Today! The Yarn Company, 4-5pm!

Keffi, The Yarn Company Mascot.
Keffi, The Yarn Company Mascot.

A lil’ reminder for NYC folk:

I’m doing a little meet n’ greet n’ shop talk talk at The Yarn Company, that lovely haven of color and fiber where I was able to sew this spring. From 4-5, I’ll be showing some quilts, talking patchwork, and generally hanging out to meet whomever feels like dropping by. Let’s do it!

I need a break from unpacking, so I will be in an EXCELLENT mood.

The Yarn Company is located at 2274 N. Broadway, upstairs. (That’s the corner of 82nd and Broadway.) Look for the totes adorbs sheep mascot, Keffi, on the sign above the door.

xo,
Mary

Place, Hold’er

posted in: New York City 4
"You know New York, you need New York,;you know you need unique New York." (Tongue twister from a high school drama camp. )
“You know New York, you need New York, you know you need unique New York.” (Tongue twister from a high school drama camp. )

I’m composing this on my phone. A first.

I’m writing this way because I made it, I’m in the new pad in New York (!!!) but I can’t get the Internet working. I can’t possibly go find a coffee shop to sit in, though: I’m too happy to be here, too blissed out to be half-horizontal on this couch in this glorious space. 

I hadn’t seen the apartment Yuri picked out; only pictures…and it’s more wonderful here than I ever imagined.

It’s more spacious and fabulous than I dared hope for and there’s art all over the stairwell walls and secure mailboxes in the foyer and an umbrella stand in the hall and it’s quiet quiet up hereon thethird floor even though all of New York is right outside. When I walked in, I started smiling and haven’t stopped. It’s been the hours.

Yuri comes on Tuesday; he stayed behind to finish up in Chisago. We have one night here together, then I’m off to St. Louis. But soon, and for a good long while, this be the place; this is where love will grow and work will get done and cookys will be made.

If I weren’t tapping out these words on a touch screen with a stylus (excruciating, really) I’d say more about measuring my life, how I choked back a sob in the taxi to the airport today (we were on Lakeshore Drive and Chicago was impossibly beautiful and I was leaving it, leaving it), how being alone my first night here is actually just right; I might say something about how the spring night air is so sweet, coming in the window right now, it could kill me.

Good thing for the stylus.

William Morris, Nervous Breakdowns.

You still need to pack the Sharpie.
You still need to pack the Sharpie, though. And the tape. See what I mean?

Because I’m renting my condo furnished this summer, I falsely assumed the task of moving would be less arduous and there would be no need to hire professional movers. I was wrong, and thus have spent the last two days in hell.

Fundamental truth: I am ruthless when it comes to disposing of excess stuff. I claim no bric-a-brac. I keep no old shoe. Being a purger (??) is made easier because I live and die by the words of Arts and Crafts giant William Morris, who proclaimed in 1880

“Have nothing in your houses that you do not know to be useful, or believe to be beautiful.”

Yes, Willy, Yes!

I am the anti-hoarder. I keep nothing, buy nothing that is not useful/beautiful. If I need a can opener, for example, but can only find lame ones made of plastic, I will wait until I can find a basic metal one and go without canned things. A plastic can opener might be useful but it is not beautiful, so it’s out. A classic, metal can opener is timeless! an objet d’art! I’m 100% serious and I’d like to think my home is harmonious as a result.**

But for heaven’s sake, I’m a person with a home that doubles as an office and a sewing studio. I have so many objects. Harmonious or discordant, this move is gargantuan. Do it all myself? Or even just with Yuri? What planet was I living on? (No! Don’t answer that!)

The Russian and I got boxes, a storage unit, a cargo van. Horrible, all of it. Soul-crushing. I’ve been doing my Midwest-work-ethic best, packing, eliminating, Goodwill-ing, all while still answering emails and attending to work-related tasks! I also remembered to brush my teeth! What race am I running, here?? (No! Shush!!)

As one might imagine, my productivity and emotional fitness ebbed and flowed throughout yesterday and today. This morning, I was actually in a fetal position for a spell, curled up near my desk in a sea of paper, wailing at Yuri, who was in the other room:

“Help me! HELP! ME! I’m doing the work of ten men! TEN MEN, DO YOU HEAR ME! I hate you! I can’t do this! I HATE YOU AND I NEED HELP!”

One of the reasons I love Yuri is because in situations like these he does two things:

1) he lightens the mood by coming into the room with a grin, saying something like, “Aw, who’s on the struggle bus? Who’s lookin’ so fine, ridin’ that struggle bus?” and of course this makes me bust out laughing, still on the floor
2) he helps

But the hard part about moving is never the logistics.

The logistics suck all right. But the core of it, the real trouble in River City is that you’re kicking up deadly serious dust. The longer you live in a place, the deeper and more emotional that dust becomes; if you have a strong emotional connection to a place (like I have to this place) it’s a double whammy. In the past 48 hours, I’ve hit upon a lot of life — more than I really cared to hit right now, honestly. Books, pictures, fabric, dresses, quilts — what we own owns us. And when we move we’re at the mercy of it all, we’re possessed by those possessions, even when we think we don’t hang onto much.

We do.

I do.

I hang onto absolutely everything. I just store it differently.

I store it here.

 

**All this editing may be due in part to my peripatetic lifestyle. If I’m not harmonious, I’m sunk. I heard once that “every item or object in your home is a thought in your head,” which is to say that belongings take up valuable real estate in one’s brain. A cleaner home equals a clearer head; I need every advantage I can get. 

Thomas Hood’s Real Downer: “Song of the Shirt”

posted in: Poetry 1
Quilted coverlet by Ann West, 1820.
Quilted coverlet by Ann West, 1820.

There was a tugging in my heart today and a longing I couldn’t place.

Oh, it was probably just nostalgia brought on by spring weather. The sweet, chilled spring air came in and I pulled out last year’s jacket. What was in the pocket but a pack of now-soggy gum and a book of matches from a fancy night out last spring. When these sorts of things happen, I need to read poetry. 

After slogging through an afternoon’s worth of paper on my desk, I went to one of my favorite poetry anthologies to find something expansive. I was hoping I might find a poem on moving or relocation: I arrived in Chicago this morning at dawn and I have one week to wrap up all the ends here before trundling off to Manhattan for the summer. (Or longer. Probably longer.) When you crush up your arm, you need surgery. When you realize you’re about to say goodbye to the view from your bedroom, you need poetry.

I did not find a poem about relocation. What I did find was really good, though, especially if any part of what you do for a living involves sewing. And I know you’re out there.

“Song of the Shirt” is a poem by poet, writer, and humorist Thomas Hood, written in the 1820s in England. It’s about the suffering of the factory drudge, told from her perspective. It’s pretty bleak; it also pretty damn relevant. The refrain, “Work–work–work,” is as imbedded in our discourse as ever. I read it and cackled like a crazy person; she’s got that right. The poem was especially interesting/fitting because she speaks of spring.

I hope you enjoy the poem, as much as it can be enjoyed. In its admonishing way, it’s a little like being forced to take a dose of nasty medicine. But I said I needed help from a poem and that is exactly what I got.

Song of the Shirt
by Thomas Hood

With fingers weary and worn,
With eyelids heavy and red,
A woman sat in unwomanly rags,
Plying her needle and thread—
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch
She sang the “Song of the Shirt.”

“Work! work! work!
While the cock is crowing aloof!
And work—work—work,
Till the stars shine through the roof!
It’s O! to be a slave
Along with the barbarous Turk,
Where woman has never a soul to save,
If this is Christian work!

“Work—work—work,
Till the brain begins to swim;
Work—work—work,
Till the eyes are heavy and dim!
Seam, and gusset, and band,
Band, and gusset, and seam,
Till over the buttons I fall asleep,
And sew them on in a dream!

“O, men, with sisters dear!
O, men, with mothers and wives!
It is not linen you’re wearing out,
But human creatures’ lives!
Stitch—stitch—stitch,
In poverty, hunger and dirt,
Sewing at once, with a double thread,
A Shroud as well as a Shirt.

“But why do I talk of death?
That phantom of grisly bone,
I hardly fear his terrible shape,
It seems so like my own—
It seems so like my own,
Because of the fasts I keep;
Oh, God! that bread should be so dear.
And flesh and blood so cheap!

“Work—work—work!
My labour never flags;
And what are its wages? A bed of straw,
A crust of bread—and rags.
That shattered roof—this naked floor—
A table—a broken chair—
And a wall so blank, my shadow I thank
For sometimes falling there!

“Work—work—work!
From weary chime to chime,
Work—work—work,
As prisoners work for crime!
Band, and gusset, and seam,
Seam, and gusset, and band,
Till the heart is sick, and the brain benumbed,
As well as the weary hand.

“Work—work—work,
In the dull December light,
And work—work—work,
When the weather is warm and bright—
While underneath the eaves
The brooding swallows cling
As if to show me their sunny backs
And twit me with the spring.

“O! but to breathe the breath
Of the cowslip and primrose sweet—
With the sky above my head,
And the grass beneath my feet;
For only one short hour
To feel as I used to feel,
Before I knew the woes of want
And the walk that costs a meal!

“O! but for one short hour!
A respite however brief!
No blessed leisure for Love or hope,
But only time for grief!
A little weeping would ease my heart,
But in their briny bed
My tears must stop, for every drop
Hinders needle and thread!”

With fingers weary and worn,
With eyelids heavy and red,
A woman sat in unwomanly rags,
Plying her needle and thread—
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch,—
Would that its tone could reach the Rich!—
She sang this “Song of the Shirt!”

Home Remedies Needed For Stuffy Nose, Stat!

posted in: Family, Sicky 14
Second, get some ice cream.
Second, put your license somewhere we can all see it.

All hands on deck!

Yuri either has terrible allergies, a cold, a sinus infection, or he’s been possessed by a jinn specializing in cruel bouts of sneezing and mucus production. His stuffy nose is the kind that alternates one nostril and the other. It’s a “half-stuff.”

We tried 24-hour Claritin; it made Yuri feel worse. He tried Sudafed; same. He got plenty of rest over the weekend, since I was working the whole time, but he’s still sick or allergy-ing terribly, whichever it is. We did a dollop of VapoRub in a big bowl of boiling water and he steamed his head over that, under a big towel, just like my dad used to do. He neti-potted. He nose-sprayed. He got some of the little bands that stick to the bridge of the nose and open the passages while he sleeps and those help a little, but not a lot.

Yes, there’s always the doctor. It’s the next step.

Until then, educated, intuitive, Dr. Quinn-was-my-homegirl reader, what home remedies might you have for clearing a stuffy nose — or for at all relieving the symptoms I’ve outlined.

Surely none of your suggestions will involve honey suppositories or bathing in tomato juice or anything weird like that.**

**Fine: the weirder the better — but we do want something to work. Go!

In Lieu of My Tirade Against Hollywood, Ladies + Gentlemen, Scrabble.

posted in: Family, Paean 3
Scrabble.
Scrabble.

For the past hour I have been working on the post I wanted to post this morning. It’s turning into quite a beast of an essay and it’s simply not ready for prime-time. It’s about Hollywood and how I can’t take it anymore.

Since I can’t post something half-baked but I hate missing a day — and because I’m bone-weary tired and need to introduce my head to a pillow for once in my life for heaven’s sake — I’ve decided to share a picture of Scrabble, my mother’s miniature Golden Doodle.

Scrabble is a dog that looks like a lamb, behaves like four-year-old child (curious, adorable, infuriating), and is named after a board game. She can fetch a quilt, shake hands, and has lots of work to do in the evenings: she has to run around the yard and bark for 20 minutes.

“Scrabble’s doing her barking work,” my mother will say, loading the dishwasher.

Scrabble loves me and I love Scrabble. This photo was taken at about six in the morning last month when I was home in Iowa filming TV. She sleeps downstairs, but when she wakes up in the morning, she’ll bolt all the way upstairs to my childhood bedroom and dive-bomb my head in order to cuddle me. She is not allowed to lick my face; she licks my face anyway.

Scrabble, if you were able to send emails for me or finish my blog post — or fact-check it at the very least, Scrabble! — you’d be even more precious to me than you already are. But I suppose your being a dog confers special qualities that cancel out your human shortcomings. So it’s a wash.

Goodnight, Miss Muddy Paws, wherever you are in the Iowa house tonight.

BONUS: I never do it, but you’ll see why this is worth an outside link. Watch Scrabble fetch her quilt for my Mom.

Annie: A Dream Deferred

A 12'' vinyl record suits a 42'' female child.
A 12” vinyl record suits a 42” female child.

My paternal grandmother Venita wore denim skirts, drank Heineken, and had a black cat name Pru.

But this is where we see the ecstasy and the agony of words because while everything I just wrote about my paternal grandmother is true, it paints a wildly inaccurate picture of the woman. Venita wore long denim skirts; Ralph Lauren, usually, paired with turtlenecks and loafers. She drank Heineken once a year at the most and it was this big deal when she did. And her cat was indeed black and Venita did call her “Pru,” but that was short for “Prudence,” and “prudence” means “cautiousness” which is exactly what Venita was going for. “Cautious” is the perfect word to describe my late grandmother; she used to tie a damned bonnet on my head whenever we went outside so I wouldn’t get an earache. I got earaches anyway and I couldn’t hear anything.

Ach. Now I’m sad about the bonnet. She meant well.

I owe Venita big, too, because when I was six I visited her and Grampa Lloyd in Houston and Gramma bought me a present: the 1977 original Broadway recording of Annie. As in “Little Orphan.”

The movie version came out in ’82 and I had seen it somehow; we didn’t have a VCR, so it must’ve played on network TV. However I knew the story, I knew it all right, and like any little girl who sees Annie, I was obsessed. The story was about me. These little girls were my homies. It wasn’t about being an orphan or having red hair; it was about being a small female with feisty friends full of song; it was about longing for happiness and attractive, capable parents and an indoor swimming pool.

When Gramma V. gave me the record, I probably didn’t know what I was looking at, exactly, since the Broadway art and the movie art look so different. But when Gramma put the needle on the record and that first overture played, a living room star was born. I learnt every groove in that wax, baby, backwards and forwards, from Miss Hannigan to Punjab and back and I sang — oooh! how I sang! — every single song at the top of my lungs. Annie’s a great musical, but if you’re six and female, it’s a religion.

“TOOOOOOOOOOOO-MAAAAAAAA-ROW! TOOO-MAA-ROW! I LOVE YAAA, TOOOO-MAAA-ROW! YER’ O-NLY A DAAAAAAAAAAAAAAAAY AAAAAAAAAAAAHHHHHHH”

:: pause to gasp for air ::

“WAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYY!!!!!!!!!!!!”

Oh, my poor grandfather. Oh, that man must’ve wanted to kill himself. Because I could not stop at five repeats of my Annie record, nor did I stop for six. I could not stop for death, so Grampa kindly stopped the record for me after several hours each day. If I have any singing ability (and I have a teensy-tiny-weensy ability to belt, decent pitch, and nothing more) it’s because of Annie. If I am theatrical at times, it’s because of Annie. And I realized in searching for the image of the record up there, that my favorite color, a red in the carmine-vermillion-cherry family, is clearly Annie red.

All this came up because the other morning, lounging in bed, I suddenly burst into the key change section of “Sandy” from the musical. Yuri was as confused as I was, then I started weeping from nostalgia, and then I had to look up the lyrics, which I had gotten 90% right after all these years.

We are the songs we sang as kids, I think.

Dear Pittsburgh: Nice!

Florentijn Hofman's Rubber Duck, as seen in Pittsburgh last year.
Florentijn Hofman’s Rubber Duck, as seen in Pittsburgh last year. 

One of the many reasons I enjoy traveling (and I do enjoy it, despite occasional grumbling) is because I am frequently proven wrong. It’s great to be wrong.

Well, not always. You don’t want to be wrong about how much room you’ve got while parallel parking you friend’s Mercedes; you don’t want to be wrong about the date if you’re supposed to get married this afternoon. But when you’ve drawn lukewarm conclusions about a place — say, Pittsburgh — being wrong is awesome.

I thought Pittsburgh was kinda scratchy and grimy and that Pittsburghers were cranky, but the last time I was in Pittsburgh I was in my early twenties on a poetry gig. Turns out it was me who was scratchy and grimy and it was the other poets on the gig who were cranky. Sorry, Pittsburgh.

This time around I’m in high heels, here for Spring Quilt Market (look who’s fancy) and this time, I am seeing Pittsburgh for what it is: a great American city with more character and sass than most. Did you know Pittsburgh has a building called The Cathedral of Learning? It’s the tallest educational building in the Western hemisphere for heaven’s sake! Right here in Pittsburgh! Also, any salad becomes “Pittsburgh-style” when you top it with French fries. True story.

I came in hot yesterday from NYC and went straight to a salon for the manicure I needed to get before I left. I was driven there from the airport by a retired coal worker who, aside from being a really good taxi driver, fought in the Vietnam War, is a native of Pittsburgh, and does all his own plumbing and electric. In his gruff voice, he said, “This is a great city — you’re gonna have fun here, you’re gonna eat great, you’re gonna love it, no doubt about it — but it’s confusing as hell to get around. Accept that now, you’ll be all right. Everything to one side of Liberty Avenue is a street; everything to the other side is an avenue. So, you tell me you need to go to 6th St., we need to confirm.” He pulled his fishing hat down on his head a little further and got me to my manicure (on 6th St.) two minutes early. As we approached the city, I gazed out the window at all the bridges and re-purposed warehouses lining the shores of town. This is when I began to feel I was wrong about Pittsburgh.

At the salon, my manicurist looked so much like Lady Gaga — face, voice, laugh, everything — that I didn’t notice I had picked a horrible nail polish color. We were talking about quilting and she was getting very excited about the prospect of making a quilt herself; I was trying not to stare at her because she looked so much like Lady Gaga it was making me uncomfortable. Now I have a color of polish on my nails that looks positively fungal. But the point is that Lady Gaga is doing nails in Pittsburgh and she is really, really nice.

The research I did about the city surprised me, too: Pittsburgh is consistently ranked, year after year, among the top five most livable cities in the country. This is because there’s a lot of art here (Warhol was born in Pittsburgh and he has his own museum, for example), there are lots of colleges here, the sports teams do pretty well, the municipal government seems to not be fleecing its citizens, and crime is low. Also, the majority of the 300,000-ish people who live here can find work. This was the most revelatory thing I learned: I had the Pittsburgh-as-fallen-steel-capital image in my mind and figured on unemployment and attrition. Not at all. Pittsburgh is vital, thriving, and able to support growth. To wit: Lady Gaga told me the restaurant scene is exploding in Pittsburgh lately. You don’t find a ton of great restaurants in a dying city.

I also discovered that a Dutch artist named Florentijn Hofman created a 40-ft rubber ducky sculpture and Pittsburgh was the first American city to sail it. The artist made the duck to float upon waterways around the globe to bring happiness and joy to the good people of Earth. You can bet your bar of soap Hofman approached Chicago about the duck. He approached New York. Did either city say yes? Nope. But Pittsburgh was like,

“Let me make sure I understand. You want to sail a 40-ft rubber ducky down the Ohio River.”

“Yes, sir.”

“I like it. Let’s take a lunch while Cynthia draws up the paperwork. Do you like salad?”

 

Let’s Go Crazy.

posted in: Art, Tips 2
It's a cool logo, you gotta admit.
It’s a cool logo, you gotta admit.

Music plays a strange role in my life. When I was in high school and college, I was typical, obsessed with the musicians that I was obsessed with: Tori Amos, Joni Mitchell, Bjork, PJ Harvey, Ani DiFranco, Fiona Apple. I listened to their records over and over and over, through headphones, through “boom box” radios, via cassette mixtape in my Honda CR-X. If you had tried to take my music away from me, I would’ve snarled like a rabid cat. And I woulda’ bit, too.

I’m not so slavish to my artists, now. When I walk up Michigan Avenue the whole way, I usually listen to music. But I have longed moved from emo singer-songwriters to brash female emcee’s: Nicki Minaj, Angel Haze, Azalea Banks, MIssy, L’il Kim, and most recently, Iggy Azalea. These women fit me better right now: I don’t want obscure metaphor; I want life, served up cold.

Something’s trending though, in my head: lately, I’ve been choosing to take the earbuds out and just listen to the city when I”m walking or taking public transit. With no Prince blaring in my ears, I hear birds, traffic, conversations. I feel more in touch with the place. Headphone music is great, but it takes you away from where you are, and lately, I like being where I am. It’s confusing, it’s unknown, but it sure is exciting. And so I need to make sure I can hear when opportunity or goodness knocks.

I leave you with the lyrics of Prince’s immortal, “Let’s Go Crazy.” It’s a great song with a brilliant message. Besides, you can dance to it. Do a close read and be in a better mood, instantly.

LET’S GO CRAZY
Prince

Dearly beloved, we have gathered here today
To get through this thing called “life.”
Electric word, “life;” it means forever — and that’s a mighty long time
But I’m here to tell you: there’s something else.
The afterworld. A world of never ending happiness.
You can always see the sun, day or night.

So, when you call up that shrink in Beverly Hills —
You know the one; “Dr. Everything’ll Be Alright”?
Instead of asking him how much of your time is left,
Ask him how much of your mind, baby
‘Cause in this life, things are much harder than in the afterworld
This life you’re on your own

And if the elevator tries to bring you down
Go crazy punch a higher floor

If you don’t like the world you’re living in
Take a look around you; at least you got friends
Call my ‘ol lady up, for a friendly word
She picked up the phone, dropped it on the floor
“Ahh, ahh” is all I heard

Are we gonna let the elevator
Bring us down, oh, no let’s go
Let’s go crazy, let’s get nuts
Look for the purple banana
‘Til they put us in the truck, let’s go

All excited but we don’t know why
Maybe it’s ’cause we’re all gonna die
And when we do, what’s it all for
Better live now before the grim reaper
Come knocking on your door

Are we gonna let the elevator
Bring us down, oh, no let’s go
Let’s go crazy, let’s get nuts
Look for the purple banana
‘Til they put us in the truck, let’s wait it your turn.

Come on baby let’s get nuts
Yeah, crazy

Let’s go crazy…”

 

Read more: Prince – Lets Go Crazy Lyrics | MetroLyrics

 

 

PAM’ing the Pan or “My Family Is Hilarious!”

posted in: Family, Food, Joke 12
PAM, ladies and gentlemen.
From the PAM can. (I love it when ingredients lists use 50-cent words like ‘trivial.”)

A few months ago, up at the lake house, an inside joke was born — and it’s one for the ages, too. I wasn’t there the moment “PAM the pan” came into existence, but by now the whole thing has a mind of its own and it doesn’t matter; family jokes are good like that.

Here’s what happened.

My sister’s fiancee, Jack, was making dinner. Jack is gifted in the kitchen and had made something delicious in a pan that unfortunately was giving him a little trouble. Stuff was sticking. My stepdad, Mark, not trying to be funny or ironic in any way, asked,

“Did you PAM the pan?”

PAM is a non-stick cooking spray, as most of us recognize. I am feeling very annoyed that I have to capitalize it like that, but it turns out “PAM” is an acronym: Product of Arthur Meyerhoff. Isn’t that something? Some dude figured out that you could spray canola oil on a pan and keep stuff from sticking to it and he actually named it after himself. Astonishing. Anyway, that’s what PAM stands for and none of that has to do with the story, though it is relevant that a) PAM is an inherently funny, plosive sound and b) non-stick cooking spray isn’t really Jack’s style in the first place.

So Mark’s question, “Did you PAM the pan?” was just too aurally/verbally fantastic to let go. Everyone in the room tried it out, and all were gleeful with the results — but they were not satisfied, no. I’m pretty sure my mom was responsible for the initial escalation because my mother is hilarious. Note: if you’re in a place where you can actually read these lines aloud, you should.

“Are you gonna make ham? Better PAM that pan.”

Then, my sister: “Damn! That ham pan need PAM!”

Then, Mark, chuckling: “Ask Sam. He’s got PAM. He’s got PAM for every pan.”

Mom again: “Look at that man, Sam. He can sure PAM a pan — why yes, he can!”

Then Jack: “Please stop.”

Jack is frequently the straight man to Fons women hijinks. He loves it, though — enough to marry my sister, which is solid evidence. All this PAM talk went on and on and finally made its way to me when Mom told me the story. My sister Nan in New York learned about it, too, and since then, we’ve had entire family email threads playing this game. Some of my favorites have included:

“Gram never PAM’ed the pan, no ma’am. Ham or lamb, she used a no-PAM pan.”

and

“Hotdamn, Stan, you better scram if you ain’t gon’ PAM that pan. Makin’ flan calls for a PAM’ed pan, man!”

The best things in life aren’t always free. I mean, I love a great handbag and those ain’t free, let me tell you. But there isn’t an admission charge to my family’s weird sense of humor and this stuff is priceless. You maybe had to be there, and that’s okay. But if you were there, you’d be laughing.

Just Give Me Three Robots and a Cute Scientist.

posted in: Paean, Tips 6
Best show ever. Yes, even better than The Beverly Hillbillies.
Best show ever. Yes, better EVEN than The Beverly Hillbillies.

When I was in high school, I made a thrilling discovery. I discovered Mystery Science Theater 3000.

I was up in my room one Saturday night. It was around Christmastime, well after midnight. Mom let us girls stay up as late as we wanted, pretty much. We were in high school, after all, and if we were home, reading or drawing or doing some kind of creative project*, as was our like, there was no harm in letting us stay up; when we were tired, we’d go to sleep.

I had the retired family TV in my room. (Still not sure how I scammed that away from my sisters, but it was awesome.) I was doing my favorite thing ever: painting a picture while watching all the late shows. That night, after SNL, after the show that came on after SNL and the show after that, I saw Mystery Science Theater 3000 for the first time. Someone at the Des Moines area NBC affiliate station was watching over me.

Here’s what Mystery Science Theater 3000 — or “MST3K” — is, from The Wikipedia:

“[MST3K] features a man and his robot sidekicks who are imprisoned on a space station by an evil scientist and forced to watch a selection of bad movies, as part of a psychological experiment… To stay sane, the man and his robots provide a running commentary on each film, making fun of its flaws, and wisecracking their way through each reel in the style of a movie-theater peanut gallery. Each film is presented with a superimposition of the man and robots’ silhouettes along the bottom of the screen. The film is interspersed with skits tied into the theme of the film being watched or the episode as a whole.”

The episode that came on that night was Santa Claus Conquers The Martians and it remains my favorite episode of all time. I had never laughed harder in my life or been more instantly in love — I loved this show more than I loved my realest high-school crush, Cary Hollingsworth. It was for real. My eyes were glued to the screen, my mouth hung open. This was magic. What was this?? I had to know. Mind you, it was 1995; we didn’t have internet in the house, yet. I didn’t know the name of this incredible program and I couldn’t find out everything about it in 4 seconds flat with a google search.

But it wasn’t getting away from me. No, no, no. The very first commercial break, I ran out of my room and bounded down the stairs to the TV in the living room. I didn’t care if I woke anyone up. I dug through a drawer of VHS videotape and found something blank enough. I crammed it into the VCR, turned on the TV and clicked through the channels to find my show. I jammed my finger on the big red button and was able to record three-quarters of the Santa Claus episode. I watched the whole thing again when it was over. I collapsed into bed around 4:30, deliriously happy.

I had found my people. My VHS tape was my evidence.

The show tapped a vein for me, tone- and humor-wise. These people were smart, hella smart, and totally irreverent — but they weren’t gross. If there was a fart joke, it was because it was the best joke that could be made at that moment in the film, not the easiest. This appealed to me. The sheer number of cultural references made in a single episode expanded my knowledge of the world: who was Johnny Mathis? What is a “wrathful Buddha”? I learned a ton while I wiped tears from my eyes, silently shaking with laughter till I had to gasp for air. I taped every episode while the show ran on that station, which was well over a year.

As it turned out, MST3K was beloved by a lot of people. It’s a cult thing, which means that the weirdness of it was so specific, it appeals to a huge number of people. (Fascinating how that works.) The show ran from ’88-’99 on various networks and there was actually a feature film in ’96, which I went to on opening night, naturally. Members of the cast perform a live version of the show from time to time even today and I travelled far into the suburbs a few years ago with a friend to check it out. It was a scene, that’s for sure. But it wasn’t mine.

I’m not a follower. I don’t get dressed up in costumes for movie screenings. I participated in a pub crawl exactly once in my life (never again.) The cult of MST3K ain’t for me: there will be no Tom Servo** tattoos. But you don’t have to be a part of the extended scene of something to love it. Last night while I was sewing, I watched one of my favorite episodes — Mitchell — on a well-worn DVD and I was so happy. I was sewing and chuckling and marveling that anyone ever believed enough in that bizarre and wonderful show to give it a budget and produce it.

I’m so glad they did. What a bunch of freaks.

**I once got a hold of a hot glue gun and attacked an old typewriter. Gluing plastic gemstones and fake flowers to an old typewriter is the kind of project one must do in the wee hours.

**One of the robots.

Book Reaction Video: Watch A Grown Woman Cry!

posted in: Work 9
Click the link below to watch the video.
Click the link below to watch the video.

I taped myself opening my first advance copy of my book. This is that moment. Kinda.

More on Florida soon. Until then, check it out and watch me almost ugly cry!

xo,
Mary

Can You Panhandle It?

NOT COOL, FLORIDA.
In Florida. Photo: Wikipedia

America is big and wide and I’ve seen a fair amount of it.

Before I gigged around as a quilter, I gigged around as a theater performer, and before that, I gigged around as a poet, if you can believe it. I’ve couch surfed in Massachusetts, I’ve lugged a duffel bag through California, I’ve been on stages in Maine and in all the major Texan cities (I think.) When you add in drive-throughs and personal, non-work travel experiences, it appears I’ve gotten on and off airplanes or in and out of cars in all the continental United States except Montana, Delaware, and West Virginnny. Oh, and Rhode Island. Always piping up to be counted, little Rhode Island.

SIDENOTE 1: May I remind readers residing in these last four (attractive, well-governed) states that I am available for booking and can be contacted via the booking form on this website? Wouldn’t it be fun to check these states off the list together? As for the Alaskans and the Hawaiians… Surely there is an over-achiever among you who would like to inaugurate me into the All Fifty States Traveler’s Club. You get me to where you are and you will be richly rewarded, bonus prizes for everyone if we can find a way to book Juno and Honolulu back to back. Think of the PaperGirl posts!

I write to you now from deep in the Florida Panhandle.

For the next couple days I’ll be working here, meeting and greeting and communing with quilters. The location itself is remote to be sure: the Pensacola airport is an hour away from the town where all this is taking place, and I was informed the dirt roads in the area were only recently paved with gravel. The simplicity of the area belies the commerce taking place within it, though; there’s a whole lot of sewin’ going on down here, and I’m looking forward to the action.

SIDENOTE 2: I am compelled to admit that until (very) recently, I never knew that the Florida Panhandle was named for the shape of the region. I knew it was geographical, the term, but I didn’t realize people were being so adorable about it. The stick part of the shape of the state of Florida looks like the handle on a pan! Could you die? No, you’re saying, I don’t want to die in or because of the Florida Panhandle. And you’re also saying, “You didn’t know that? But everyone knows that.” But that’s not true. There’s a lot everyone doesn’t know about the Florida Panhandle and a lot of other things. 

II also hope to see an alligator from far away. I also hope to eat fried chicken. I am 80% confident at least one of these things will happen on this, my current American adventure.

I Am A Cheetah

posted in: Family, Luv 6
Lee Meriwether, everyone. Image: Wikipedia.

 

 

Let’s out with it: Yuri is younger than I am. Notably younger.

Notably, but maybe not noticeably. I moisturize, I don’t smoke, I hardly drink. I do my best to keep trim. But there’s nothing like dating a younger man to make you moisturize more, continue to not smoke, and pass up the pork belly appetizer and the second glass of wine you would definitely have ordered if you were dating a man who was, say, fifty-six. As opposed to a man (ahem) thirty years that man’s junior.

Do you see what I’m saying? Yuri’s in his twenties. Yes he is.

In the grand tradition of comparing women to cats, I have learned that there is a feline name for me. As a woman in my 30’s dating a man in his 20’s, apparently I am a “cheetah.”

I can’t be a cougar, you see, because cougars are women in their 40’s who date men in their 20’s, and cheetahs are younger than cougars? Anyhow, I’m not a Courtney Cox-starring sitcom pitch yet, but I am dating down, age-wise, so I must be given a moniker. How else could I be effectively marketed to? I’m sorry, my cynicism’s showing. I should stop. Wouldn’t want any fine lines forming when I furrow my brow in that cynical way I do when I think about Proctor & Gamble/Lancome/Big Pharma.

In the years since my divorce, I have done some dating. I have met wonderful, kind, interesting, intelligent men. They are out there. I met a few I didn’t click with, sure, but that doesn’t mean they’re frogs*; we just lived our lives differently and it wasn’t practical to pursue a relationship. Every one of these gentlemen were older than me, sometimes by a notable (there’s that word again) margin. I thought that’s what worked for me and what a gal generally wants: a fellow older than herself. I’m not sure why, but I think for many of us it has to do with security. It’s deep-seated. It’s not easy to explain, but the converse proves the rule: I would never have considered dating a person younger than myself if you had asked. Are you crazy? Younger men are immature! They’re still figuring out everything! They drink non-micro-brewed domestic beer. Ew!

But then…

Enter Yuri, The Younger Man. Exit Hamlet’s Ghost.

There is so much that’s wonderful about dating someone in their twenties, someone who is currently climbing various ladders. Older men have climbed. They’re in the business now of maintaining their perch. But I’m a hustler, so I love the guy scaling the cliff wall. The ambition, the drive of Yuri, this excites me because I recognize it. Every day of my life — and this was true before my illness but has been much stronger since — I am aware that I have a woefully limited time on the planet. I must work hard, must play hard, must go hard as I possibly can because this is a war with death. I can’t wait, can’t stop. And Yuri’s right there. His energy to go matches my energy to go. So we go, then check back at the end of a bone-wearying day, knowing we did wring every last drop of marrow. And we sure do have fun doing it.

There are other benefits. I will spare you any crowing about his physique, though you must pardon me while I fan myself with this here fancy fan on this here fainting couch.

:: fans self, faints ::

Do I fear the semi-significant age gap? From time to time. There have already been a handful of moments when a twenty-something chick plopped down on a barstool near us and I thought, “Ah, she graduated when he did,” or something equally self-defeating. I’ll take a deep breath and have to consciously remember that I have earned every single day of my life and am rather proud of the sum, thank you. In a way, these moments are good. I’m reminded that, as cute as that girl may be, I do not want to trade places with her. At all. I’m stoked that I’m a) still alive and b) wearing cuter shoes. The second isn’t so petty: when you work really hard for many years and can buy the shoes that make your heart sing, this transcends catty Girl Zone stuff and becomes more about loving oneself and setting an example. When I was in my mid-twenties, I totally wanted to be able to afford better shoes. Now I can, and that came from working hard. No shame in this, no competition. Just achievement, and all girls can claim it if they like.

I miss you, Yuri. I hope it’s okay I told everyone you’re younger than me.

 

*Men get amphibians, women get cats. I don’t make the rules, but I am happy with the arrangement.

Book Signing! Launch Party! NYC! City Quilter! May 20th!

posted in: Art, New York City, Work 6
Look in there. Just look in there! Heavenly.
Look in there. Just look in there! Heavenly. The City Quilter is at 133 W. 25th St., New York City. You can call them at 212-807-0390 and visit them at cityquilter.com. They are very nice.  

One month from today, there is going to be a neat party. I am personally inviting YOU to come to it.

But of course I am! Because I see you.

I see you there, scrolling down the screen in your adorable pajama pants. I see you too, you at your desk at work with your candy drawer. (May I have a piece of candy? Thanks! You’ve always been so incredibly nice to me. :: unwraps, chews :: ) I see you with your tablet on the couch, sir, and I see you, gal on your phone on the bus, reading the RSS feed of PaperGirl like a champ. You’re all fabulous! And you’re all invited to this here party.

On May 20th, 2014 — one month from right now — in the early evening*, come to The City Quilter in scenic Manhattan. We’re having a party for my book! Wow! Isn’t it a wonderful thing to celebrate the existence of a book?? Humans are so cool.

I’ll be there, selling and signing Make + Love Quilts. Really cool quilters and designers will be there, too. I can’t name-drop, but if I did, you’d like, WOAH because these are name-drop-worthy people.

And hey, if you don’t give a whiff about quilts but just really like PaperGirl, guess what? You will love the party, too, and be most welcome there. There’s a lot writing in my book. It’s a quilt book for sure, but it’s a PaperGirl quilt book. A non-quilter can actually curl up with tea and this book and not wonder why he/she is reading a quilt book. It’s a book-book. It’s for everyone.

So, come to the party! You guys! You ladies! Let’s do it! Let’s have fun! I want to meet you! Have you ever been in Manhattan in May?? It’s ridonk-a-donk! So beautiful! It’s like being in a Gershwin song!

Book a flight, take a train, hail a cab. Come to the party on May 20th. Live a little!

 

The Handbag Effect.

That's her.
That’s her.

In Nebraska, you get an extra scoop of ice cream at the ice cream shop just because you’re nice. That actually happened.

You can’t get a good piece of fish anywhere, but what’s wrong with you? You’re as landlocked as a person can get in the United States. Eat steak.

In Nebraska, you can visit the International Quilt Study Center — a.k.a. Valhalla for quilt geeks. You’ll receive a near-stately welcome and be rendered speechless when you enter the galleries. Perhaps for the first time in your life you will see quilts given the honor and solemn respect they deserve. This is way, way better than eating substandard fish or even well-ordered steak. Please go there.

And if you’re carrying a Celine handbag within state lines, you will be mobbed in Nebraska.

Look, these are things I know and I tell you because I care about you.

My mother and I stopped by an outlet mall on our way into town. Mom needed pantyhose. We figured at the outlet mall we could get out and stretch our legs, find a cup of coffee, get those hose. And so we exited for Nebraska Crossing, a sprawling, newly-constructed discount compound. I’m not a huge fan of outlet malls; the shopping experience always feels a bit like a mouthful of styrofoam. But it was a warm day and there was a Brooks Brothers store on the grounds, so I was game. I like Brooks Brothers shirts.

So Mom and I are going along and twice in two different shops, I was complimented on my handbag. I am currently toting around a rawther nice handbag, it’s true: it’s a Celine Phantom bag from last year. It’s oxblood-colored (strangely tempting to use the UK spelling there — “oxblood-coloured” — but I wouldn’t dare) and is not the mini-version of the Phantom that has been showing up lately. This beast is the full monty, the real deal, and it’s head-slappingly gorgeous, if you’re into that sort of thing, which I am. The bag was a gift, and that’s a story for another day, when you and I have a quality Zinfandel and about an hour to kill at an airport bar.

My mother found her pantyhose and that was all we bought the whole time we were at Nebraska Crossing, but we looked around the place for well over an hour, enjoying being together and not working. The last store we popped into was the Michael Kors store. We walked in and were just about to walk out when a twinky young sales assistant approached me.

“Oooh, I love your bag,” he said, eyes fixed on the smooth leather. “It almost looks like Celine.”

“It is Celine,” I said with a smile.

My answer appeared to throw the young man into physical pain.

“NO!” he gasped. “Braden!!!”

A second twinky sales associate levitated over. Both of them were 90lbs soaking wet, both barely in their twenties. They flapped their hands and were jumping up and down, touching my handbag and clutching their chests.

“That is seriously Celine,” said the first young man, fingering the tiny logo at the top of the bag. “Seriously, seriously, seriously Celine.” He was almost in tears. He looked at his friend. “Phoebe Philo is life.”*

“Can I hold it??” the second one asked me.

Of course he could, I said, and I let the boys try out the bag. One of them joked that he was going to take off with it and made a little motion of turning and running, which was slightly less funny to me than it was to his friend.

Two other sales associates came over, both girls this time, both every bit as hysterical as their colleagues. I now had a veritable gallery of youth cooing and fluffernutting over my handbag. It was fun for a moment, but then a terrible wave of depression came over me. These kids cared too much about this. I darkened right there before them, though they didn’t know it. To be complimented is one thing; to be conspicuously gagged over for an object you happen to possess is another. It was intensely uncomfortable, being the carrier of such wanton material love.

But I took a breath and allowed it to run its course. Because I know what it’s like to grow up in the sticks and see an artifact From Beyond. When you have your sights on leaving cornfields for skyscrapers, it’s a big deal when a high-rise shimmers into view. You gotta inspect it, you gotta fuel your next year of high school with that image or experience. For some kids on the prairie, it’s music From Beyond that keeps them going. For others, it’s pictures of Istanbul or Belize. For others, it’s fashion. It’s Celine. And it’s not fair to judge a kid for the obsession, not fair to make his love small or light; to him, it’s entirely serious, possibly life-or-death serious.

We left, and my mom, who hadn’t seen the full freakout, said, “What was that all about?”

“Fashion,” I said, and we went to find the car.

*Phoebe Philo is the British designer at the helm of the house of Celine.

The Pendennis Observer, Observing Pendennis.

posted in: Pendennis 2
The author and the monkey.
The author and the monkey, 2012.

When life springs eternally from a suitcase, I turn to the monkey.

I’m not quite eccentric enough to pack him along with me on the road, but I do have a folder of pictures of him on my computer and sometimes, we flip. 

Travel means nothing to this monkey. I leave Des Moines for Lincoln, Nebraska tomorrow, and Pendennis, he don’t care where we go or that we’re not going home. Or that we’ll be home just two days before going to Florida for four. 

Pendennis pays no taxi fare, cares not for TSA pre-check. Pendennis doesn’t need to take a jacket. Pendennis can’t miss his favorite teacup or wish he packed his softest nightgown.

Pendennis only has that face, that face that remains unchanged by death, taxes, and airport security. Indeed, the stuffed monkey remains unchanged also by happiness; in my most ecstatic moments, Pendennis is Pendennis is Pendennis. 

And he’s so funny.

Everything is going to be fine.

 

The Deer Story.

posted in: Family, Story 9
This vintage die-cut will not ruin your car.
This vintage die-cut will not ruin your car.

One hot August afternoon in the year 2000, I found myself driving a shiny red convertible on a highway in Iowa. I was barely twenty years old, the top was down (convertible top, not my top) and this was a good day because, hey, convertible, and also because it was summer. On top of that, the car had a CD player and I happened to have all my Beastie Boys records with me. Bam!

The car was my mom’s almost-brand-new new toy, but she was allowing me take it to Iowa City for a few days. I was in college then, and that summer I split my time between my hometown and my college town, working as a waitress in both places. I’ve always been a pretty responsible kid and my mother has always been a pretty generous person, so I got the car for a spell. My plan was to rock out, get to Iowa City in one piece, work a few days, and then jam.

That is not what came to pass.

About an hour into the three-hour drive to Iowa City, somewhere between Paul’s Boutique and Check Your Head, I became intimately acquainted with a wild animal.

Out of nowhere — in the middle of the afternoon! — while speeding along Highway 169, my peripheral vision picked up a huge, brownish mass bounding out of the ditch on my right. I was going about sixty-five miles an hour; the huge, brownish mass was matching my speed.

Before I had time to understand what was about to happen, the mass — a 10-point buck, give or take — chose to cross the road. Right that second. Mother’s convertible was in the way, of course, and I was in the convertible. The deer dashed up onto the shoulder and then charged, hard, directly into the road.

In a hideous flash: impact.

Ever been hit by a deer from the side while you’re driving? Ever hit a deer head on? It’s not good. Deer are huge. Even small deer are huge. They’re at least bigger than a Great Dane and Great Danes are enormous. Think about hitting a Great Dane with your car. Now make the Great Dane at least three times bigger with antlers and hooves. Bambi is a lie. Bambi is a cartoon animal with big eyelashes. Actual deer are big, wild, and painfully stupid. And they do not have rabbits as pets. So I’m like:

“AAAAAAAGGGGGGGGAAAAAAA!!!!!!! AHHHHHHHHHHGGGGGAAAAAAAAHHHHHH!!!!!!! GGAAAAAA!!!!!!!!!!! GAAAAAAHHHHHH!!!!”

…as the deer comes up over the side of the car and into the car with me. I felt its bestial heat. Its deer belly was five inches from my face. There came The Great Kicking, and I remember understanding a tremendous amount of weight very near me now, and I remember thinking how much blood a deer probably has and how I was going to know for sure very soon.

“AAAAGGGHHHHHHH! GAAHHHHHHH!” screamed the deer, as he kicked and scrambled over me.

While this is all happening, understand, I’m still driving the car — sort of. I hear plastic shattering and my feet are stabbing at the clutch pedal and the gas pedal and who knows what else. I’m downshifting, I’m pulling over, somehow, and as I’m doing this, the deer clears the car. He came up onto the road, came into the car, and left out the other side.

This is a true story.

When the car finally stopped, there was glass all over me. The deer had all but shattered the windshield; it sagged toward me, crackled into lace. The passenger’s side mirror was in my lap in 10,000 pellets. The entire console of the car was kicked in, totally gone. The Beastie Boys were silent. There was deer hair everywhere. I was taking Italian in school at the time and as I looked at the rape of the convertible, the first thought I had was in Italian for some reason; this probably has to do with my brain not functioning properly or functioning at some adrenaline-boosted peak level. The hair was three distinct colors: dark brown, medium brown, and white, so:

Tricolore,” I said to myself. “Capelli…deer…e tricolore.”

A woman coming down the road on the other side stopped and helped me. She had seen the whole thing. I wasn’t hurt. I thought my face was bashed in because my chin was wet, but it was just spit that had flown out of my mouth when I was whipping my head around and going:

“AAAAAAGGGGGGHHHHHHHHHHH!!!!!”

I used the lady’s phone to call Mom. When I told her what had happened, she did what any good mother would do: she thanked her lucky stars her daughter was okay and called a mechanic. It was no one’s fault; car insurance was deployed. I went onto Iowa City not long after the whole thing was resolved — you can’t keep me down for long.

But to this day, whenever I drive in Iowa (and I have been driving a lot while I’m here for TV) I end up with a terrible pain in my right shoulder. This is because I drive with it hunched up into my neck, subconsciously trying to brace myself for impact.

Favorable Book Review: Make + Love Quilts

posted in: Art, Quilting, Work 1
The "&" is in fact a "+" in the final version. This is an outtake!
There’s an error on this version of the cover. The ampersand should be a plus-sign; it should read: “Make + Love Quilts”. That makes this cover feel like an outtake, or a rare Czech/bootleg pressing of a Stones record.

My book has received a positive review from a reputable source!

It could all be downhill from here, so let’s enjoy this.

Though I have made my pledge and try my hardest to maintain its integrity, from time to time, we must jettison our rules and regulations to celebrate unpredictability and joy in life. Today, I link to the outside web because this nifty review is cause for celebration. If you’d like to see what the fancy critic said, you can click right over here. 

And I reckon you could go here, too, and buy yourself a copy. If you like my blog, you’ll like my book, even if you’re not a quilter.

That’s a gar-un-teee. G’night!

From the PaperGirl Archives: “Mary Fons, Freshman,” January 30, 2012

Dutch magazine illustration. I love those dresses so much!
Dutch magazine illustration circa 1880; artist unknown. Lord, I love those dresses!

Yuri is tending to a bit of business while he’s in town. This means I have an hour to spend with you. You look lovely this morning.

Trying to write anything right now that is not a frothy, gooey paean to the strapping young man in my life/house is useless: he’s all I can think about and our reunion has been most happy, but because I refuse to be gross, I’ve rifled through the big red binder and have a little something for you today from the PaperGirl Archive. I promise you’ll be entertained, and there’s no risk of me TMI’ing about Yuri’s perfect, uh, everything.

The entry, titled “Mary Fons, Freshman,” is dated January 30, 2012, and I chose it because it makes this post a post-within-a-post that also digs into the past for old writing. It’s so meta, I’m practically metallic. Bon-apetit!

PaperGirl, January 30, 2012 — “Mary Fons, Freshman”

And now, a report I found amongst my the boxes of things my mother delivered to me in her quest to rid the house in Iowa of questionably saved childhood artifacts.

This essay (?) was written my freshman year of high school, which means I was writing at the tender age of fourteen. I am more than a little scandalized by my flip, bratty attitude — and more than a little proud, friends. As I type this up for you, I remain indignant over the indelicate circumstances that compelled my math teacher to give the assignment. I’ve copied and formatted exactly, word-for-word, from the document itself.

Let’s do this.

“Under normal circumstances, I couldn’t give a damn about the history of mathematics, but since the students in my math class can’t seem to control their gastrol [sic] intestines, I am forced to write this report. Having encyclopedias from 1962, it makes it difficult to find an abundance of information on anything other than Lincoln, so my one and only source will be my math textbook, Transition Mathematics, (Scott, Foresman, 1992, All rights reserved.)

THE DEVELOPMENT OF OUR NUMBER SYSTEM

Do you recognize these numbers? 

0   1   2   3   4   5   6   7   8   9

You ought to, you’re a math teacher. We use numbers every day. But have you ever wondered how they came about? Well, I haven’t either, but I’ll tell you anyway. 

Long ago, the Greeks and Romans had a number system. It’s wasn’t like ours — they used the letters of their alphabet to represent numbers. The Greeks used more letters than the Romans, which is a totally pointless bit of info but is has to be a page report and I have absolutely no material at all. In fact, I wouldn’t be surprised if I am one of the only ones in my class who actually completes this assignment! Anyhow, the Romans used L for fifty, C for one-hundred, D for five-hundred, and T for two. Europeans used this system from 100 B.C. to 1400 A.D.

During this time, the Hindus were hard at work on their own number system, which is the system we use today. It was called the DECIMAL SYSTEM! This system is the one that has made my life a living hell ever since preschool. I have never been good at math. If I was, I wouldn’t be having to deal with high schoolers who can’t stop farting. (Excuse the term, it’s so blue-collar.) But I digress.

The Europeans didn’t figure out the decimal system until 1202 A.D. A guy named Leonardo of Pisa, an Italian mathematician also known as Fibonacci, translated the Arabic manuscript into Latin, and that was the only reason the Europeans ever began using this system. Thus ends my report on THE DEVELOPMENT OF OUR NUMBER SYSTEM. Thank you.

Now, because I still have a half a page left, I will express my opinion on this situation. It saddens to me know that my fellow classmates cannot grasp the fact that they are in high school. Maybe farting was funny in second grade, but not anymore; at least not to me, or anyone else with an I.Q. over ten. Frankly, I’m scared. Are these the leaders of tomorrow? If so, for God’s sake, kill me now.”

[end of post]

My teacher put a red X through the words damn and “living hell” and docked me 10 points. It may not surprise you that I was considered fairly nerdy in high school, though socially-speaking, I was a floater: I had nerd friends, chorus friends, partying friends, and my older sister’s supercool friends, so I wasn’t terminally nerdy. But the general consensus was that I was a good at English, nice enough, and in no way serious girlfriend material.

Today, I absolutely think farts are funny and I am one happy girlfriend. Things do change.

 

Lobster? You Brought ‘Er!

posted in: Food, Tips 1
Me, too! Image: Wikipedia.
Me, too! Image: Wikipedia.

 

I have just made a lobster bisque.

Here’s what’s happening: Yuri and I have been apart since…too long. He’s in New York. I’ve been crisscrossing the Midwest, flinging fabric around, leaving thread and gum wrappers everywhere. Unable to stand being separated a moment longer, we’ve hatched a logistically-challenged plan to spend about 36 hours with each other in Chicago before Monday comes around and spoils everything. I left Iowa this morning before the sunrise and arrived in Chicago just after it; he’ll begin his trek from the east coast within a few hours. I cannot wait till he gets here. I’m slightly freaking out.

“Yuri,” I texted him, “I’d like to make you something marvelous to eat. It’ll be all ready when you get here. What would you like, darling? Pick anything your heart desires — absolutely anything!”

I watched the little talk-bubble ellipsis shimmer on my iPhone. Then the text popped up:

“Can you make lobster bisque?”

Yikes!

“Absolutely,” I texted back, because though I’ve never made lobster bisque, it’s just soup, right?

Cooking is fun because it’s the closest I get to doing — and enjoying — science experiments. You take a beaker of this, a cup of that, you boil this, you mix that, and blam! stuff changes color, there’s oxidation, titration, solids, and who knows what else, but you can eat everything and people go, “Wow!” and there are no grades.

Here’s what I have very recently learned about making lobster bisque:

  • It’s expensive. I purchased four lobster tails (roughly 4oz. each) from the fishmonger at Whole Foods, and that came to a little over $35. Then I had to fetch the cream and the stock and so forth. Not cheap — and those little lobster butts don’t yield much. This some fancy soup. 
  • It’s time-consuming. I recommend catching up on emails between steps. You’ll get a lot done. 
  • It’s sorta gross. Have you made lobster bisque? If not, let me tell you a little secret: you puree the shells. The shells are cooked with the soup, y’all, at least in the recipe I used. Lobster bisque is basically a way to drink essence o’ lobster and that means you need to puree, pummel, extract, soak, simmer, reduce, and otherwise distill every morsel of that thing to git all you can git. When I was reading through the process I had to read twice that you use a food processor to puree the dang shells and then return them to the pot. You don’t eat the shells — that orangey muck is pushed through a sieve later — but you’re kind of eating the shells because, well…Cuisinart. 

As I was going briskly about my bisque business, I thought about Maine, where “lobstahs” are to Maine folk as deep dish pizza is to Chicagoans: plentiful and fiercely protected.

In the summer of 2007 and 2009, I stayed a month on Maine’s picturesque Little Cranberry Island (known to the locals as “Little Cran”.) My artistic mentor and friend Sonja, along with her husband Bill, founded The Islesford Theater Project (ITP) on Little Cran and they asked me to be involved. Making theater with those people in the summer was a true gift and we made a lot of people happy, I think; whenever the ITP has a show, people from all over the Cranberry Isles get in their boats and skim across the water to come see.

And when you’re in the cast, you get to stay in Sonja and Bill’s house and eat Sonja’s home cooking every night. This is a very, very good thing. Blueberry crisps, tacos, Indian food — that woman can and does cook everything. Well, Sonja can get fresh lobstahs straight from the lobstahmen working about 500 yards from her back porch. She made lobstah mac n’ cheese once, which was transcendental. Once, everyone at the table got a fresh lobstah on a plate. Bam, lobstah on a plate. Dinner was served. There was a dish of melted butter for each of us, shell-crackin’ implements, and a whole lotta napkins. The flavor was incredible, but if I’m honest, I must confess: Whole lobsters kind of gross me out. The whole “sea bug” thing does not inspire hunger in me. And after making this soup, I’m not that excited to eat it. I’m excited for other things.

Just hurry, Yuri.

There Will Be Mud: A True Life Kid Story

posted in: Family, Story 10
Awwww, yeah.
Awwww, yeah.

One day on Meadowlark Farm, my sister Nan and decided to get out into the timber for awhile. It was late enough into spring that stuff was thawing. There was a lot of mud out in the field between our farmhouse and the timber, and this was annoying. We were slightly feral, but we were also girls. Getting dirty was never the aim of our adventures; our adventures were the aim.

We put on our lighter snowsuit-overall-things, at Mom’s request. It was still cold and these would keep us warm, keep some mud off our clothes, and protect our little bodies from the burrs and pokey sticks out in the forest. We grudgingly put them on, followed by our galoshes. And we set out.

I’m sure we had fun, but I don’t remember what we did. I only remember that when we came back through the mud field to go home for lunch or dinner, something terrible happened.

Hannah (Nan) fell into a mud pit.

I’m telling you, that girl sank into a mud pit of Neverending Story proportions. She went down and she went deep, at least to her waist. Since we were small, the mud pit couldn’t have been that deep, but for a ten-year-old, a waist-high mud pit is a helluva mud pit.

“MARY!!!!” she screamed. I was 20 paces or so ahead of her when this happened. “MARY!!! HELP ME!!!”

I whirled around to see half my sister, flailing around in the mud. It’s so interesting to me to think what I must’ve said. I know what I’d say today, but at that age, I didn’t know those sorts of words.

“MARY!!!!” my sister kept screaming. “MARY! GET OVER HERE! HELP ME!!” and assessing the situation, I determined she really did need help. Her boots were totally, completely stuck and was she sinking further into the mud? Yeah, she was. Yikes.

I decided that this was definitely an emergency situation, but that I was definitely not going to help her myself. It wasn’t logical! I was smaller than she was! What was I gonna do? Pull my older sister out of a sucking mud pit with the power of my six-year-old will? I knew that if I gave my sister my hand, sloop! down I’d go into the mud, too, and at the time, I only came up to her waist, so I’d be totally drowned in mud. Hell, no. I wasn’t going down like that. I had cookys to eat.

“I gotta go home,” I said, a little scared at how my decision would land with my big sister.

There was a pause in the flailing. “WHAT??!!!”

“I gotta go home!” I yelled, and my eyes got real big as my sister understood that she was totally screwed. The expression on her face, even from 20 paces away, made it clear that if she was able to survive this mud pit problem, I was in serious trouble. As I ran away, I contemplated hiding places.

“MARY!” I heard her screaming, “I CAN’T BELIEVE YOU!”

“I gotta go home!” I yelled again, and what I meant was, “I gotta go home for help,” but this wasn’t being communicated properly, so Hannah just sent daggers shooting out of her eyes into my back and I ran as fast as my little feet could carry me, out of the mud field, onto the gravel road, into the yard, and up onto the porch of the house.

When I told her what had happened, my mother looked out the kitchen window and saw her eldest child flapping around in a pink coat, far, far out in the muddy field.

“Oh, Mary!” she cried, and we went out and retrieved Hannah. She was fine. A little muddy. Furious at me, of course, but my point was made. A smaller person cannot retrieve a bigger person from a sucking mud pit. Mom could help, I could not.

This is crucial decision-making.

 

 

The Canoodling Burrito: A Love Story

No.
No.

I found myself on a Chicago el train tonight, but I wasn’t supposed to be there. If my itinerary had gone as planned, I would be in Iowa.

After my gig in Cleveland, I planned to go straight through Chicago to Des Moines, no pitstop at home. (I’ll be in Des Moines for the next two weeks, filming Love of Quilting for PBS.) But when our flight was delayed (and delayed and delayed) out of Cleveland and most everyone missed their connections, I had an idea. I deplaned, slipping through the crowd of grumpy travelers to seek out a free Southwest ticket agent further down the terminal. I spied a friendly-looking blonde lady at gate A9 and went for it.

ME: (Exceedingly chipper, non-threatening:) Hello! How are you!

SOUTHWEST TICKET LADY: Hi there. How can I help you?

ME: Well! It’s cra-ray-zay! I was on Flight 313 from Cleveland and, you know, all that rain… Well, I have not missed my connection to Des Moines. I can absolutely make it. But the truth is, ma’am, is that I live in Chicago? And my home is here? And is there any way that I could, you know, go home to my condo tonight? Could I fly to Iowa tomorrow, instead? I don’t know if this is possible, but wow, would it ever be great to, you know… Could… My bed, and my…my bed.

SOUTHWEST TICKET LADY: Let’s see what we can do. (Clacks on computer. Pauses.) We can do that. No problem. I can put you on a flight tomorrow. Morning or evening?

I nearly hugged her.

My luggage went onto Des Moines, but I didn’t care. It would be safe in the baggage room overnight, and who needs mascara, anyway?* I got a boarding pass for tomorrow and waltzed out of the airport. I was going home! I wasn’t pulling any heavy luggage! The words “footloose and fancy free” came instantly to mind. I did a little two-step on the moving walkway. I had visions of a glass of red wine, a book, and my glorious, glorious bed, which would be waiting for me with fresh sheets because I had thought to change the linen before I left town.

I made my way to the train platform. Orange Line to the Loop. Right before the train left the station, a couple came in and sat in the two seats directly in front of me. They were early thirty-somethings; white, preppy and well-groomed but not so wildly attractive that I thought I was looking at prom king and queen. There was actually a touch of nerdiness about them, but they were both dressed like they worked in PR or at Deloitte and Touche, whatever that is. It was abundantly clear that the guy had just arrived and the young lady had come to the airport to meet him.

Let me tell you that they were excited to be together. Very excited.

The pair were talking rapidly and kissing each other in between sentences, then in between words. When they first started this canoodling, I was filled with happiness: lovers reunited is a beautiful thing to witness. This feeling was followed hot on the heels by a terrible pain, however; Yuri is in New York and I am not and I wanted nothing more in the universe than to kiss my lover between sentences, too. (And everywhere else while I’m at it — hey-o!)

My self-pity didn’t last long, because the canoodling couple started to annoy me. They were talking a little bit too loud about the guy’s trip, for one thing. And these kisses were sort of anemic; his lips were squished into a droopy grape shape that he kept smushing into her cheek. And she’d be halfway through a syllable and stop to pucker up. It was like this:

GUY: Yeah, he’s doing great.

(Kiss.)

GIRL: Did your mom saying anything about the oven mitt?

(Long smooch.)

GUY: She loved it. Oh, Ronnie’s going to be in Chicago next month.

(Kiss.)

GIRL: Oh (Kiss) that’s (Kiss) awesome.

(Kiss.)

I pulled out my magazine and slumped down in my seat; I tried to get into an Atlantic article about helicopter parenting and fight the urge to wield, in this perfect of circumstances for it, one of the finest expressions in the English language: Get a room!! 

But then came the food. And I was too grossed out to do anything but cover my mouth and look out the window.

The kissing and cooing sounds were joined by the sounds of a food wrapper being opened. Cellophane or paper was being pulled down what I perceived to be a burrito. Now, between syllables and kisses, there was…chewing. Mastication. Food. She would take a little nibble of this burrito and then, mouth full, would peck him on the lips. Then he would talk a little more, bend his head over to take a bite, and then talk more, and then smush his grape lips onto her neck. I was horrified. I could not get the vision of refried beans and saliva and bed sheets out of my head. It was a physical reaction; I felt ill. When you’re on a train, the people sitting in front of you are right there. I was almost directly implicated. It was almost that kind of party.

This went on. We were close enough to my stop that I didn’t get up and move. I also realized immediately that this was PaperGirl material, so I hung on. I stole two glances: the first, to try and catch the guy’s eye to give him a cold, hard, “EW” look; that failed. The second time I looked up from my recoiled pose was to confirm that these two people were actually making out while eating a burrito. I’m glad I took that second look because guess what?

It was a Rice Krispie treat!

I brightened considerably. Well! A Rice Krispie treat! That’s sorta cute! I kinda like these two, I thought, and I no longer felt like I could barf. Rice Krispie treats are sorta like kisses themselves: sweet, kinda sticky, well-intentioned. It was amazing to me how different I felt about the situation I was in when the food changed from a stinky, cheesy burrito to an innocuous rice-and-marshmallow snack.

They probably went home and had a lot of sex.

*Me, a lot.

Tips For The Beginner Quilter In All of Us (A Diagram-Chart-Schematic-Graphic)

posted in: Quilting, Work 6
Everyone likes shapes. That's Grandma Moses, by the way.
Everyone likes shapes. That’s Grandma Moses, by the way.

I’m in Cleveland at the Original Sewing and Quilt Expo show. I’ll be teaching today; tomorrow, I’ll teach again and then give a lecture. If you’re in the state of Ohio, you should do the following immediately:

1. Eat a buckeye
The candy, I mean! Not the sports fan, tree, chicken, or passenger train that also use the term “buckeye.” Eating a passenger train… What’s wrong with you??

2. Drive to the OSQE show.
It’s at the I-X Center. I don’t know what I-X is for, but is there any better place for us all to find out than in the actual I-X Center? Clearly, there is not.

3. Come find me!
I’m wearing pants, shoes, and a top. And earrings. And a necklace. And bra and underwear, naturally, and I’m deodorized and flossed. Can’t miss me. Shouldn’t miss me, really. We can rap about the tip sheet up there. It’s full of good information for beginner quilters of all ages and stages.

4. Gimme one of those buckeyes.
I smell peanut butter on you. You’re holding out. C’mon, man, hurry up… No, just do it quick! Just be cool! Aright, aright. Now we’re talkin’… Mmmm…

:: munch munch ::

The End.

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