I wrote “The Maine Camper’s Slug Song” a few years ago when I was doing a play up in Maine. This was an ode (ode?) to the truly enormous slugs that emerged at night and also an exercise in meter: the inspiration for the piece was John Betjeman’s “A Subaltern’s Love Song.” Yes, I know that the creatures I saw aren’t actually sea slugs — sea slugs live in the sea — but it paints the correct picture of the Atlantic Oceanic monsters that made me lose sleep many a night. Enjoy!
The Maine Camper’s Slug Song
by Mary Fons
The sea slugs of Maine, the sea slugs of Maine,
Lengthened and strengthened by Northeastern rain,
What frightening sizes you all seem to be,
There in damp grasses, too close to me!
Like hot dogs or cowcumbers – oh, how to describe?
The long, skinny, tube-like shapes that do hide
In grasses in yards of Tom, Dick, and Jane,
We are weak from your grossness, oh sea slugs of Maine.
Oh sea slugs of Maine, oh sea slugs of Maine!
How could I possibly sleep once again
Without nightmarish visions of slimy long necks
And trails of your travels and nocturnal treks.
For an encounter occurred tonight in the fog,
While islanders slept, sawing log by large log,
I met with a sea slug and had to then log,
My experience in this internet blog.
Nearby the front door, after some time away,
I found one of you, smack dead in my way–
Dead, yes indeed, I’d prefer you remain,
You foul gastropod! you mollusk of Maine!
But lo the courage I found I had not
Sufficient enough to kill on the spot–
What would I use? My shoe or my fist?
How might one murder a foe such as this?
For your body was tensile; gooey and brown,
And I had no stomach for stooping way down
To meet at the ground with the whites of my eyes
A creature’s existence which logic belies.
And so with a shrug and a shiver of spine,
And a curse for a world that created its kind,
I sidestepped and wide-leapt its long, curvy line,
Dignity shattered but otherwise fine.
Oh sea slug of Maine, oh sea slug of Maine,
I am bested tonight – and this is quite plain,
But sleep with eyes open – all four of them,
For one night we’ll duel and you’ll not find luck then!
It’s not that I hate them or wish them great pain,
But g-ddamn they’re disgusting, the sea slugs of Maine.
Unless I’m at a cocktail party hosted by quilters, I am usually the only quilter at a cocktail party.
When I talk about what I do for work, someone will invariably say, “Sorry — did you say you’re a…quilter?” I nod and say yes and then two things happen: first, the person cocks their head and goes “Huh!” and then, “My auntie used to knit, too.” Sometimes I gently explain the difference between quilting and knitting, sometimes I just ask about the auntie.
If you’re not a quilter, you probably don’t think about quilts very often. You know what they are. You maybe had one in your house as a kid. You don’t know that we take umbrage when you to refer to a quilt as a blanket (please!) and you have no idea that the business of quilting kicks up $3.6 billion dollars annually — that’s just in the States. But that’s all perfectly okay. I don’t know about programming in Ruby, nothing about the Blue-Footed Booby (okay, that rhymed), or how to fix the sink. We all have our work and stuff we geek out on. Quilts, for me, are both. I traffic in them; you don’t.
But then…
Then a quilt comes into your field of vision and I can tell you exactly when it happens: when there’s a baby coming. When there’s a marriage. When someone is real, real sick. Unlike the Blue-Footed Booby, quilts arrive when they are needed and what I insist upon, what I know is true, what I make sure to say at any cocktail party, be-quilted or otherwise, is that quilts are still needed, still relevant by virtue of what they are. Quilts are love, manifested. Put another way:
You can’t wrap a baby in an iPad.
Technology is galloping away with us all and I’m riding bareback with all my quilter friends who, you could argue, are more digitally connected than other hobbyists — we have pictures of quilts to share, online bees; the entire Modern Quilt Guild “movement” was born online. But all the binary code on the planet can’t comfort a baby like wrapping it up in a quilt. Another example? Give a newlywed couple a handmade quilt and watch death rays emit from the eyes of everyone else at the shower — the crystal fruit bowl from Tiffany’s and the Kitchen-Aid mixer might as well be crap from the Dollar Store. You can’t beat a quilt with a stick. They’re magic. They’re irreplaceable. They’re also positively American, at least when we speak specifically of patchwork quilts (as opposed to whole cloth or fancy boutis stuff from Europe, and they can keep all that.)
Hey, I want my own MakerBot. My smartphone, myself. In the Venn diagram of “Nerdy,” “Creative,” and “Friendly,” “Quilter” is smack in the middle. Besides, we like buttons and stuff. But what gadget — and while we’re at it, what work of art — can you wrap up in, sit on, barf on, wash, cry under, make a tent out of, mop up stuff with, hug, throw, wad, rip, repair, and then give as an heirloom? I’d guess there’s probably just one answer to that question.
And so we still make quilts. We still do. And we will for a long time because try as we might to wriggle out of it, we’re still human. Humans need comfort and joy and to me and my fellow grieving, joyous, aging, newborn, and just plain chilly humans, a quilt is just the thing.
I cut my finger pretty good last night. I was drinking and sewing, so you are forbidden to have any sympathy for me. It’s okay.
I don’t drink much alcohol these days. I’m just not into it. I realized awhile ago that the increasingly obligatory evening glass of wine was suddenly two obligatory evening glasses of wine and about the time that it became that, I stopped getting a good night’s sleep. I would wake up at 3am and if there’s one thing I do not do, it’s toss and turn. So I’d wake up and read books and try to attack my day — and by noon I was a shell of a woman. When I didn’t drink wine in the evenings, this did not happen. Eureka!
But last night I decided to enjoy a vodka tonic. It’s been months since I indulged in a little evening refreshment and it just sounded nice. A little Tito’s, a little diet Schweppe’s, a little ice. Clink, clink, ahhh. And then, because I am brilliant, I picked up my rotary cutter, which is essentially a razor blade on a wheel. The rotary cutter is to a quilter as the hammer is to the carpenter: an indispensable tool used constantly that can really mess up a finger.
I was slicing around my fan template, zipping to and fro, enjoying some tunes. Sip. Zip. Zip. Sip. “La-la-la,” I sang, and I was so excited about the vodka and the scrap quilt forming on my design wall that I zipped my way right across my index finger and pam! a great flap of skin was now dangling off of me, ruby red blood welling up in astonishing quantity.
“Ah!” I exclaimed and jumped back. I raised my hand over my head and grabbed the first thing I saw to wrap around my wound. What do you suppose I grabbed? Fabric, of course! You see, quilters are very smart. We have bandages at the ready at all times. Carpenters can’t say that (though you could argue they can make a splint pretty quick — or a stretcher.) I hopped up and down and whistled; this thing could be bad, I thought, and I stole a peek. Oh yes! Pretty bad. But there was no tingle, no numbness, so I don’t think I hit a nerve.
The lesson: do not drink and sew. I am not the first to do it, certainly not the first to advise against it, and I know for a fact that I’m not the first to do it anyway and then injure myself. But “the fool who persists in his folly will become wise,” said William Blake, and he actually died while singing, so we should listen to him.
Can I get anyone a drink?
We’ve all made sartorial mistakes.
In case I should forget mine, there are plenty of pictures and videos of me that prove I’ve made misdirected fashion choices. I’m thinking of the belted baby doll dress in the second season of Quilty, the “are-those-cornrows?” hairstyle in the third season, the yellow nail polish on the first Love of Quilting series I un-officially co-hosted. These were all mistakes.
But we learn — not in spite of these misfires, but because of them — to internalize the truth: just because something is trendy does not mean you should wear it. Ballet flats give me piano legs. Cap sleeves cut me across the widest part of my arm. Most bluejeans add ten pounds to my frame. (Until very recently, when I actually found a great pair by accident, I had not owned a pair of bluejeans in over six years. There are other things one can put on one’s bottom half, you know.)
If you are sixteen, you can pretty much wear whatever you please as long as you can get out of the house before your mother throws her body against the door to keep you inside. But I have spotted the “hi-low” skirt trend and it is so bad, I don’t believe even a nymphy, achingly pretty sixteen-year-old could pull it off.
The hi-low skirt is a short skirt with a long, sheer skirt over it. What can the designers be thinking? It doesn’t make sense. It is not aesthetically harmonious. The short skirt is not cut in a remarkable way to begin with and then there’s this long, gauzy afterthought, this sheer mistake wafting all over the place. I think it makes a gal look like she’s fallen from a great height and has hit tree after tree on her way down, leaving ripped bits of her real skirt on the craggy branches. Now she’s just got one bit of dress left — a bit of dress and a slip underneath.
Sub-optimal.
Oh, but I see it! I see the “hi-low” on the streets of Chicago. Not all over town, but some. And I look with wonder and I put on a black turtleneck. Turtleneck loves me, hi-low loves me not.
“Look at that!” my friend said, pointing across the street. “That’s a shoe.”
I looked over. It was a shoe. Just one. Nice, too. Pretty sexy. We crossed the street to investigate and I took a picture for you. My friend and I were full of breakfast.
Because you, gentle reader, are so gentle (and chaste and respectable and pious) I shall ‘splain to you something called “the walk of shame” because the shoe this morning was perhaps the best evidence of the WOS that I have ever encountered. The walk of shame happens when you spend the night at the home/apartment/dorm room of a paramour/booty call/random dude* and you have to leave and go outside. Sometimes you have to walk a fair piece because there are no cabs or bus stops nearby. A walk of shame can happen just to where you parked your car the night before; that definitely counts. Sometimes, you can’t find your purse/wallet and you have to walk the whole way. That’s gonna be the worst right there, because the only thing worse than the walk of shame is the long walk of shame.
The shame happens for the following reasons:
a) you have baggage about extra-marital sex (and you had some)
b) you are hungover (again)
c) you are dressed in the clothes you wore last night, as evidenced by the fact you are in a cocktail dress at nine in the morning, barefoot, your high heels wedged into your purse because your feet hurt
d) you’re being honked at (people not on the WOS love the WOS)
I did the walk of shame exactly once. I was in college. I was so far from home that morning that it makes me cry just thinking about it; there was no bus. There was no car. There was me, a sparkly blouse, and about a mile-and-a-half of questionable sidewalk between me and my sweet, sweet coffeemaker and bunny slippers. I got the honks. I got the cramp in my foot. I got the vodka headache and I definitely got the message.
But I had both my shoes.
*guys can do the WOS but because most dudes’ day clothes look similar enough to their goin’ out clothes, it’s less obvious. Also women + sex = societal shame, men + sex = “sowing oats”