The Canoodling Burrito: A Love Story

No.
No.

I found myself on a Chicago el train tonight, but I wasn’t supposed to be there. If my itinerary had gone as planned, I would be in Iowa.

After my gig in Cleveland, I planned to go straight through Chicago to Des Moines, no pitstop at home. (I’ll be in Des Moines for the next two weeks, filming Love of Quilting for PBS.) But when our flight was delayed (and delayed and delayed) out of Cleveland and most everyone missed their connections, I had an idea. I deplaned, slipping through the crowd of grumpy travelers to seek out a free Southwest ticket agent further down the terminal. I spied a friendly-looking blonde lady at gate A9 and went for it.

ME: (Exceedingly chipper, non-threatening:) Hello! How are you!

SOUTHWEST TICKET LADY: Hi there. How can I help you?

ME: Well! It’s cra-ray-zay! I was on Flight 313 from Cleveland and, you know, all that rain… Well, I have not missed my connection to Des Moines. I can absolutely make it. But the truth is, ma’am, is that I live in Chicago? And my home is here? And is there any way that I could, you know, go home to my condo tonight? Could I fly to Iowa tomorrow, instead? I don’t know if this is possible, but wow, would it ever be great to, you know… Could… My bed, and my…my bed.

SOUTHWEST TICKET LADY: Let’s see what we can do. (Clacks on computer. Pauses.) We can do that. No problem. I can put you on a flight tomorrow. Morning or evening?

I nearly hugged her.

My luggage went onto Des Moines, but I didn’t care. It would be safe in the baggage room overnight, and who needs mascara, anyway?* I got a boarding pass for tomorrow and waltzed out of the airport. I was going home! I wasn’t pulling any heavy luggage! The words “footloose and fancy free” came instantly to mind. I did a little two-step on the moving walkway. I had visions of a glass of red wine, a book, and my glorious, glorious bed, which would be waiting for me with fresh sheets because I had thought to change the linen before I left town.

I made my way to the train platform. Orange Line to the Loop. Right before the train left the station, a couple came in and sat in the two seats directly in front of me. They were early thirty-somethings; white, preppy and well-groomed but not so wildly attractive that I thought I was looking at prom king and queen. There was actually a touch of nerdiness about them, but they were both dressed like they worked in PR or at Deloitte and Touche, whatever that is. It was abundantly clear that the guy had just arrived and the young lady had come to the airport to meet him.

Let me tell you that they were excited to be together. Very excited.

The pair were talking rapidly and kissing each other in between sentences, then in between words. When they first started this canoodling, I was filled with happiness: lovers reunited is a beautiful thing to witness. This feeling was followed hot on the heels by a terrible pain, however; Yuri is in New York and I am not and I wanted nothing more in the universe than to kiss my lover between sentences, too. (And everywhere else while I’m at it — hey-o!)

My self-pity didn’t last long, because the canoodling couple started to annoy me. They were talking a little bit too loud about the guy’s trip, for one thing. And these kisses were sort of anemic; his lips were squished into a droopy grape shape that he kept smushing into her cheek. And she’d be halfway through a syllable and stop to pucker up. It was like this:

GUY: Yeah, he’s doing great.

(Kiss.)

GIRL: Did your mom saying anything about the oven mitt?

(Long smooch.)

GUY: She loved it. Oh, Ronnie’s going to be in Chicago next month.

(Kiss.)

GIRL: Oh (Kiss) that’s (Kiss) awesome.

(Kiss.)

I pulled out my magazine and slumped down in my seat; I tried to get into an Atlantic article about helicopter parenting and fight the urge to wield, in this perfect of circumstances for it, one of the finest expressions in the English language: Get a room!! 

But then came the food. And I was too grossed out to do anything but cover my mouth and look out the window.

The kissing and cooing sounds were joined by the sounds of a food wrapper being opened. Cellophane or paper was being pulled down what I perceived to be a burrito. Now, between syllables and kisses, there was…chewing. Mastication. Food. She would take a little nibble of this burrito and then, mouth full, would peck him on the lips. Then he would talk a little more, bend his head over to take a bite, and then talk more, and then smush his grape lips onto her neck. I was horrified. I could not get the vision of refried beans and saliva and bed sheets out of my head. It was a physical reaction; I felt ill. When you’re on a train, the people sitting in front of you are right there. I was almost directly implicated. It was almost that kind of party.

This went on. We were close enough to my stop that I didn’t get up and move. I also realized immediately that this was PaperGirl material, so I hung on. I stole two glances: the first, to try and catch the guy’s eye to give him a cold, hard, “EW” look; that failed. The second time I looked up from my recoiled pose was to confirm that these two people were actually making out while eating a burrito. I’m glad I took that second look because guess what?

It was a Rice Krispie treat!

I brightened considerably. Well! A Rice Krispie treat! That’s sorta cute! I kinda like these two, I thought, and I no longer felt like I could barf. Rice Krispie treats are sorta like kisses themselves: sweet, kinda sticky, well-intentioned. It was amazing to me how different I felt about the situation I was in when the food changed from a stinky, cheesy burrito to an innocuous rice-and-marshmallow snack.

They probably went home and had a lot of sex.

*Me, a lot.

Tips For The Beginner Quilter In All of Us (A Diagram-Chart-Schematic-Graphic)

posted in: Quilting, Work 6
Everyone likes shapes. That's Grandma Moses, by the way.
Everyone likes shapes. That’s Grandma Moses, by the way.

I’m in Cleveland at the Original Sewing and Quilt Expo show. I’ll be teaching today; tomorrow, I’ll teach again and then give a lecture. If you’re in the state of Ohio, you should do the following immediately:

1. Eat a buckeye
The candy, I mean! Not the sports fan, tree, chicken, or passenger train that also use the term “buckeye.” Eating a passenger train… What’s wrong with you??

2. Drive to the OSQE show.
It’s at the I-X Center. I don’t know what I-X is for, but is there any better place for us all to find out than in the actual I-X Center? Clearly, there is not.

3. Come find me!
I’m wearing pants, shoes, and a top. And earrings. And a necklace. And bra and underwear, naturally, and I’m deodorized and flossed. Can’t miss me. Shouldn’t miss me, really. We can rap about the tip sheet up there. It’s full of good information for beginner quilters of all ages and stages.

4. Gimme one of those buckeyes.
I smell peanut butter on you. You’re holding out. C’mon, man, hurry up… No, just do it quick! Just be cool! Aright, aright. Now we’re talkin’… Mmmm…

:: munch munch ::

The End.

Taste-Makin’, Makin’-Taste! Photos Post-Renovation.

From the most recent Neiman Marcus catalog.
In the most recent Neiman Marcus catalog, a Scalamandre bonanza.

See that Scalamandre red wallpaper with the zebras?? Yeah, I see it too! Every day! In my bathroom!

Looks like I was a touch ahead of the crowd on the Scalamandre zebra wallpaper, friends. Neiman Marcus has licensed the print. Now, a person can get pillows and dishes with the motif and be black, white, and red all over. Just like me! The wallpaper was the highest-ticket item I purchased in my renovation, relatively speaking, and I love every crimson inch of it. Those zebras move, sistuh.

I’ve taken lots of pictures of both my bathroom and my kitchen with the intention of sharing them, but when I get to the “insert photo” moment here on the PG, I balk. I get letters from guys in prison, you know. That gives a girl pause when she’s about to post photos of her bathroom mirror, especially because she’s fully aware 99% of all nutcases and stalkers are not currently behind bars.

Plus, as stunning as my Scalamandre bathroom is and as drop-dead gorgeous as the navy blue subway tile and floating shelves are in my kitchen (it all turned out perfectly, almost gross in its awesomeness to me) isn’t it better to imagine these things than be even slightly let down when you see (for example) a bag of Stay-Puft Jumbo Marshmallows on my counter instead of leftover osso buco? What if you think I have a huge, ginormous house? I like that! Keep thinking that! When you see my galley kitchen, you may have to go find another fantasy and no one has time for these things.

You see, I cannot possibly post the pictures of my home on this blog.

Instagram is completely different, however.

Nellie Bly + PaperGirl: Conversation #00172

posted in: Day In The Life 10
Walkies.
Walkies.

(MARY and NELLIE BLY walk along the Central Park reservoir. NELLIE records the conversation on her iPhone. MARY wears Nike Dunk hi-tops.)

NB: Are you sure I should be here?

PG: What? Why?

NB: It may be too soon for another Nellie Bly post. You don’t want people to get bored.

PG: (Considers this.) After this, you should probably get lost for awhile.

NB: No problem. How are you feeling?

PG: Much better, thank you. It took days to feel normal after the morphine. That was bad. I’m a little spooked about what would’ve happened if I had had three injections instead of just two.

NB: You might consider wearing a medical bracelet. I wear one.

PG: Really?

NB: Yes, I’m anemic.

PG: Hey, so am I!

NB: You told me you wanted to talk about a comment someone made online. I assume it was something hurtful?

PG: Right, yes, the comment. The comment wasn’t hurtful at all. It was a thoughtful, “get better” comment from a nice lady named Becky. But Becky said something about being surprised to learn I’ve have a chronic illness with insane complications. She said that on the outside looking in, it looks like I have “a perfect life” because of my job.

NB: What’s the issue?

PG: That is so wrong. It’s dangerously wrong.

NB: Okay.

PG: You just can’t draw conclusions like that. It made me furious at the power we give television and media.

NB: Ah. You’d better clarify that you’re not furious at Becky. This could go the wrong way.

PG: Good heavens, no! We love Becky. Becky is not the issue. Lots of other people made similar comments when I wrote about my parents’ divorce. They said things like, “Wow, you never would guessed your family endured something like that,” and “Everything seems perfect, looking at you gals on TV.” I just… I can’t believe it. I can’t believe anyone would look at me on TV or Mom on TV or both of us and think that we are somehow different from any other human beings. We’re people. We have family drama and skeletons and horrible mistakes and regrets. Well, Mom doesn’t have horrible mistakes. But we have problems and struggles like anyone does.

NB: More than others?

PG: No! The same amount! That’s the point! It’s not okay that television has the power to make people believe something impossible — namely, that there is such a thing as “a perfect life.”

NB: You’re really chewing that lip. 

PG: Look, if my life is perfect, someone has a lot of explaining to do.

NB: You realize you’re doing the “celebrities are people, too” thing.

PG: It’s not healthy to graft narratives onto people just because they’re on a screen. The only difference between me and the camera crew at Iowa Public Television is that I’m on one side of the lens and they’re on the other. My life is not special. There’s no magic — there’s just more footage.

NB: It’s natural to draw conclusions from what we see, though.

PG: Yes, but I’m making quilts. All a person can deduce from watching me make quilts on camera is that I make quilts on camera. You can’t even deduce that I like it, though of course I do. I love it.

NB: I’m trying to understand the anger, here.

PG: It’s not anger. It’s animated compassion. I just want people to never, ever compare themselves to something they see on television, ever, even if it’s a friendly quilting show. Look, my dad is like totally out to lunch. I had a messy divorce after two years of being married. Just the other day, I accidentally double-booked myself for a gig in June. Do you know how bad it is to double-book yourself? It’s really bad. And last summer, I tripped on my own flip-flop.

NB: Really?

PG: Oh, yeah. Middle of the day. Tripped on my flip-flop blam! flat on my face. I almost busted my nose. And these are all examples of things I can say online!

NB: Yeah, let’s not go into anything from 2003.

PG: It’s not like I’ve done heroin or anything. (pause.) What if I had done heroin?

NB: I’d counsel you to not bring it up here.

PG: Well, I haven’t, so it’s a non-issue. I did do —

NB: Look at the time, Mary. I’m glad you’re better.

(End.)

Nellie Bly + PaperGirl: Impossible Conversations (Part I)

posted in: Word Nerd 0
Bly.
Yo, Nellie Bly. ‘Sup girl.

Beginning around 2006 or 2007, when PaperGirl was hosted by another server, when the layout was way different, when life was baffling and great but in totally different ways, I presented from time to time dialogues between myself and Nellie Bly. Long-long-time readers may recall these; I may dig one up one day for our fun. They’re all in the archives.

Nellie Bly is known to grammar school students across America as “the first woman reporter” and I doubt that that is true, history textbooks being what they are (watered-down and probably SEO-driven at this point.) Bly was certainly among the first women journalists to be recognized for their work in the profession, and that makes Nellie Bly cool. She’s cool enough to be the subject of innumerable 5th grade book reports, cool enough to have an amusement park in Brooklyn named after her**, and cool enough to be the only person I’ve ever wanted to be a foil to my brain in this blog.

When I was at my sickest in 2008-2009, Nellie Bly and I would have what I called “Health Chats,” where she would ask me questions about the state of my scary body and I would answer. I always told her the truth. On the days when I couldn’t possibly figure out how to otherwise narrate what was happening to me — either because I was too high on Dilaudid or because the news was too bad and too overwhelming to comprehend — writing a two-person conversation felt like my only option. But it was an option I loved. I just talked to Nellie; I just answered her questions. We talked about other topics from time to time, but for the most part, and definitely during my illness, it was “Health Chat” with Bly every week or two because it helped me get better. I believe it.

I only realized a few hours ago that it’s International Women’s Day. Re-introducing Nellie, vis a vis PaperGirl, is perfect for the occasion.

Stay tuned for the conversation.

**Recently renamed “Adventurer’s Family Entertainment Center” because no one cares about anything and everything is terrible.

On An Uptown 1 Train.

This be the line.
This be the line.

After making buttermilk pancakes for Yuri this morning (I had some buttermilk leftover from the pie and not everyone likes pie for breakfast, astonishingly) I hopped out the door and into New York. I was headed to the Yarn Co. for a good chunk of sewing time and I felt like I was wearing wings, that’s how excited I was to be sewing-machine bound.

I took the L line to 6th Avenue and then got on the 1 going uptown. On one single train ride I saw three quintessential, only-in-NYC, New York City moments. Let’s revisit.

Moment No. 1
At 34th St., the train pulled in and opened its doors. I saw a drawn, junkie-looking white dude in a stocking cap jump the turnstile right in front of me. He jumped it, gave a fast look around and then bam! he punched the Emergency Exit door to the left of the turnstiles. Through the door came his junkie girlfriend, every bit as strung-out as he was, maybe more. The alarm went off the instant he hit the bar to open the door, but they were gone just as fast. Junkie love in the city.

Moment No. 2
A kid of about eight, I’d guess, was sucking on a pacifier with fake teeth molded into it. It was a joke pacifier, I guess? I didn’t know they made joke pacifiers. If you had told me they existed, I would’ve been hard-pressed to guess at the audience for such things, but now I know. Eight-year-old New York City kids on the subway to school. And she was like, “What?” when I looked at her and in a very good-natured, friendly way, laughed a little. It was funny! Whatever, kid. You got a driver’s license? Yeah, I didn’t think so.

Moment No. 3
Almost to my stop, I noticed a woman repeatedly digging into her purse. She was with a friend, clearly frustrated that she couldn’t find something important in her overstuffed, large handbag. There were two MTA employees across from her. Both older gentlemen, they were just getting off work or headed there to start the day. Kinda scruffy, both of them; one Indian, one of indeterminate (to me) ethnicity. The one guy took his flashlight off his tool belt and held it out to the woman with the nicest smile. She was so grateful and took the flashlight, shining it into her purse. It probably totally helped her. I had to exit the train before I found out what happened, but that was awesome.

All on one trip to the Upper West. This be the city.

I’m a Southwest Girl.

posted in: Day In The Life 4
A low-cost carrier...of awesomeness.
A low-cost carrier…of awesomeness.

I love Southwest Airlines.

This is not a paid or otherwise incentivized post. It’s a paean, a big sloppy kiss on the nose of every 747 in the SA fleet. In a time when air travel experiences so often fall into categories ranging from disappointing to Rape of Nanking-y, Southwest is a blue-and-orange oasis of sanity that confers dignity upon the people they move around in airplanes. Those people are me.

Here’s what life is good at doing: changing. Here’s what Southwest is good at doing: understanding. When you buy a ticket from Chicago to New York City for a May 3rd flight, for example, and you realize you could return two days earlier and make an important meeting, you can move your flight on May 3rd to May 1st — at no charge. Anytime I do that (and I do that a fair amount right now, seeing as how I live nowhere) I feel like I’m getting away with something. I feel like there must be a catch, a shoe waiting to drop, a Customer Service Representative waiting in the wings to slap a not-insignificant fee on me for not being able to live life with zero fumbles and total clairvoyance. But no one slaps me. And I get back to work with a little extra “zing!” even when I’m just typing something into a Google spreadsheet. (I try to keep such tasks to a minimum.)

Most people’s beef with Southwest is that you don’t have an assigned seat. Why do you want that?

Another reason I love Southwest is because they don’t charge you extra for your luggage and they let you bring two pieces! At no charge! I Every other airline charges what I think of as a fine, not a fee. They’re fining you for needing to brush your teeth later, fining you for not having a magical dress that you can travel in, go to a meeting in, go out to dinner in, and also feel like wearing again the next day and the day after that. Southwest knows that when you leave your home for a week you need stuff, and that stuff won’t fit in your briefcase. Rather than add $50+ dollars to your transportation cost, however, they’ve figured out how to not do that while keeping airfare prices for the consumer still relatively low. Relatively really low. How could this be possible unless the people running Southwest Airlines were really good at running an airline? Methinks they are good. Also: peanuts.

Thank you, Southwest Airlines. Today, the gate agent who boarded the flight from Denver came onto the plane and announced a birthday before we pushed off. She also said:

“This is a shout-out to Mary Katherine Fons. I love your quilts! I’m a quilter! I love your magazine!”

United has never done that. And you know, I don’t plan on giving them the opportunity to try. I’m a Southwest girl and I wear my wings with pride. Low, low-cost pride.

 

For [REDACTED]

posted in: Day In The Life 1
To "redact" is to omit text for publication. It's usually synonymous with censorship, but sometimes it's because the author (ahem) would like to a) be classy and not use names in situations like this for heaven's sakes; and b) bad words.
To “redact” is to omit text for publication. 

Poetry is in my head a lot lately; love may be responsible for this. Loss can do it, too, and I’ve had doses of both over the past few months. Nothing but nothing is better than poetry for unsolvable situations like love and loss.

And now, a poem I recalled while walking through the Midway airport earlier today. I’m home in Chicago for 48-hours before leaving for California. I wrote this piece in my head while gazing at a roaring fire in a fireplace in early 2012. I was up at our place in Door County where it was almost as cold as it is tonight. The poem took about two hours to write, which is either not any time at all or a very long time, depending on how much poetry you write. Because I composed it in my head, I had to repeat the lines over and over so I wouldn’t forget them; as I edited, those lines had to be re-memorized and then put with the other phrases. As soon as I had it just right, I fetched some paper and wrote it down.

I enjoy writing poems in this way. It’s challenging for sure, and there’s a lyricism that happens naturally when you don’t have the paper to tack you down. This piece is pointedly in the style of Dorothy Parker; I felt a kinship with her vis a vis the subject matter.

I hope you enjoy the piece. Do not give it to your lover if he/she snores. I am beyond grateful I don’t have that problem these days. If I did, this poem would not see the light of day. Poetry is dangerous!

For [REDACTED]
by Mary Fons (c) 2012

I shall not see you anymore;
You snore.

I cannot sleep!
Besides, you weep
(Pray tell, what can a man be for?)

Your kiss lacks the ability
To prime my parts most womanly,
And if they did but once or twice,
Well, that was me just being nice,
I feel nothing for you, dear,
I’ll repeat, while I’m still here:

Don’t bother with text messaging –
This is me, exiting,
And where I’m going I’ll have no cell –
Best to find the next fresh hell
Than stay with such a wretched bore, Oh, I am certain to my core:

[REDACTED] you,
I shall,
nevermore.

Oh, dear, my dear:
You snore.
 

 

Home Is Where the Bobbin Is.

"Northbound." From my forthcoming book, "Make + Love Quilts: Scrap Quilts for the 21st Century." Pre-order now at ctpub.com.
“Northbound.” From my first book, “Make + Love Quilts: Scrap Quilts for the 21st Century.” Available nationwide May 15th.

Most people assume I have been making quilts since I was small. My mother, Marianne Fons, is a famous quilter, so it makes sense that she would’ve taught me how to sew from an early age. If I had shown more interest, she most certainly would have. We made a few doll quilts and a few quilts for friends of mine, but my creative pursuits took me to writing stories, putting on plays, singing…and creating and editing a magazine for my junior high school called TRUTH, the name of which I got from a film strip we watched about Russian communist propaganda newspaper, PRAVDA (translation: “truth”). I hired my best friends as columnists and we put out six issues with zero ad support. True story. Have I mentioned I didn’t have a boyfriend till my senior year of high school?

I started making quilts about six years ago. In my lectures to quilters, I talk about the reasons why:

  • I realized I didn’t have to make quilts that looked like what I saw in contemporary magazines or books; my quilts could look like ME, with solid black fabric, and teeny-tiny prints, and washed out shirting prints, and zero rick-rack
  • it was no longer uncool to be like my mom — in fact, it struck me as the coolest thing ever to be a part of my family’s place in the world
  • I got really, really sick and I needed non-medicinal healing (hello, patchwork)
  • the timing was right, age-wise. I was in my late twenties and ready to sit down for five seconds

And so I became a quilter and making quilts has brought me untold joy ever since. I’m not sure how many quilts I’ve made; it’s dozens, and they’re all kinda huge. Mom has always told me to make quilts that cover people, since that’s what quilts are for. The Fons women don’t do table toppers, though we support anyone who does. We support quilters, period.

A sewing machine with my name on it arrived in New York City yesterday. The fine folks at BabyLock are loaning me an Ellisimo while I’m here, and I carried that huge, glorious box 2.5 blocks and up 2.5 flights of Manhattan walk-up stairs with huge smile on my face. Anywhere I hang my hat for more than about four minutes simply ain’t a home unless I’ve got a sewing machine nearby. Making patchwork and making quilts isn’t just something I do: it’s something I am. The craft, the gesture, the sense-memory of the process is in my DNA, now. I quilt, therefore I am a whole person.

I have absolutely no idea where I’m going to put this thing. Seriously.

 

The Cashmere Snuggie

"Oh please, please, please let me be a Balenciaga pre-season resort collection sweater one day! Please, god!"
“Oh please, please, please let me be a Balenciaga pre-season resort collection sweater one day! For the love of BAAAA. BAAAA.”  — A Cashmere Goat.

Who among us (other than the vegans among us) can resist cashmere? The cold is punishing; the wool is combed. The chill is evil; the fibers are thick. My white cashmere turtleneck is in heavy rotation this winter and it’s starting to look ever-so-slightly dingy, like fresh urban snow. But as I only have a couple pieces of cashmere in my wardrobe, I have no choice: even dingy cashmere is better than boring old wool and infinitely more fabulous than some kind of sporty, wicking PolarTec. Oh, the humanity!

My pocketbook contains a dash o’ cash, a personal debit card, a business debit card, and only one credit card. That card is for a department store whose name rhymes with Schmacks Smith Flavenue. I have a very low limit on the card to keep me from getting into debt. I hate being in debt and simply won’t accept it as an option if at all possible. Though fashion often feels like an emergency, it usually isn’t and not worth going into debt for. Not for long, anyway.

But as cash flow is a little weird right now with the move to NYC, I thought I’d use my slightly-dusty credit card today for a purchase I actually needed. Charging something has its benefits and today’s errand was a good example. But o, sweet, mysterious Fate: whilst looking for that other item, I found a full-length cashmere robe/nightgown/caftan thing so head-slappingly on sale I bought it faster than you can say “snorgle.” The garment is 100% cashmere. It’s pale-pink. It zips up the front. The only way it could be more adorable is if it had feet and a hood. I would’ve paid double if it had, but I’ve got it on as I type this and it’s working out just fine.

So that I don’t go to sleep — wait, wait. No. So I don’t drift to the Land of Nod on pale-pink cashmere gossamer wings thinking I allowed PaperGirl to be only about buying a nightgown, here are three fascinating facts about cashmere you should know. You really should, because check it out:

1. Cashmere comes from the soft undercoat of goats bred to produce the wool. Something like two-and-a-half goats are needed to produce a single sweater! That’s one reason it’s expensive. The other reason it’s expensive is because this undercoat has to be combed by hand, in the spring, by men in newsie caps who smoke pipes and say, “Aye” a lot and drink dark beers at lunch.

2. Everything in No. 1 was true except the very last part about the men.

3. I would like some hot chocolate right now. Do we have any hot chocolate?

 

 

Cookshop

A lil' sompin' like dat.
A lil’ sompin’ like dat.

I’m mad decent in the kitchen.

My junior year of college, I went into a newly opened cafe in Iowa City with my boyfriend Wes. The Motley Cow was the sort of place I did not feel cool enough for: it was tiny, there were interesting objects everywhere (e.g., glass seltzer bottles), and there were words like broccoli rabe on the menu. I spied a pasta dish on the paper menu that contained…truffles? In my world, truffles were chocolate. We went in because Wes wanted to ask for a job. They didn’t hire Wes, but they did hire me. I’m still not sure how it happened; I truly do not remember asking for work. Besides, I was horribly intimidated by the whole operation. In conversation with Wes and the owner that day, I must’ve mentioned that I had waited tables all through high school. Within a week I was on the schedule as a waitress at the cafe. From there, out of curiosity and a deep desire to help that beautiful place succeed, I got into the kitchen. The Cow became my contemporaneous college. It changed me as much as normal-college did, probably more.

We ate five things in my house growing up: pizza, chicken tetrazzini, mostaccioli, lasagna, and chili. In a single-parent household where that parent is on the road much of the time — trying to make enough money for any sort of food — there is no food worship. There’s no interest, money, or time for it. And this was twenty years ago in small-town Iowa, mind you; that I even knew what a chocolate truffle was is saying something. I don’t mean that we were a bunch of rubes; I mean that it was a different time and that time did not include sauteed shallots or aged balsamic.

When I started inching into the kitchen at the Cow, I started from nothing. I didn’t know about the soup-starter triumvirate (carrot, celery, onion); I didn’t know hummus was made of chickpeas, nor did I know what a chickpea was; pan-searing and braising were revelations; I remember the day I learned what a roux was and I made one; I remember the day David needed me to make a soup and he said, “I need you to make a soup,” and I did: I made a delicious French onion and we served it. I made the soup! I fell in love with making simple, gorgeous, nourishing food and I owe it to the Cow and the people who were patient with a willing kitchen student who didn’t know anything at all.

In New York City, you walk out your door and before your very eyes is some of the best food in the world. (I actually think Chicago beats NYC for Best Restaurant City in America, but that’s another post.) But would you know that I’ve been cooking since we got here? I haven’t had a working kitchen in so long, it feels like the sweet breath of life to be standing at a stove again. The setup here is laughable: there is no countertop. No counter at all, just a sink and a tiny, tiny stove. But it’s a gas range, the oven works, I’ve fashioned a counter by putting a board across the sink, and I can use the small dining table if I really need more room. I’ve made lasagna, chicken-quinoa-vegetable chowder, penne caprese, maple cookies, chocolate chip cookies, Irish soda bread, rolled oatmeal with cream and almonds, and beautiful asparagus and salads.

Feeding myself and Yuri in this way feels like watering a plant and that plant is love and that love is five-star.

 

 

Record, Repeat, Dance, Advil.

Nicholas Kirkwood gold-studded chrome heel pump, pre-fall 2013.
How does this gorgeous pump translate to my fear of death? Read on! (Nicholas Kirkwood gold-studded chrome heel pump, pre-fall 2013.)

Every morning, I rise before the sun, make a pot of Earl Grey tea (milk and honey, please) and I write in my journal. I fill page after page with narrative just like this, except in the journal I gleefully put down every last nefarious, disgusting, turgid, and/or bodice-ripping detail. When I die, these books may be worth something, not because I’ll be Very Important but because there will always an interest in the market for steamy non-fiction, especially if that steamy non-fiction comes from a gal who enjoys making quilts.

These journals — there are thousands of pages by now — keep my brain in order and help me quash a deep fear: when I die, I will be dead and my life will be lost to the sands of time. I’m a realist, come on. Unless you’re a giant, a Mark Twain or a Queen Elisabeth, the average human gets maybe a couple generations of people who actually care that much that you’re not around. After they’re gone, you’re just someone in a photograph who “died a long time ago,” no different than all the zillions of people who existed before you showed up and then also died. Bleak? Oh, heavens yes.

I suggest keeping a journal.

Last night, I went out. Big and bold, dahhling. I wore very high heels with a very short dress and I had very big hair and a very small handbag. (These contradictions, they are fascinating — and smokin’ hot!) There was lip gloss, there was a sexy black jacket. There were multiple taxi trips due to epic venue changes throughout the evening. At the house party in Wicker Park, I did a shot. At Studio Paris, I was invited to join a party that had purchased bottle service and when I told one of the fellows inside the velvet ropes that I felt like dancing on the bar, he was enthusiastic about my plan and helped me up right away. At the dance club/bar in Lincoln Park, I just flirted and smooched on my man and that was maybe the best part. Well, that and the second Grey Goose and tonic. Hit the spot!

I tell you all this because this description, this chronicling of a night is proof that it happened. It happened to me. I did that. I may have a little baby someday and when I do, I will not be dancing on bars — not till the kid is eight or nine, anyway. Chronicling is important for nights in, too, and plane trips, and mornings in Chicago. A record of it all is proof of life and I am a person who demands proof, needs proof. Life is slippery; it’s easy to forget not just details but whole swaths of time, whole people, whole versions of oneself.

Though I frequently read through the journal in which I’m currently writing, the time isn’t right to pull out the entire catalog and start reading from, say, Oct 12-Dec 23rd, 2009. No, that will be saved for my old and wizened days, when my knees are shot from wearing high heels every day and my rheumy eyes drip tears onto the pages before I can even really cry about it all. I look forward to that, actually. (Not the rheumy eyes; the journal reading.) Really, I’m just following the advice given by Gwendolyn in Wilde’s The Importance Of Being Earnest:

“I never travel without my diary. One should always have something sensational to read in the train.” 

Cheers, comrades.

Meet The Chastushka

posted in: Art, Poetry, Word Nerd 5
And pretty maids all in a row.
And pretty maids all in a row.

We’re going to talk about a Russian quatrain, but first we have to go to France. Stéphane Mallarmé was a French poet and critic who lived from 1842-1898. You know how poems sometimes do this on the page?

poems     sometimes
do
this                                    on the
page?

Yeah, it’s super annoying unless it’s gorgeous and it usually isn’t — sorry, aspiring poets but hey: I can’t make it gorgeous, either. Mallarmé was among the first to do that sort of thing and his influence on 20th century art was huge. I read a quote from Mallarmé a couple months ago that I loved so much, that rang so true, I melted into weepiness. I set about memorizing it and now when I’m falling asleep at night, I turn it over and over in my head because, well:

“Poetry is the expression, in human language restored to its essential rhythm, of the mysterious meaning of the aspects of existence: in this way it confers authenticity on our time on earth and constitutes the only spiritual task there is.”

I know, right? It’s not just a definition but a reason for poetry. Gah! Flutter, sputter, perish by art. And so it was with Mallarmé’s wisdom on repeat in my head that I set about researching a poem discovery: the chastushka.

The chastushka is a Russian form of poetry whose closest cousin in English is the limerick. “Chastushka” means “to speak fast.” Like the limerick, the chastushka rhymes, though with just four lines to the limerick’s five, it’s a straight ABAB or AABB rhyme scheme. The poem’s subject matter covers the breadth of human experience, but you won’t find a ton of chastushki about the beauty of the sunset; these poems usually focus on sex, politics, or your mother. Also, Chastushki are written in something called trochaic tetrameter, which sounds horrible but is simply the rhythm, or meter, of the form. It’s set. And here’s what it sounds like:

Peter, Peter, pumpkin-eater
Had a wife and couldn’t keep her

…or look at these two lines from William Blake’s “Tyger, Tyger”:

Tyger, Tyger, burning bright,
In the forest of the night;

See? You totally know what trochaic tetrameter is! And that’s a chastushka’s meter. Fun, right? Totally, and I wanted to try writing a few. And now, I present some chastushki for you on this wintry night. You should write a few. You’re not going anywhere. I will not post any chastushki about politics or your mother. That’s for the other blog. Just kidding — there is no other blog. Yet.

Fluffy goose-down pillow fight,
In the morning or at night,
I whup you upside your head,
We laugh and then go back to bed.

When Swanky Squirrel goes into town,
He dresses up and never down,
His suits are crafted by the best,
You should see his bespoke vest!

 

 

Mary Fons, Chips

Google Analytics reveals much. But lo, like the Oracle at Delphi, the Great Google Analyst In The Sky conjures more questions than answers. Oh, Great Google Analyst In The Sky, what secrets do you hide? (Cue synthesizer music, fog machine.)

According to Google Analytics, the top-rated searches that lead to this site are:

Wow, okay.
Let’s discuss.

What can we learn?

Well, people like to get the dirt. Am I divorced? how long ago? pregnant? how recently? diseased? in general or in a specific place? But we know already that people are like that. Heck, I’m like that. Scuttlebuttery is to the Internet as puddin’ is to a long-john donut: inevitable. And bad for you — and delicious.

That “mary fons divorce” comes up before the actual URL to my website is a little weird, but all right. And I look at the words “divorce” and “cancer” attached to the googling of my name and feel a little defensive. But who knows? Maybe those searches are born of concern. I have been very sick in the past and I am divorced. There you go: your search has ended.

The “is mary fons pregnant” search throws me into a mini-funk, though. It really is true that television makes a person look wider than they are in real life. I went through a phase when I enjoyed wearing geometric tunic tops with black tights and kitten heels. A good look walking down big city streets, for sure; on television, not so much. I look like I’m wearing a different mu-mu on every show that series. Why would I be wearing such strange, diaphanous clothing on TV?

Well, many people thought I was pregnant. A woman actually came up to me in Sacramento and whispered, “Mary, I hope you don’t mind if I ask, but… Were you pregnant?” I opened and closed my mouth like a fish for a few seconds and then the woman realized she did that thing that you’re never, ever, ever supposed to do. I said, reflexively, “You’re not supposed to ask people that.” She blushed nine ways from Sunday and that was the end of the conversation. But seriously: what if I had been pregnant? I don’t have a baby. If I was pregnant in the recent past but don’t presently have a baby, we could conclude one of a number of sorrowful outcomes had occurred in my life. Best not to ask a person that. Just google it when you get home.

Enough of that. We need to consider that other google result. You know, the other one up there. Third from the bottom we see:

Chips.

Chips!?

Just “chips.” Not even “Mary Fons, chips.” But it has to be. People have to be typing in something that connects my name with chips. I’m picturing potato chips, but is it paint chips?? Chocolate chips? Chip-off-the-old-block chips? Cow chips? How can we know? Separated by a comma like that in a search engine field, it sounds like a command to eat potato chips: “Chips, Mary Fons.” Typed the other way, it’s like I’m being introduced by a friend to chips:

“Mary Fons, chips.”

“How d’you do, chips?”

:: crunch, crunch, crunch ::

“The pleasure is all mine. That’s a lovely blouse.”

I can’t explain these search results. I do not understand “chips.” But I am happy with the wisdom and insight you have brought to me, Google Analytics. Please let me know if you would like me to make a burnt offering, or perhaps tithe to you a small goat served with chips and a pop.

“I Came Here To Win.”

posted in: Day In The Life 0
It hurts so good.
It hurts so good.

I make quilts. While I sew, I enjoy various media. Sometimes it’s radio, sometimes it’s a podcast. A lot of the time it’s junky television via the Internet.

There is lots of great, game-changing television out there. I don’t watch it. It takes too much focus. (I can’t watch Mad Men and sew patchwork; it’s unfair to Don Draper and unfair to my quarter-inch seam.) Instead, I watch gameshows. Reality gameshows. Biggest Loser, America’s Next Top Model, and Master Chef are totally — like, totally — my favorite shows. They’re just engaging enough to keep me company but utterly devoid of real substance. Perfect.

So I fire up the HuluPlus and I let entire seasons play. The downside to this is that any mystery or magic used in putting the shows together is gone. I know the template now. The challenges, the editing, the hosts’ indignation and the tear-jerker stories behind the contestants — every show, every game, it’s all die-cut. What’s really hard to listen to after hour eight are the interviews. I’ve figured how they do them. I’ve never experienced an actual reality show interview, but I am 99% certain they play sections of the already taped show for the player and ask him/her leading questions about what they were thinking at the time. And I picture the interviewer being extremely bored because these players, they say the same thing every single time.

Interviewer: “What does this competition mean to you?”
Player: “This competition…it means everything to me.”

Interviewer: “When Heidi walks out, what are you thinking?”
Player: “I’m just thinking, ‘What is going to happen next?'”

Interviewer: “What are you thinking right now, when Susan put the shrimp on the plate?”
Player: “Right now, I’m just hoping I don’t go home.”

Interviewer: “What did you come here to do? Is this just a game to you?”
Player: “I came here to win. This competition is not just a game for me.”

And on and on. And every once in awhile, something actually dramatic or surprising will happen (doesn’t happen often) and I’ll whoop or holler while I’m pressing my fabric and if anyone saw into my condo, they would see that I am a nerd.

Oh, Goody.

posted in: Day In The Life 7
They do look like they could bite you.
They sorta look like they could bite you on the ankle.

I needed to buy some barrettes the other day, so I went to my friendly neighborhood Target. I left with much more than barrettes, because that is Target’s evil way, but the barrettes were the most intellectually stimulating purchase — I just like Nutella; I don’t think about it.

In the barrette section within the hair section within the hairstyling section, there was a giant. And that giant was Goody. Heavens, the variety! Metal bobby pins, bobby pins colored like your hair, bobby pins made of silicone; barrettes with grippers, barrettes without, barrettes in neon colors, barrettes gray for the Woman of a Certain Age — and on and on. That’s not even approaching all the doo-dads (e.g., the StyleSpring), combs (e.g., teasing comb vs. compassionate comb) and the brushes (did you know there’s a brush now with toweling in it that dries your hair as you brush it?? America’s a heck of a country.)

When I got home, I had to look up Goody. I was stunned by just how many products for hair accessories one factory could make. I imagine the research and development team talking to the marketing team:

R&D: We’ve come up with something new.
MARKETING: Oh, no. (pause.) Okay, what is it?
R&D: It’s called “The Duck Tail.”
MARKETING: And what does that do?
R&D: (pause.) It gives you a duck tail.
MARKETING: Get Henry in here.

I got the name Henry from the Goody website. The origin of the company is interesting. Check it out:

At the turn of the century, Henry Goodman immigrated to the United States from the town of Gritsev in the Ukraine. With a single pushcart, he and his sons began selling rhinestone-studded hair combs on New York’s city streets. And in 1907, Goody was founded.

That’s pretty cool, isn’t it? Rhinestone hair combs from a pushcart. Think of all those lovely ladies in the early 1900s, haggling over the price of the combs, getting one down to a reasonable price of two cents from three. Remember what I said about America being a heck of a place? Goody is kinda proof. [Ed. note: I am not being paid to write this post.]

Oh, and the barrettes I got? They’re honestly the best barrettes I’ve ever used. 100% serious. They really grip and they don’t scratch.

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