PaperGirl Blog by Mary Fons

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Once Upon a Time, Cigars + Scotch

posted in: Day In The Life 2
Smoke 'em if you got 'em. And you got 'em, baby.
Smoke ’em if you got ’em. And you got ’em, baby.

One of the cleverest jokes I know — is it a joke? only a bon mot? — is this one:

Man: Excuse me, Miss, but how do you get to Carnegie Hall?
Woman: Practice.

I thought of it because I was in New York not terribly long ago and I went with a friend to The Carnegie Club. The Carnegie Club is about as New York as it gets. Well, it’s as New York as New York gets if you’re talking about old, moneyed New York. Graffiti on a fire hydrant and a broken toilet out on the street is pretty New York, too. But conjure in your mind 1950’s jazz clubs with dark, lacquered wood and diamonds around the necks of swan-necked women. That’s the New York I mean when I say the Carnegie Club.

Danny Freedman’s write up of the club in New York magazine is dead on, so rather than spend an hour getting my own description just right, check it:

“An air of vintage class pervades this sprawling midtown cigar bar… Yellow wallpaper and hand-carved wooden bookcases stuffed with worn hardbacks give the club’s main level and large lofted hideaway the feel of an Ivy League alumni club. The crowd of men (many of them balding and dressed in jacket and tie) and some younger women (in skirts or cocktail dresses) buzz from upholstered sofa chairs and couches to the long bar. With 20 or so cigars in a glass-enclosed humidor, even non-smokers may experience a whiff of nostalgia for the days of indoor smoking as they watch how the club’s lighting catches swirls of smoke just right.”

My friend was one of the balding fellows and I was the younger woman in a cocktail dress. I have come to realize that you cannot have too many little black dresses, ladies. It’s impossible: every black dress is unique and special in its own way, sorta like us humans. My black tube dress? Too sexy for the Carnegie Club, even with a jacket. My jersey Celine with the most incredible sleeves with the impossibly gorgeous slit at the wrists? Not the one; plus, too cold for a short dress like that. But my Carven wraparound with the wool lower half and the silk upper half? Poifect! With the black high heels (bows on the toes) and the earrings and the handbag? Ooh, mama! Light ’em, boys, and peel me a grape.

And so they did and so it was that I sank into old New York that night and let the cigar smoke curl and swirl like Freedman said it would. I was buzzed and cozy in a world of cedar and tobacco and fire. Ice, too, incidentally; I had my scotch on the rocks.

I’m considering spending a month or so in New York City at my sister’s place when the renovation begins in my kitchen. I’m not sure I’ll be able to live in my house when that starts. My fridge will be what’s left of my living room. I will have to fashion a hotplate staging area for my tea in the morning. There will be more dust and I am already sneezing and coughing. All that or my amazing sister, NYC out the front door, and a good old-fashioned change of scenery? Not a difficult decision. I can work from anywhere, really.

I won’t go to the Carnegie Club every night, promise. Just Wednesdays.

Maybe Wednesdays and Saturdays.

Salud!

 

 

Found Text: QVC + Dooney & Bourke

posted in: Word Nerd 4
Spank it!
Spank it!

I watch TV when I’m traveling.

Last night, I was a living, breathing road-dog cliche: I came home from a long/awesome day of work, closed the door to my hotel room, washed my hair, put on a moisturizing face mask, wrapped myself up in a towel, and got into bed with a chocolate bar and the mighty remote control. I’m glad the Tulsa Hampton Inn provides notepaper and a pen on the nightstand; as it turned out, I would need them, too.

I landed on QVC. A few years ago, this company hired genius marketing people who elevated the concept of shopping on TV from one of total lameness to one of at least partial coolness. Could it be? I remember article after article (read: press release after press release) about how HSN and QVC were attracting A-list celebrities and everyone from Fancy McPants to ChiChi McGee were doing product on television. Liza Minnelli did a line of clothes for one of the networks; I know because I bought two pieces. Off the TV! Good lord! It was an isolated event, though; my items were costume pieces for my Liza-centric one-woman show in 2011. I hadn’t looked in on the world of television shopping since then, so I thought I’d check the scene.

QVC, I salute you. I was thoroughly entertained for the duration of my face mask. I’m not being sarcastic! It was great.

I watched host Lisa Robertson present/sell a collection of Dooney & Bourke handbags. As I watched, my jaw dropped open. (Well, my lips parted; the mask was getting really hard.) I grabbed the pen and paper and wrote down some of the sentences that came out of Lisa Robertson’s mouth. She was mesmerizing; she could talk for ten minutes about absolutely nothing. Words were coming. Zero new information was being dispensed. Everything you needed to know about each handbag was learned in the first fifteen seconds of seeing it — but not if Lisa had anything to do with it. And she kept repeating the word “crossbody” over and over again, inserting it into every possible place it would fit. I’ll bet you a million bucks that the hosts/producers zero in on a single word in any presentation to use again and again, like a mantra or a password because it’s soothing, hypnotizing. The word could be “phytonutrient” or “sleek” or “soothing.” Last night, it was “crossbody.”

“Love this crossbody bag. The strap, crossbody, is amazing, this amazing crossbody bag is one you will love forever. You will have this for years. Leather, Florentine. Strap, crossbody. This beautiful leather crossbody bag — wow.”

It got better, though. She actually said these things. These are verbatim sentences.

“Are you shorter? You want a bag that won’t overwhelm you. You don’t want to be overwhelmed by your handbag. This is your bag.”

“You’re saying, ‘I don’t want to fight with my bag. I want a bag and I don’t want to fight with it.’ This is that bag.”

“Crossbody.”

“These pockets in the front, they go all the way down. Absolutely.”

“We make these zippers very easy. These zippers are not going to bite you.”

“This is Florentine leather. Very European leather.”

Glorious. And she kept spanking the bags! She’d do a little rub-n-spank, rub-n-spank and finger the front, finger the findings and the hardware. Very sexual, really, almost erotic. So it was all a lot of fun and I fell asleep watching it. When I woke up twenty minutes later, my face was a cement slab and this morning it looks AMAZING.

I Still Don’t Know Why It Worked, But It Worked.

White wedding.
White wedding.

What can I say about this time last year?

The physical suffering for several months was greater than anything I had felt in four years of the fallout from my ulcerative colitis and multiple (botched) surgeries. The pain began to have a shape, a personality. Its tyranny was beyond belief, so bad I would giggle, sometimes, in the midst of an attack. One night I actually turned on the voice memo recorder on my phone when I was spluttering and screaming to have proof later that it was as bad as I thought it was; the most incredible thing about pain that bad is that you don’t remember how bad it was when you’re out of it, usually. This is a blessing, because you might start looking for the nearest set of train tracks if you thought it would happen again.

All that and ensuing hospital trips, lonesomeness. I have loved ones and friends aplenty, but I was stuck in a weird silence, longing for a different sort of hug in so many dark nights of cold snow.

And then an acute, Stage IV existential crisis slammed itself into my chest, which sounds sorta funny except that those aren’t, really. What is the purpose of life? Why does it have to be so beautiful and then end? How come I’m getting older? What happens when someone in my family dies? Why does my body have to hurt like this? What is the meaning of this? I’ve heard people joke about having an existential crisis, but I actually caught one last year and trust: they are no laughing matter. I would cast about each day, numb, going through the motions of work (glorious life-raft) and at night would try to sew, try to take a walk and let the cold sting my cheeks into roses. I felt the blues, the mean reds, and yellow bile in my throat, pretty much all the time. Primary colors.

But then something happened and I turned the corner.

I was walking down State St. one evening, wide-eyed and gaunt. I hadn’t been able to eat for awhile because it hurt to eat and it hurt to digest and it hurt to poop. I was a shell. There was still snow on the ground from the last storm. I went into a designer discount place that contains buried treasure if you’re willing to look. I was not interested in shopping that night; I was interested in not shuffling down State St. as the Ghost of Christmas Future. So I went in.

Up the escalator to the second floor. I floated around for awhile and got sadder. It was so depressing, all those lifeless corpses of clothes, all those clearance tags. And then, snapping through the hangers on the rack in the very back, I saw something remarkable. It was a dress. A white dress by Celine, my favoritest designer ever. It looked like paper. It was like a paper doll dress. It had a Peter Pan collar; it looked like a candy-striper’s dress without the stripes. And it was filthy. It had been marked down from $2,200 to $1,500 to $1,200 to $800 to $425 to $225 to $80 ($80!) and it showed every month of mark downs, every try-on, every grubby hand of every shopper in the store. That poor, poor, beautiful dress. I seized it and looked at the tag. A French 40. My size.

I raced down the stairs with it. I paid. The clerk shoved it in the bag and I hurried home as fast as I could. I felt strange and knew what I had to do. I had rescued the dress from the floor of the store and its fate: certain destruction. It was bound for the mill of damaged-out apparel, destined to become true paper, which is what they do with useless clothes, turn them into paper. I had rescued it and now I had to restore it, nurse the nurse dress back to health. My own vulnerability seemed tied to the dress; my health in the balance, too.

A garment so fine, even made from cotton like it was, cannot be put into the wash. In fact, the beat up tag even advised to take it to not just any dry cleaner but to give it “the highest quality of professional garment treatment.” I came into the house and took off my boots. I  took the gentlest detergent I own from the laundry shelf. I ran cold water in the bathtub.  I swished and swished and made a gentle, cool, soapy bath. I lay the dress in the water. It floated on the top and then slowly sunk down. I knelt at the tub. And I cleaned it. Like I was washing a baby bird, I tenderly rubbed the dress on itself, took a never-used soft toothbrush and flicked the dirt off. I rinsed that thing nine times, probably. I got it spotless. It was white as the newly fallen snow. I opened the window and hung the dress on a wide hanger on a jerry-rigged stand so it would touch nothing. It dried through the night, retaining its paper doll shape.

Then I made a small rack of lamb chops rubbed with rosemary and devoured each chop like I had been starving for a week. Not too far off. I got into bed and sank into sleep and that night, I didn’t wake up in a panic.

In the morning, I felt better. A lot better. I put the dress on. I pulled thick tights and boots on and wrapped myself up in a sweater; the dress is a summer dress and for it to work in winter, I needed accoutrements. I was warm. I braided my hair and went out into the world and I swear, the sun was shining.

I have felt better ever since.

A Broadway Actress Tells You How To Get Your Lost Voice Back

posted in: Art, Day In The Life, Tips, Work 3
'4′33″' is a three-movement composition by experimental composer John Cage. Composed in 1952, for any instrument or combination of instruments, the score instructs the performer(s) not to play their instrument(s) during the entire duration of the piece.
In 1952, experimental composer John Cage composed this three-movement piece called 4’33”. Written for any instrument or combination of instruments, the score instructs the performer(s) not to play their instrument(s). At all. It’s just silence for four minutes and thirty-three seconds. Nice.

My voice has skipped town. Three days, now. No word from her. Very concerned.

In her stead, this bizarre, rather spooky sound is coming from my throat and it alternates between a barely audible squeak and an alarming baritone. The baritone only happens when I decide I absolutely must be heard and the only way that will happen is if I drop my voice down to my chest, furrow my brow a bit, and push sound out with a full-on bark. I was in the airport yesterday and did this while on a phone meeting and I visibly frightened three grown men who were reading newspapers at Gate A9. They all jumped a foot and looked at me like, “What in God’s name is wrong with that woman?!

It’s a cold, brother.

Which I don’t get very often! I’ve been smote by far worse maladies in life and thus I like to think I’ve been given a pass on the other stuff, the little stuff, like colds and the flu. But that’s silly, and the proof is in the mucus. The real problem is that I am in Oklahoma today and a whole lot of people are coming to hear me speak. I know, right? THE IRONY. I’m speaking alongside my mom on this trip and she can help translate any interpretive dances I need to do to communicate with the people, but seriously: I need to be able to talk. Really need that talking thing. So I sent a high-priority email to my friend Kristina The Actress. She’s been onstage her whole life and she’s done Broadway and all that, so she knows a thing or two about losing one’s, er, moneymaker.

“Kristina,” I feverishly typed. “I’m [REDACTED]. My voice. Gone. Totally. Lecture tomorrow. HELP ME.”

This morning, my voice is a 1,000 better and it has 90% to do with her sage wisdom. (The other 10% of improvement can be attributed to time and rest.) So mark the following practical advice in your mind, fair reader, and when you lose your voice at a bad time — isn’t it always? — you can say, “Well, a Broadway actress told me once…”

“Sweets: able to help…speaking to missing voice (which I totally thought was a metaphor at first): If there is mucus, Broadway agrees you must take Mucinex. Then chew/suck raw ginger and also put it in your tea. Then there’s a brand of cough drops called “Fisherman’s Friend.” Sucrets for pain. And then some doctor comes and injects steroids in your throat…I love you.”

See what I mean? That’s a serious assault from all corners and it worked for me, folks. I didn’t have the steroids in my throat (ew) but it’s good to know about the big guns. Thank you, Kristina. You are beautiful in many ways and lots of people love you, but now large crowds of quilters in Oklahoma will love you and when you woke up yesterday morning I bet you didn’t see that comin’.

For The Heritage Quilters of Lockport, IL.

posted in: Uncategorized 5

Dear Friends:

Yesterday was delightful. Our sunlit space was a workshop slam dunk. You students were friendly and talented. Lunch was excellent, dinner was excellenter, and though my voice left me, the language of quilts carried the day.

As promised, a few images from the lecture. Many thanks again for a lovely day with every last one of you. Quilters are the best sort of people.

Sincerely,
Mary “Whispering Mouse” Fons

My mother, in 1980, with a newly born me. She won a blue ribbon. She's wearing a hand-sewn patchwork apron. How is that I am wrapped in a non-quilted blanket?! Sacrilege!
My mother in 1980 with a newly born me. She won a blue ribbon for that quilt, there and she’s wearing a hand-sewn patchwork apron. How is that I am wrapped in a non-quilted blanket?! Seriously! Mom! Come on!
Look again at the first picture. See that button I have pinned on my lame blanket? Here's a closeup shot. I didn't have a chance. I was doomed. Doomed!
Look again at the first picture. See that button I have pinned on my lame blanket? Here’s a closeup shot. I didn’t have a chance. I was doomed. Doomed!
On the set of Quilty. It's a very good show. Watch it at HeyQuilty.com.
On the set of Quilty. It’s a very good show. Watch it at HeyQuilty.com.
The first issue ever of Quilty magazine. You can't get it now! It's sold out! Is that good??
The first issue ever of Quilty magazine. You can’t get it now! It’s sold out! Is that good??
Me and Mom, at the tip table on LoQ. Don't we look sweet?
Me and Mom, at the tip table on LoQ. Don’t we look sweet?

p.s. Don’t forget: compassion for the beginner quilter always!

 

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