PaperGirl Blog by Mary Fons

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Greetings From New York.

Why try?
Why try?

I wrote a poem for my friend Billy years ago. It goes like this:

In New York,
I think of you;
When I am,
I always do.

To tell the tale of this poem, however, we must leave New York for a moment and return to Chicago. When I moved to the city in 2001, I found a decent studio apartment for an unheard-of $420/mo. A year into my life there, Billy called to say he was moving to Chicago too. I felt like I had won the lottery. I was really lonely. Bill and I had met in college and instantly liked each other a lot. He was a tousled musician, I was… Well, it’s up to him to describe a junior co-ed me. But we bonded on enough occasions to become bonafide friends.

When he was on his way here, I nabbed him a unit in my building, so we were sort of like roommates except I didn’t have to wash his dishes, which was for the best. And so it was in the early 2000s, Billy and I were the best of friends during some tough times. We were both struggling to carve out lives in Chicago and we clung to each other. We never dated. We were just…Mary and Bill. He wrote songs. I wrote poems. We both worked nights: he worked the desk at a mental health facility on the west side; I worked coat check at a couple nightclubs downtown. We were simply there for each other, and even though he’d disappear for awhile or I would, we always came back together just in time.

 

Today, Billy is in a rock band that is doing very, very well. It was always so clear that that was exactly what he would do with his life. We always knew. And I always knew that it wouldn’t be long before I was making a living doing what I loved — and we were right about that, too. By 2005, I was a full-time freelancer, writing and performing; no waitressing or coat-checking needed.

So why is the poem about New York?

Because some of the best memories I have of New York City involve Billy. It hasn’t happened in a long time, but for years of our lives, even before that important time in Chicago, we would frequently end up in New York at the same time. And we’d connect and have an adventure, some bacchanalian night that ended up with him driving me in his red car to wherever I was staying. Sometimes we’d make out. Sometimes we wouldn’t. But there was always love, always creativity, inspiration, and learning.

One night, in Times Square, we were walking around. It started to rain. Billy was a few paces ahead of me. Suddenly, he turned around and grabbed me by the face and kissed me full on the mouth. He pulled back from me and smiled this huge smile and said,

“This the first night of the rest of our lives, baby.”

And we walked into the blur of Times Square, into the city, into the night. I’m pretty sure we were holding hands.

In New York,
I think of you;
When I am,
I always do.

 

I Sing The Earmuff Electric (A Poem)

posted in: Fashion, Poetry 0
Yes, please.
I do, I do!

I sing of the furry earmuff,
Each side of my head a cream puff;
When it comes to headgear
For winter each year,
A smartly picked headband’s enough.

For who really wants a dumb hat?
They serve only to make your hair flat;
You step in the door,
And your friends, as before,
Say, “You can’t go ’round looking like that.”

But the earmuff, on the contrary,
Will spare every Tom, Dick, and Mary
From coming un-coiffed
And their loves will say, soft,
“Darling, you’re looking so very.”

Now, earmuffs feels slightly rodential —
Yes, there’s more than a little potential
To feel like a mouse
When you leave the house,
(In the city or somewhere provincial.)

But the point is protection from ice —
In winter, you must not play dice —
The need of the day
Is to keep cold at bay,
And muffs on the ears are quite nice.

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I live within spittin’ distance of Chicago’s legendary downtown Hilton hotel. The Beaux-Arts-style building takes up a whole city block; there are over 1,500 rooms! It has some neat history, too: every U.S. president since 1927 has stayed there, and someone recently told me that when the riots broke out during the 1968 Democratic National Convention, so much tear gas was used by police on the protestors in Grant Park that the gas made its way inside the Hilton, where Hubert Humphrey was taking a shower. Sorry, dude.

The sky-high lobbies inside are gorgeous, especially this time of year; the whole place is festooned with pine bunting and poinsettias and twinkly lights aglow. There’s a towering Christmas tree inside the main entrance, too. Yesterday, I saw a kid nearly fall over backward while he looked up at it.

As I mentioned in a previous post, I’ve been working over there during the day. I’ve found an even better spot: downstairs, in front of the lounge fireplace. I go over each day and the first thing I do, the very first thing, is go to the hotel event screen. This is the big screen near the bank of elevators that tells what conventions are being held that day at the Hilton. (Though there are two hotels in the city with more rooms, nobody has more meeting or event space than my Hilton.) Nothing but nothing entertains me more than looking at a list of what people congregate to talk about. Here’s who’s meeting at the Hilton this week:

E & J Gallo Winery
Customer Supply Chain Connection, University of Chicago
The Mid-American Competing Band Directors Association (MACBDA)
Thompson Holiday Event

I love it! I love to think about a band director literally bumping into a wine salesperson in the long line at the interior Starbucks. She spills her latte on him, he’s nice about it, they laugh about holiday craziness and bam! They fall in love. Years later, at a party, they recount the tale to their friend Julie. And now, a short play.

The Hilton Made Me Love You
A play by Mary Fons (c) 2013

(A party.)

SUE: Darling, why don’t you tell it?
CHARLES: Tell what?
SUE: How we met. Julie wants to know.
JULIE: Tell, tell!
CHARLES: (beaming at SUE.) Well… We were in Chicago.
JULIE: I love Chicago!
CHARLES: We do too, don’t we darling?
SUE: Oh, Charles!
CHARLES: I was there for Gallo. Sue was there for MACBDA, if you can believe it.
SUE: Back when I was still a band director! Isn’t it incredible?
JULIE: I’m so glad you moved into aeronautics.
SUE: Me too. Go on, sweetheart.
CHARLES: We were in line at the Starbucks and Sue bumped into me. She spilled her entire latte all over my shoes. It was an absolute disaster.
SUE: (swatting him.) It wasn’t the whole latte!
CHARLES: It was an entire latte.
SUE: Oh, you!
CHARLES: We got to talking. Sue actually got on her knees to wipe the milk off my shoes and we started laughing… Honey, that was the first day of the rest of my life.
SUE: (with a wink.) Room 1423?
JULIE: (gasps.) You didn’t!
CHARLES: Thirty years later, you’re still the girl of my dreams.
SUE: Charles, you’re my hero.

(CHARLES and SUE embrace, kiss. End of play.) 

 

Grief Quilt, Holiday Quilt, Impossible Quilt.

This is the caption.
This is the caption.

A Jewish friend of mine told me that if you do a charitable act…you kinda aren’t allowed to talk about it. Obviously, an office charity fundraiser requires group knowledge; a marathoner gets pledges; a wife will need to know about a sizable gift her husband wants to give this year, etc. That’s all fine. The point my friend made is that if you do something nice and go around crowing about it, it can all but cancel out your good deed. Your gesture toward your fellow man becomes about you and this great thing you did. “Suboptimal,” my friend said, and I agreed.

So in telling you the story I’m about to tell you, I am taking a risk. But it’s a story about a quilt, so I gotta. I also want to tell you about Alameda* and what happened to her this week. By doing that, perhaps her ball of grief will dislodge in some cosmic way and allow her to rest.

Alameda works in the receiving room in my building. It is a depressing, windowless box in the back hallway. She’s been there about four months, I’d guess; she came on when the management changed. Alameda is from Mexico. She’s around twenty-four, I’d guess, and smart. She’s funny, too, and upbeat, even in that dank, horrible room, and we chat whenever I’m picking something up or shipping something out; Alameda and I have become friends, because there’s a lot of shipping in my life.

Yesterday, I picked up a package. Alameda came from around the desk to take it and she looked awful. “Puffy” didn’t describe her eyes; they were red-rimmed, swollen, spent.

“Oh my,” I said, quietly, because there were other people behind me. “Are you okay? Have you been crying, Alma?” She nodded. “It’s okay, it’s okay,” she said, and smiled a “thanks for asking” sort of smile. I gave her a furrowed brow and a pat on her arm and I left.

Later that afternoon, I had to drop something off for UPS. I went in and no one else was there. Without being terribly nosy, I made the attempt to talk to her if she wanted to talk.

“Bad day?”

“Yeah.”

“Can I ask what’s wrong? You don’t have to… If you don’t want to talk about it, that’s totally cool.”

Alameda paused. “My brother died yesterday.”

I clapped my hand over my mouth. I asked her if it was an accident. It was not. Her brother killed himself. The entire family was at his house for Sunday dinner. Alma’s brother went downstairs and hung himself in his room. She said they “heard something” and didn’t think anything of it, kept eating dinner. He had been very depressed, she said. He was working three jobs, he wasn’t a citizen, he had a bad breakup, he was scared and anxious all the time. And he ended it on Sunday, right there in the house, while his two-year-old daughter sat in her booster seat eating mashed peas.

When she told me all this, I was too shocked to burst into tears, though it’s so awful, I wondered why I didn’t. The truth is, I cry less than I used to. When she said that his fondest wish was to join the Navy, get a pilot’s license, and fly, that’s when the tears burbled up for both of us.

“The potential,” I said.

“Yeah,” she said, and put her hand over her face.

It was hard to leave her. As soon as I did, I knew I wanted to do something for her for the holiday. But what? I called my sister Nan and asked for her sage advice. She didn’t disappoint.

“What do I do for this girl?” I asked Nan. “What do I give her?”

Nan paused. “Well, I reckon you should give her a quilt.”

I slapped my forehead, which hurt a lot because I was outside in the Chicago icebox. “Of course,” I said. “Of course.”

“People in crisis, they get quilts,” she said. “Think about the Red Cross. Floods, tornados, family crises — it’s quilts that bring people comfort.”

So I’m going to give Alameda a quilt from my collection. I’m not sure exactly which one, but I have an idea. And I’ll put a label on the back and I’ll put it into a big box, wrap it up pretty, and stick an enormous, obnoxious bow on it.

He hung himself. He hung himself downstairs.

*Name changed. 

Swinger.

Notice happy chap, downstage left.
The Swing,”  by John-Honore Fragonard, 1767. Notice happy fellow downstage left. He’s there for the view, I’m guessing.

Yesterday I swung on a swing. I swang. I love to swang almost as much as I love to ice skate. “Swang” is not a word according to my spellcheck, which is going nuts. But I think it should be a word, so take that, spellcheck.

In the afternoon, I went with my friend Sonja and her little boy to see Redmoon Theater’s Winter Pageant, an annual show heavy on glowy tableaus, light on coherence. No matter; the kids love it. As is customary for Redmoon, when the show is over, the audience is invited to hang out, touch the actors (!) and explore the set. It’s cool. They had rigged up several swings on loooong chains in the huge warehouse that serves as their performance space. My 5-year-old comrade took to them at once. The middle swing was a two-seater so at his request, Aunt May-May hopped on with him. He calls me “Aunt May-May.” I call him lots of loving things, e.g., “Squirt,” “Captain Bunker,” etc.

Sonja gave us a push. We kicked our legs. We sailed over the theater seats, whooshing back, then plunging headlong into space. I looked over at his tow-head and said, “Hold on tight, Babycakes.”

The last time I was on a swing I was home in Iowa. My mother and I had had words and this happens so rarely, I was quite upset. When our conversation had reached a fevered pitch, I tersely excused myself, put on my sneakers, and literally took off running. I ran to the city park, trying to calm down and expend (destroy) my unpleasant energy. Halfway through the park loop I spied the swings up on the hill. I turned on my heel and jogged up to them. Man, did I ever swing. I went so high on the swingset that the chains went slack at the top; this harshed my mellow a bit — I like my skull and would like to keep it from splashing onto park district gravel. I pulled back and settled into a blissful rhythm. I probably swang for a half hour, letting the wind rush past my ears on the back push, feeling my heart in my chest when I cut through the air to go forward.

An object in motion tends to stay in motion. A kid on a swing tends to want to stay there all night. A fight with a parent is usually over something important. Dusk in Iowa in June is heartbreakingly beautiful. Theater is relevant, but only to some people.

These are things we know.

 

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