I was in the ER recently. It happens. An amusing thing happened this time around.
The triage nurses put EKG nodes all over my chest and arms to get my ee-kay-gee-zies. A male and a female nurse worked together to stick the suction cups all over my torso — unceremoniously, I’ll have you know — and then they punched EKG buttons on a machine atop a rickety cart. They looked at the reading that came out and I saw their eyes get very wide. They looked at each other, subtly panicked.
“Wait, wait…”
“Okay, so…”
I was understandably concerned. I asked if everything was okay. I got no answer right away, but then the male nurse sighed a huge sigh of relief and turned to his colleague.
“We’ve got the left and right arm nodes on the wrong side,” he said. He turned to me. “The machine thinks your arms are on the wrong side of your body.”
When you feel bad enough to be in an ER but have no flesh wounds and have been given sufficient pain medication, you are able to cackle with delight. Arms in the wrong place?! What a hoot! I managed to slap my knee before they came to switch the nodes.
“Can I have the EKG?” I asked. “I love the idea of a machine thinking my left arm was on the right side of my body and the right arm was on the left side of my body. I mean, how often does that happen? Can I have it?”
“Uh, sure,” the nurse said, and handed it over.
EKG paper is awesome; it’s onion skin-like, and it’s nice and pink. And hey, it’s your body in pen ink. I told him I wanted to blog about this. And I did.
Look in there. Just look in there! Heavenly. The City Quilter is at 133 W. 25th St., New York City. You can call them at 212-807-0390 and visit them at cityquilter.com. They are very nice.
One month from today, there is going to be a neat party. I am personally inviting YOU to come to it.
But of course I am! Because I see you.
I see you there, scrolling down the screen in your adorable pajama pants. I see you too, you at your desk at work with your candy drawer. (May I have a piece of candy? Thanks! You’ve always been so incredibly nice to me. :: unwraps, chews :: ) I see you with your tablet on the couch, sir, and I see you, gal on your phone on the bus, reading the RSS feed of PaperGirl like a champ. You’re all fabulous! And you’re all invited to this here party.
On May 20th, 2014 — one month from right now — in the early evening*, come to The City Quilter in scenic Manhattan. We’re having a party for my book! Wow! Isn’t it a wonderful thing to celebrate the existence of a book?? Humans are so cool.
I’ll be there, selling and signing Make + Love Quilts. Really cool quilters and designers will be there, too. I can’t name-drop, but if I did, you’d like, WOAH because these are name-drop-worthy people.
And hey, if you don’t give a whiff about quilts but just really like PaperGirl, guess what? You will love the party, too, and be most welcome there. There’s a lot writing in my book. It’s a quilt book for sure, but it’s a PaperGirl quilt book. A non-quilter can actually curl up with tea and this book and not wonder why he/she is reading a quilt book. It’s a book-book. It’s for everyone.
So, come to the party! You guys! You ladies! Let’s do it! Let’s have fun! I want to meet you! Have you ever been in Manhattan in May?? It’s ridonk-a-donk! So beautiful! It’s like being in a Gershwin song!
Book a flight, take a train, hail a cab. Come to the party on May 20th. Live a little!
There’s an error on this version of the cover. The ampersand should be a plus-sign; it should read: “Make + Love Quilts”. That makes this cover feel like an outtake, or a rare Czech/bootleg pressing of a Stones record.
My book has received a positive review from a reputable source!
It could all be downhill from here, so let’s enjoy this.
Though I have made my pledge and try my hardest to maintain its integrity, from time to time, we must jettison our rules and regulations to celebrate unpredictability and joy in life. Today, I link to the outside web because this nifty review is cause for celebration. If you’d like to see what the fancy critic said, you can click right over here.
Tim Gunn backstage during New York Fashion Week, 2009. Image: Wikipedia.
I have only a few days left in Manhattan before I return to Chicago for a few weeks. I was getting worried that I hadn’t bumped into Madonna in the park or seen Sam Harris on the subway. I don’t seek out celebrity encounters, but I was a little bummed my elbows hadn’t been bumped by anyone fancy since arriving in the city.
Then I met Tim Gunn.
Yuri and I both had loads of work to do this weekend and decided to set up shop at the Balcony Lounge at the Met. This is a private lounge for members of the museum, and my family has a membership. (Thanks, Ma!) The lounge is quiet, serves excellent tea and cheese, there’s fast wireless, and if you need to take a break and go see Walker Evans photographs or stare at The Harvesters by Bruegel the Elder, you can absolutely do that. We all need Bruegel the Elder breaks from time to time.
I was focused on editing the May/June ’14 issue of Quilty when I heard a one-of-a-kind voice. I looked up to see none other than style icon and Project Runway host Tim Gunn greeting the nice lady at the registration desk. My mouth dropped open. I grabbed Yuri’s leg. I do that a lot for a variety of reasons on a regular basis, so he didn’t look up from his laptop.
“Yuri!” I hissed. “Yuri, it’s Tim Gunn. Tim Gunn just walked in!”
Yuri was programming. “Who?”
“Tim Gunn! Tim Gunn from Project Runway! And, like, fashion!”
My body was contorting into Martha Graham-like shapes. I was excited. Tim Gunn is someone whose career I admire. He taught at (and led) Parsons School of Design for many years. He was Chief Creative Officer at Liz Claiborne for awhile, which, according to my research, put him at the company during its morph into the Kate Spade-Juicy Couture-JC Penny animal it is now? This is unclear to me, but it is clear is that Tim Gunn is the man. And, as most people who are not named Yuri know, Tim Gunn has served as beloved mentor to designers cast in Project Runway since the very first season of the show in 2004. He’s written books, he’s done TV and film cameos; he’s even got his own catchphrase. Though we know people on screens are not magic, it’s plain as can be: Tim Gunn is neat.
I tried to focus on my work but it was impossible. I kept stealing teensy glances over to the sofa where Tim Gunn was sitting. He was perusing a large art book. There are many beautiful books of art on offer in the member lounge, no surprise, and he was engrossed in his selection.
What to do? I desperately wanted to meet him but refused to be weird or annoying. I decided after he had been there for an hour or so to write an extremely short, non-creepy little note to him. (Hear me out.) I would buy his glass of wine and give my note to the waitress to give to him in lieu of his check. My note said something like:
“Hi, Tim Gunn! Thank you for inspiring so many of us who work with textiles. If you ever need a quilt or a quilter for any reason, call me!”
I taped my business card in the center of the note using one of the stickers for my upcoming book. Actually speaking to the man was not part of my plan. I’d take care of the bill and Yuri and I would leave before he did or he’d call for his check and before he left, I’d escape to the bathroom so he wouldn’t feel obligated to come say anything. I wanted to make tiny, meaningfulcontact with a compliment. No awkwardness, no foul.
But then the waitress went on break! She was his waitress and my waitress! She was the lynchpin of my entire scheme! Now what?!
After a few panicky texts with my sisters, I changed my mind: I would deliver my note in person. If I didn’t try to say hello to Tim Gunn at the Met lounge at that moment, I would never have the chance again. I put on some lip gloss and walked over to where he was sitting.
Readers, I am happy to report that Tim Gunn is wonderful.
“Excuse me, Mr. Gunn?”
He was immediately on his feet.
“Call me Tim! Please!” He placed his book down on the table and stood to shake my hand. “How are you?” he asked, as though we had met. Eep!
“Oh, I’m fine,” I said. I was more timid than I have ever been in my life, I think. “I had this whole plan how not to disturb you. I was going to give you this little note and buy your glass of wine, but then the waitress went on break and, well, I just wanted to say thank you so much. You’re very inspiring. I’m a quilter.”
Tim Gunn was looking at my note. “This is wonderful! How delightful! My goodness! A quilter? That’s marvelous! What is this?” He was pointing to the sticker.
“That’s my book! My first book. It’s coming out in May.”
“That is a tremendous accomplishment,” said Tim Gunn. “I don’t know what I’d do without my co-author. She turns what I write into something actually worth reading! Congratulations to you! When does it come out?”
“May,” I said, beaming. Talking to Tim Gunn was like talking to… Well, Tim Gunn. It was the best. And yes, he looked amazing in tailored everything and he smelled terrific.
We chatted a teensy bit more. He said, “Oh, good. I see your email, here. I’ll send you my last couple of books!” and I said, “I’ll send you mine! We’ll trade!” and Tim Gunn said that sounded like a fine idea.
Start to finish, the encounter was all of two minutes, but it sure was pleasant. Thanks, Tim Gunn, for being kind to a stranger who admires you a great deal. I hope you do receive my book when I send it to you; since it doesn’t come out till May, it’s possible you’ll forget why you’re getting it and your people will move it to the revolving file. But if you do get it, I hope the quilts in the book will inspire you, even a tiny bit.
