook,” I got pictures of gorgeous landscapes in Bejing and pictures like this, none of which made any sense whatsoever. Is this a Facebook conspiracy? to delete photos of itself on a public domain image repository? Is that a ridiculous thing to say? Not if you saw Facebook headquarters in Silicon Valley two weeks ago, like I did. I’m here to tell you: Facebook is creep city.

(Also, I can’t login to my public page, so all of these posts are going unseen unless you’re a PaperGirl subscriber. Could you drop a line to a fellow reader that I’m back and better than ever when it comes to typing? I’m trying to get the problem fixed, but as Facebook appears to have no actual customer service, this has been difficult.)

One of the stops on the road trip was Silicon Valley. Silicon Valley, as you may know, is not really a valley, just a region in the Bay Area where for every 9,000 startups there is one that makes it and the one that makes it makes billions of dollars, like Uber.

Facebook, too. Facebook’s headquarters are in Silicon Valley, and my friend and I thought it would be fun to check it out. Facebook affects our lives in significant ways; why not see where they make the profiles of all those donuts? We actually went to the Googleplex, first and rode around campus on Google bikes until someone caught on that we weren’t employees and we thought we’d better jam. Google was cool because we could actually bike around the campus a little, but unless you have a friend or family member to get you a visitor pass, you should probably skip a trip there. You can’t go anywhere you would really want go, like Sergei Brin’s helipad.

Then it was onto Facebook headquarters and I’m here to tell you: never go there. Never go there not just because you can’t get in but because it’s terrifying. The building, first of all, is chillingly nondescript, all smooth walls and smallish windows. Is it a privately funded medical laboratory that tests things (read: brains)? perhaps a Quantico’s satellite building? Maybe it’s where they make the big red buttons folks push when they detonate atomic bomb. Someone has to make those things.

People were milling about outside, snapping pictures and generally clogging the walkway to the door and when they got to the door, they turned around immediately and clogged their way back. Because no one gets into Facebook. No one can enter the vestibule, so no one can enter the lobby — not even for the bathroom, which I know because I asked. I could’ve whipped out the “I Can’t Wait” card I carry from the Crohn’s & Colitis Foundation that allows me to use a bathroom pretty much anywhere (i.e., the Gap) if I really need to. It’s great fun to watch a snide salesgirl go from, “Sorry, there are no public bathrooms,” to a panicked, “Oh, sure, yeah, come with me” change of heart.

Anyway, Claus and I saw this “visit” was going nowhere, so we made our way past the security guys to the parking lot. I swear, there was a small fleet of camouflaged golf carts at the side of the building where our car was. Camo. Because Silicon Valley (and the Facebook campus) has a lot of tree lines. Look, I realize Facebook and Google aren’t there to entertain tourists; these are places of business. But the citadel thing left a nasty taste in our mouths.

Surely, there will one day be a Facebook theme park with a Zuckerberg Zipper rollercoaster and an I Like This Castle; when that happens, the tourists can get their Facebook photos at Facebook, something that would be so popular I’m surprised Facebook hasn’t done it, yet. Until then, I’m Mary Fons, reporting: Facebook is watching you, but you can’t look.

On Washing Clothes In A Creek.

posted in: Travel 0
Women washing clothes somewhere in Eastern Europe, 1962. Photo: Wikipedia
Women washing clothes. Somewhere in Eastern Europe, 1962. Photo: Wikipedia

Here’s the thing about washing your clothes in a creek or river: when you’re done, they’re not clean.

Oh, they’ll be cleaner than they were, especially if you’ve been wearing those clothes three days in a row. But they will not be clean in the way most of us are used to. Our laundry, if we’re lucky, is gently, soapily agitated to purity and freshness then puffed into fluff by the warm air of the dryer. The river-wash (and subsequent tree- or rock-dry) is a world away. Indeed, one must be a world away to wash one’s clothes in a river; in a faraway country different from ours or, you know, in the country.

The road trip was three weeks long. I planned to go for two weeks with a possible one-week extension, but when I set out I didn’t figure I’d take the option. I don’t camp. I don’t rough it. I need things.

But then I found myself sitting on a rock on the bank of a real-life babbling brook outside Zion, hand-washing my dress. The sun was shining on the water, my skin, the water. Rub, dunk, swoosh, rub, dunk, swoosh. This was Week Two and it was right then that I decided that I wasn’t going home, that you’d have to drag me by my sleeping bag the whole way. No way, not yet, not leaving this.

Because Zion National Park is paradise. The early Mormons, when they were heading west, stopped the entire journey when they hit Zion because they looked at each other and said, “Yeah, so…it doesn’t get better than this.” They were not wrong. Lush vegetation, the modest-but-mighty Virgin River, the red mountains, the rich soil — it’s almost too much, especially if you’ve just come out of Death Valley, which we very much had.*

Butterflies were flitting around my head, goofing off as butterflies do, and I hung my clothes on the tree branches in the sun, basically creating a scene from an Ang Lee movie. The place and time, the reason, and the task were all in harmony. Harmony, as it turns out, is great.

Standard-issue life began yesterday. Sitting here, now, finally, I am glad to be back. Because washing clothes at the riverbank is good, but it doesn’t mean I didn’t miss you.

*One-hundred eighteen degrees our second day there.
Death Valley stories to come. Prepare to be entertained.

Deer In the City.

posted in: D.C., Day In The Life 0
Put a paved road underneath his feet and you're close.
Put a paved road underneath his feet and you’re close.

If power animals exist, my power animal is a deer. I’m not sure about the existence of power animals but what do I know? I do know that over and over again in my life, I have close encounters with cervidae of various kinds.

Today, back home in Washington, I set out to fetch groceries. There was not much in my fridge beyond a hunk of Parmesan cheese (good) and watermelon I should’ve thrown out before I left town (bad.) There’s a fabulous little organic grocery store in my new neighborhood, but “fabulous” and “organic,” when applied to “grocery” and “store” means yams are $5.00/ea. Close to that, anyway. I consulted the oracle and found a Giant supermarket close to my building.

Apparently, I had my Google Maps set to Hermes; what I thought would be a twenty-two-minute trip was at least double that. The Giant really can’t be the closest supermarket to me but these are the misadventures you have when you live in a new place. You have to go to the wrong places to find the right ones.

I’m walking along (and along) the sidewalk in a pretty neighborhood. I’m sweating from the humidity and sun. And coming from the other side of the street — casual as anything — steps a deer. Large deer. Deer with antlers. This deer walked into the street and was therefore about ten or twelve feet away from me. Seeing each other, we stopped in our tracks. The deer looked at me and I looked at the deer and for a moment I wondered, “Do deer charge humans?” and I felt fear. We looked at each other for a good 2.5 seconds; I’ve replayed the encounter many times and believe that’s correct.

“You have got to be kidding me,” I thought. It was right there. Wildlife in the city and we were crossing paths. The deer — surely feeling fear, wondering if humans charge deer — took a running leap over a high fence into someone’s yard where I presume he began munching begonias.

There was a FedEx truck way down the hill who might’ve seen the deer up ahead. I tried to make eye contact with him as he passed. I opened my eyes wide to communicate, “What the —-?!” but I didn’t get an appropriate response, so I don’t think he saw it. This was a me-deer thing.

I’m not so sure power animals are real, but that was mighty powerful.

Color Me Quilter is Tomorrow @ 1PM EST!

posted in: Quilting, Work 0
This quilt is for sale from Rocky Mountain Quilts. It's a Log Cabin Maltese Cross from Pennsylvania, c.1880 62 x 68. ($4,600) This quilt is for sale from Rocky Mountain Quilts. It's a Log Cabin Maltese Cross from Pennsylvania, c.1880 62 x 68. ($4,600)
This quilt is for sale from Rocky Mountain Quilts for $4,600. Log Cabin Maltese Cross from Pennsylvania, c.1880 62 x 68.

Since June of last year, I’ve been doing my Color Me Quilter webinar series. The enjoyable, informative, quilt geeky show happens once a month and helps you select fabric for your quilts. Many, many quilters have asked me for help in this area, and Color Me Quilter has helped a lot of you, which feels great.

There are just two months left of the series, though you can get bundles of my past webinars on the Fons & Porter website. Tomorrow, my presentation examines brown fabrics. I know, I know — brown does not scream “sexy.” It may not scream “modern” to you, either; by “modern” I mean “relevant,” not necessarily “modern” the way quilters use it — but modern quilters are using brown a lot these days, actually. I can pretty much guarantee you will be surprised, big-time at what you see tomorrow.

From Civil War quilts and their mega-popular reproductions to classic Amish quilts; from brilliant use of brown by today’s designers, such as Edyta Sitar to Amy Ellis; from timeless combos like traditional brown and pink to chic brown and black, you will be inspired and provoked to think about your own fabric palette and how brown plays a role.

Brown isn’t the new black, y’all: it’s the new brown.

It’s easy to join. Just go to the Webinar tab on my homepage and I’ll see you at 1PM EST tomorrow.

Smartphones: The Rules of Engagement

posted in: Tips 0
Who needs a lecture about the (fascinating) East India Company? Photo: Wikipedia
Who needs a lecture about the (fascinating) East India Company? Photo: Wikipedia

One of the more maddening conversations (or is it proclamations?) that I hear these days are among parents lamenting how their kids are always tied to their phones and video games computers and tablets, how social media sucks up all their attention. Stop buying them these devices, then. They get them because parents buy them for the kids. A parent may protest, saying that life is impossible without these tools, that their kids will be hopelessly lame and isolated from their peers without them. A fair argument; now, parents leave those kids alone.*

As it pertains to my life, however, I abide by one simple rule: I only use my smartphone for entertainment or time-passing if what I’m surrounded by is — without a shadow of a doubt — less interesting that what’s on my phone.

Usually, this means that don’t use it that much when I’m out and about. I do check email, I do respond to texts and things; if I’m getting navigation information, of course I use my phone because it’s made of magic. I’m talking about sitting in a coffee shop and burying my head in the thing, or being in an airport and never once looking up because I’m scrolling through Facebook. In a coffee shop, in an airport, in a hotel lobby and other places like these, I’m confident that what I’ll observe around me is more thought-provoking than playing Candy Crush.* Look at that: the woman eating her breakfast alone. The couple arguing under their breath over by the window. The beautiful chandelier. The bellman who is past retirement age but still working as a bellman. What is the world made of? What is American culture? Someone designed and built this building, someone is about to lose their job today, someone is having sex somewhere, right now, in this hotel! Observing the world leads to wondering how we interact. There’s so much to see absolutely everywhere.

Now, consider an empty doctor’s office with a table of magazines offering Newsweek, Golf Digest, and Men’s Health. I might peruse Newsweek for the 6.1 seconds it takes to go through the entire thing nowadays, but after that, it’s Phone City for me. There’s very little to take in in that situation; anything that might be worth it, I’ve already seen. I feel the same way about standing in a vestibule waiting to be picked up. Looking at Instagram seems appropriate there: pictures of quilts and Madonna’s latest selfie are way, way more interesting than staring at a vase of fake pussy willows.

As always, giving advice feels wrong, but a floating a friendly thought for consideration seems okay: consider the bird, not the tweet.

*I’ve never played Candy Crush, so I could be wrong about this, but I’m gonna roll those dice.

Preach: Sister Carrie

posted in: Art 0
Read me. Photo: Wikipedia.
Read me. Photo: Wikipedia.

If you want to write, you have to read all the time because reading is the other half of writing. A person who is serious about identifying herself as a writer ought to say, “I’m a writer-reader.” We could get rid of that annoying hyphen and make it one word: writerreader. It’s hideous, but so are “stomachache” and “anodyne” and we get along with those all right.

Philip Roth said that the novel has about twenty-five years of relevancy left for the general public. Novels will still be written, he says, but the number of people who read them will get very small, similar in size to those groups of people who enjoy reading Latin poetry, say. Roth says that because print is changing so rapidly and because our pace of life is simply not matched to the form of a novel — neither in length or content — these particular sorts of books will fade away. Reading a novel takes focus, he says, focus and attention on one larger thing that we so often trade for many smaller things. “If you haven’t finished reading a novel in two weeks,” Roth said, “then you haven’t read the novel.”

While my hosts and I waited for a table at the restaurant in Georgia last weekend, I wandered into a used bookshop. I hunted for poetry but there was none to speak of, just a biography on Anne Sexton. (I think in my current brooding state five-hundred pages on the life of a brooding poet would be nothing short of disastrous.) The “Classic Literature” shelf drew my attention, but my perusal was desultory. As Roth said: a novel demands time and focus and I choose to spend mine elsewhere. Of course I read novels from time to time and I’ve read some pretty important ones (Crime & Punishment = hated it so, so much) but reading an engrossing novel almost unpleasant for me because I get too carried away. It’s the same reason I don’t watch or follow sports. A couple hours into great literature or the NFL and  I start shouting at the book or at the television. I throw the book down and have some spasm on the couch because Character A is so stupid! stupid! stupid! or I jump up and down and twirl and hot-step when there’s five minutes left in the quarter (?) and my team is hanging on by a thread. I don’t like those feelings. I feel manipulated and vulnerable.

But I bought a novel anyway. The edition of Sister Carrie by Theodore Dreiser was just too perfect to pass up and at $4.25 I couldn’t afford to. The story of Sister Carrie is kind of my own: country girl goes to Chicago and makes good/bad. How did Dreiser know to write my biography 80 years before I was born? But here it is, to my left, a book published in 1900 that sketches out great tracts of my experience in this life. It’s hard to put down for that reason; it’s also hard to put down because the late-Victorian mores are hilarious. Here’s how Carrie and a character I won’t name communicate their white-hot, all-consuming, life-destroying passion for each other, no kidding:

       He leaned over quietly and continued his steady gaze. He felt the critical character of the period. She endeavoured to stir, but it was useless. The whole strength of a man’s nature was working. He had good cause to urge him on. He looked and looked, and the longer the situation lasted the more difficult it became. The little shop-girl was getting into deep water. She as letting her few supports float away from her.
“Oh,” she said at last, “you mustn’t look at me like that.”
“I can’t help it,” he answered.
She relaxed a little and let the situation endure, giving him strength.
“You are not satisfied with life, are you?”
“No,” she answered, weakly.
He saw he was the master of the situation — he felt if. He reached over and toughed her hand.
“You mustn’t,” she exclaimed, jumping up.
“I didn’t intend to, he answered, easily.

Sister Carrie has been called “the greatest of all American urban novels. I’ve thrown it across the room twice already, which means it gets at least three stars from The PaperGirl Book Review.

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