Cookshop

A lil' sompin' like dat.
A lil’ sompin’ like dat.

I’m mad decent in the kitchen.

My junior year of college, I went into a newly opened cafe in Iowa City with my boyfriend Wes. The Motley Cow was the sort of place I did not feel cool enough for: it was tiny, there were interesting objects everywhere (e.g., glass seltzer bottles), and there were words like broccoli rabe on the menu. I spied a pasta dish on the paper menu that contained…truffles? In my world, truffles were chocolate. We went in because Wes wanted to ask for a job. They didn’t hire Wes, but they did hire me. I’m still not sure how it happened; I truly do not remember asking for work. Besides, I was horribly intimidated by the whole operation. In conversation with Wes and the owner that day, I must’ve mentioned that I had waited tables all through high school. Within a week I was on the schedule as a waitress at the cafe. From there, out of curiosity and a deep desire to help that beautiful place succeed, I got into the kitchen. The Cow became my contemporaneous college. It changed me as much as normal-college did, probably more.

We ate five things in my house growing up: pizza, chicken tetrazzini, mostaccioli, lasagna, and chili. In a single-parent household where that parent is on the road much of the time — trying to make enough money for any sort of food — there is no food worship. There’s no interest, money, or time for it. And this was twenty years ago in small-town Iowa, mind you; that I even knew what a chocolate truffle was is saying something. I don’t mean that we were a bunch of rubes; I mean that it was a different time and that time did not include sauteed shallots or aged balsamic.

When I started inching into the kitchen at the Cow, I started from nothing. I didn’t know about the soup-starter triumvirate (carrot, celery, onion); I didn’t know hummus was made of chickpeas, nor did I know what a chickpea was; pan-searing and braising were revelations; I remember the day I learned what a roux was and I made one; I remember the day David needed me to make a soup and he said, “I need you to make a soup,” and I did: I made a delicious French onion and we served it. I made the soup! I fell in love with making simple, gorgeous, nourishing food and I owe it to the Cow and the people who were patient with a willing kitchen student who didn’t know anything at all.

In New York City, you walk out your door and before your very eyes is some of the best food in the world. (I actually think Chicago beats NYC for Best Restaurant City in America, but that’s another post.) But would you know that I’ve been cooking since we got here? I haven’t had a working kitchen in so long, it feels like the sweet breath of life to be standing at a stove again. The setup here is laughable: there is no countertop. No counter at all, just a sink and a tiny, tiny stove. But it’s a gas range, the oven works, I’ve fashioned a counter by putting a board across the sink, and I can use the small dining table if I really need more room. I’ve made lasagna, chicken-quinoa-vegetable chowder, penne caprese, maple cookies, chocolate chip cookies, Irish soda bread, rolled oatmeal with cream and almonds, and beautiful asparagus and salads.

Feeding myself and Yuri in this way feels like watering a plant and that plant is love and that love is five-star.

 

 

“Do You Have Poison On?”

Rather lovely, the poison ivy plant.
Rather lovely, the poison ivy plant.

Weird stuff happens in New York City. For example, yesterday morning I opened the door of the apartment and littered on the two flights of stairs down were dozens of Mini Twix wrappers. Dozens of them, tossed like so much confetti! It was as though all the Mini Twix in the East Village were like, “Yo! Party at [REDACTED] and 1st Ave!” and I was seeing the aftermath. I’m happy to report they were very, very quiet. I didn’t hear a peep. (‘Cause Peeps weren’t invited — hey-o!)

Today, something even stranger happened — stranger, even, than a candy party in the hallway. I was walking near Thompkins Square Park when a young woman came up behind me and asked me one of the more disorienting questions I’ve ever been asked:

“Excuse me, do you have poison on?”

You know that search box feature in the upper righthand corner of your computer screen? When you need a file or a word or an image from your hard drive, you type it into the box and bloop! there you can make your selection. Our brains work similarly. When you’re out a date and your date orders the branzino, you might not instantly know what she’s having for dinner. You do the search box and in .0000003 seconds you come up with some old file with a weird filetype that has something to do with…fish! It’s a fish, right? Yes. Branzino is fish. Thank you, search box.

When that girl asked me if I “had poison on,” I could practically hear my little search box whirring into overdrive. Poison? Poison. Poison ivy. Poison the band. Poison the deadly substance. Hamlet. Poison on. Poison on…what?? What is poison on? Poison drips, poison oozes — poison does not go “on” anything. Are there headphones somewhere? Playing Poison? It would be impossible that “Cherry Pie” would be coming from my iTunes, but perhaps someone’s nearby? Is “poison” a new drug the kids are doing and she’s asking me if I’m either selling or interested in buying? Also: no? There were also data rejections of the “Poison Ivy” character from Batman and poisson.

I looked at the girl harder, my search box wheezing and puffing, shuffling through great stacks of data. “Get context clues!” it shouted, “I’m gettin’ nothin’ in here!” Pipes were bursting, coal was being shoveled into the furnaces within my gray matter. The girl was kempt and pretty. Mid-twenties, black, nicely dressed. This was no help. If she was clearly insane, I could just shake my head and keep walking. The search box could be satisfied with “she crazy.” No dice.

“I’m sorry,” I said, searching her. “Uh, poison?”

“The perfume. Poison. Do you have it on?”

It was almost orgasmic.

“Oh!” I cried, way too happy to give her an answer at this point. “No! No, I don’t! But man, that is such a great perfume! I love that perfume! No, no. Not wearing Poison. No Poison on.”

“Thanks — have a good one,” she mumbled, giving me a slight “Sorry I asked” look. Hey, lady, you’re the one who’s talking to strangers about poison.

My sister Nan used to wear that every day in high school, by the way.

 

 

ArtSpy #071862: George B. Luks, Allen Street, c. 1905

George B. Luks, Allen Street, c. 1905.
George B. Luks, Allen Street, c. 1905.

I was there today, right there to the left of the red chair. You can still see my imprint! I have a yoga mat on my back and I’m wearing really insane winter boots with saw soles.

My NYC yoga studio is in the Lower East Side at the corner of Stanton and Allen, the very same Allen Street George B. Luks captured so brilliantly in his painting. His version of the scene in oil and the handful of versions I snapped of it in Instagram aren’t dissimilar. These days, there are fewer bonnets — or are those burkas on Luks’s women? — on Allen Street, but there’s just as much stuff for sale and there are dress shops and people stacked on top of one another.

Luks was an artist of the Ashcan School. If “The Ashcan School” sounds fancy, that’s just what the Ashcan painters want you to think, but the name comes from the actual object: the ash can.

These guys were a belligerent bunch. It was around the turn of the 20th century they were doing their thing. The grand poo-bah of the (loosely affiliated) group was a newspaper illustrator named Robert Henri. He said he wanted art to be more like journalism: hard, honest, unflinching. The John Singer-Sargent stuff was starting to rot everyone’s teeth out, and Henri and his band of super grumpy painters wanted to portray the real people they saw in the cities where they all hailed from, New York City and Philly. Down-and-out beggars, rag-pickers, elderly indigent women, the unwashed masses — these were the subjects for the Ashcan guys. They painted on wood panels they found, on boards, on window shades. They got into bar fights. Luks was such a bad boy, he actually died in a bar fight in 1933.

In New York, on Allen and Stanton, I can feel the past bear down so hard on me, I actually tend to walk a little faster. I love it down there on the Lower East Side, but the air has an edge and it ain’t the rock clubs. It’s the tenement houses, long burned down. It’s the rag-pickers. It’s that Allen Street was Asylum Street for a good while — why? Because it was where the New York Orphan Asylum was, of course. There’s something in the grime that produces slides in my brain: hungry faces and brawling drunks; the smell of boiling meat, boiling clothing, boiling hot days in August.

Yoga was good. I’ve returned to my Bikram practice. It wasn’t so rough today, but I’ve been in class when there were forty or fifty people packed into that room. It’s no more than 450 sq. ft. and it’s heated to 105 degrees. I’ve been in classes so packed that when I did my forward standing bend, I’ve hit the butt of the girl in front of me with my forehead.

And the grime becomes you.

Zion = Drop-Off Laundry Service, NYC

Photograph man working at Chinese laundry. Artist and date unknown.
Photograph man working at Chinese laundry. Artist and date unknown.

I can’t believe it exists. Drop-off laundry service. Pick-up and drop-off laundry service. I can’t believe my eyes.

I’m from small-town Iowa, from the plains. Where I’m from, we do our own laundry. The idea of someone else even seeing the family’s (used!) skivvies is insane, but actually handling them? on purpose? You can go to jail for that, son. And aside from the total (voluntary) intimacy breach in paying for a laundry service, there’s the “Well, now don’t you just think yer fancy!” part, which might be worse. The day you’re too good to do your own laundry is the day you’re sent to de-tassel some corn. That’ll bring you back real quick from any illusions about where you’re growing up. Hint: it ain’t New York City, sweetie, so put down your hairbrush.

But it’s amazing, the drop-off laundry service! It’s so great! And in New York, it’s not glamorous at all. It’s quotidian. But I’m new here, so for me, the magic has not yet been shat on by pigeons. Here’s how the wond’rous process of drop-off laundry service works:

You wear clothes. You get soup/grit/blood on them in various quantities, in various places. You put these clothes in some kind of vessel; an IKEA bag is a good choice. Got dirty sheets? Great. Musty pillows? Stuff ’em in. Take ’em to the laundry place. There’s one a half-block away, most likely. Smile to the nice lady behind the counter and get a ticket. You will see no washing machines: remember, this is is not a laundromat. Prepare to be weirded out because it’s weird. The cheery lady will tell you in a thick Korean accent that your order will be ready for pickup this afternoon. This afternoon? You nod, slowly, and say, “Thank? You?” and carefully, carefully back out the door. When you come back hours later, your laundry will be waiting for you. Clean.

But wait.

It’s not just there and clean. Your laundry is the cleanest it’s ever been, ever. And it’s vacuum-sealed in plastic bags, all tidy. It’s as though your dirty, vaguely-smelly self lifted from your terrestrial body while you went out and did other errands and was sucked up into a big cleaning vortex in the sky where you were agitated, bleached, color-boosted, and dried with fluffing agents and then folded and vacuum-sealed…and you didn’t even notice. That’s what you’re paying for when you take laundry to the laundry. You’re paying for the cleaning vortex. And don’t you think that’s worth ten bucks a load or whatever it is?

What price, Zion?

“A Quilter and a Voguer Walk Into a Lobby…”

Vintage Vogue. Horst, 1939.
Horst, 1939. Vogue magazine.

If you want to work in the quilt industry — and with a $3.5B+ annual market valuation, a lot of people do — you’re going to need to go to Quilt Market. Anyone doing serious business in the quilt world is there and though there are many shows throughout the year that serve the industry, when people ask you, “Will I see you at Market?” they mean either International Spring or International Fall Market, whichever comes next on the calendar. The answer to the question should be, “Absolutely.”

At Market, you see what’s new. You get the V.I.P. scoop. You make predictions. You discover new designers, new talent. You see who’s hot, who’s tepid, and who isn’t there at all. You make deals. You make friends and faux pas. If you want to be in the business, you have to be at Market because please. Everyone who’s anyone, darling.

Really, going to Quilt Market is a little like being in New York City. Everything happens here first. If you’re not here, you’re just gonna have to find out when everyone else does: later.

I’m staying in an East Village hotel while my NYC living situation sorts itself out. At 4:00am this morning, I woke with a stomachache and couldn’t get back to sleep. (When you don’t eat much during the day and then you eat steak, these things happen.) My hard and fast rule about insomnia? Get up. Tossing and turning is unacceptable. Just get up. Read something or clean something. If you’re in my situation, pad down to the lobby with your computer and talk about vogueing with Zachary, the night porter.

I was scamming some tea from the not-technically-open tea and coffee station when Zachary appeared. He startled me and I instantly regretting not combing my hair or at least putting on flip-flops. I looked like a barefoot, homeless crazy person.

“Please don’t throw me out,” I said, sleep-deprived and thieving. “I just knew where the honey was. I-I’m a good person,” I spluttered.

“You’re fine,” said Zachary, dressed in black skinny jeans and a cap, laconic and cool in that way that early twenty-something New York kids are laconic and cool.

“Thanks,” I said. “I couldn’t sleep, so I’m awake.” Even in the middle of the night, I am excellent at stating the obvious. It’s a talent.

We started chatting. I told him about being a writer and a quilter; he told me about a nearby gallery that is currently exhibiting quilts. I asked him what he did when he wasn’t working at a small hotel at 4am. He told me he graduated last year with degrees in art history and publishing, that he was also a writer, and that he is holding a panel discussion on ballroom culture on Thursday.

“Ooh,” I said, “Tell me more.” Because Zachary wasn’t referring to tango clubs or waltzing, and I knew it. Ballroom culture refers to the dance-centric, underground LGBT subculture that brought us such touchstones as vogueing and the “house” system, a way of forming alliances/collectives within the underground drag and dance community. Mainstream references to all this include the seminal Paris Is Burning film (1990), Madonna’s “Vogue,” and RuPaul’s “House of Love” and Lady Gaga’s “House of Gaga,” though one must note the mass-appeal versions of these things look different from the ground-floor ballroom world Zachary knows.

What he shared with me about the evolution and current state of ballroom culture was fascinating. I was getting the story, that Market-style scoop.

Vogueing has its roots in 1960s Harlem, it became vogueing in the 1980s and 1990s. But it’s been twenty-five-ish years since Paris is Burning and a whole lot has happened in the scene in that time, no surprise. There’s femme voguing (extravagant, feminine, beat-centric) and “dramatics” (jerky, hard, battle-centric) and those styles are already waning to make room for what’s next. The music has changed a lot, too; less wailing diva house, more crunchy, techy beats so fast and frenetic the standard measure of “beats per minute” ceases to be applicable. The Internet happened in there, too, so now the good DJs are instantly hot across the country, as opposed to how it happened in the old days: slowly, while mixtapes were transported from NYC to Chicago to San Francisco and back. Dance styles are instantly mimicked and adapted. We watched YouTube videos together for some time and Zachary showed me the vibrant and vital community of people who are keeping ballroom alive, well, and just as competitive and snatchy as ever. That’s a compliment, by the way.

Anything I’ve gotten wrong or weird in my report is to be blamed entirely on me and my lack of sleep, not Zachary. He knows his subject, he dances, he is more than qualified to host his panel on Thursday.

This is why you get up when you can’t sleep. There’s so much to learn. There’s so much to see, even at 4am. And in the center of the world (that would be New York City), it’s ever-so-slightly more true.

Work.

My Soup, My Salad, My Nemesis: Vapiano

I'm sure these people had a better time.
I’m sure these people had a better time. Especially the dude in the hat. He always has a good time.

At brunch on Sunday, my (affianced!) sister Rebecca told tales of her recent trip to Tokyo. A transcription of that exciting conversation is forthcoming, but last night I was reminded of the specific tale she shared of the elegant efficiency of Tokyo noodle shops. I was reminded because I was sad.

Here’s how a Tokyo noodle shop works: you step up to an automated kiosk and put in your money. You press a button for the kind of ramen you want (select by picture) and bloop! out comes a ticket. You take the ticket to the noodle man and zing! he makes your ramen. Double happiness, arigato! No cashier, no waiter, no wait. The only possible mess in this process might be soup on your blouse.

Friends, let us leave the Tokyo ramen shop and pay a visit to its berserker anti-matter evil twin: Vapiano in the good ol’ U.S. of A.

[Pardon me, darling: before I begin, I’ll need my blood pressure medication, yes, thank you, and my smelling salts. Is there Xanax? There is? Yes, dear. I’ll have two, please, one for now and one for five minutes from now. I’ll take them with a glass of Sauvignon Blanc. Thank you, darling, and a napkin. That’s good. Yes, that’s very nice. Now, gather ‘round, children.]

Vapiano is a German-owned restaurant chain. The first Vapiano opened in 2002 and today there are 120 locations worldwide. Chicago got a roomy one in the old Carson Pirie Scott building about a year ago. During the construction phase, I passed it and felt happy because a quick, freshly prepared salad option downtown is always welcome news. Indeed, Vapiano proclaims “fresh” Italian-style pizza, pasta, soup, salad, and dessert. And each Vapiano restaurant has a full bar and a large dish of gratis gummy bears at the host stand when you walk in. Why, I don’t know, but when we went there, Yuri ate two handfuls of them immediately. This ended up being a smart move because at Vapiano, it’s gon’ be awhile.

The first thing that happens is that you’re greeted by a hostess so scared to tell you what’s about to happen, she races through the spiel fast enough you may wonder if she’s speaking English. Something about cards? Something about stations? Tapping? Paying…sometime in the future? She thrusts menu cards into your hands and you are then absorbed by the Vapiano food pen. We learn from the Vapiano website that the name is a word inspired by an Italian proverb that goes, “Chi va piano va sano e va lontano,” which translates to: “People with a relaxed attitude live a long and healthy life.” Clearly, Vapiano stakeholders are being ironic. There is nothing relaxed or healthy about their “high-concept” restaurant. “Long” works. Keep “long.”

So you get a credit card thing. There are stations in the food pen for the different offerings, pizza, pasta, etc. You stand at the counters and order what you want from the long-suffering line cooks whose smiles are so obviously required for employment there, you want to lean forward conspiratorially and tell them they can give it a rest. But you don’t. Because you’re hungry. You tell them what you want and then they say something you can’t hear and they make a swiping motion and gesture to your card. You look around for a credit card machine, but there isn’t one. There’s a screen, though, embedded in the counter, so you smoosh your card down there and it goes beep! and the line cook looks with a pitying look of congratulations and begins to make your carbonara.

Which takes a long time. So long. And you’re not seated at a table waiting, remember. You’re just standing around. And what do you do with the card? Well, the Vapiano people tell you that this is the beauty of the whole thing, that you can take the card all around and just keep ordering all kinds of stuff for hours and hours and your card keeps everything straight for you. (A waiter is surprisingly efficient for this, too, but don’t mind me; my Xanax just kicked in.) But… But where do you put it? Your wallet seems a little…final. Your pocket seems risky, though, because you’re blithely eating all this German-Italian (?) relaxation and health and what happens if you lose that card or forget what it is and give it to your kid’s teacher for Christmas? And it still wasn’t totally clear whether or not we should pay and then eat or hang onto the card even longer and let its confusing presence further flavor our caprese salad.

I spent most of the “experience” running all over the damned place, picking up the food we had ordered 20 minutes earlier. Got the soup! Okay! What else? Oh! Salad! Be right back! Ooh! Our pager went off! (Oh, there are pagers involved, too.) Pizza! Okay, do we have everything? Okay, I totally wanted a piece of pizza, but that’s okay! No, I wasn’t here. It’s fine. How was it? Awesome. Ooh! Dessert! Be right back.

Surely there are people who love this. Surely there are people who understand it better. I am entirely aware that I’ve probably done Vapiano incorrectly, that there’s something wrong with me. If anyone, German, Italian, American, or otherwise can help me, help me, because I really really like the tomato soup.

Seriously, it’s great.

The Pendennis Observer, January 29th, 2014.

Ladies and gentlemen, welcome to The Pendennis Observer. If you’re not gotten The Pendennis Observer before, please find all the details you’ll need right here.

We’re happy to report that the PaperGirl has arrived safely in New York and that she has had all her shots. Dispatches begin tomorrow. Pendennis is with her now.

We wish you a pleasant evening.

– The Management

 

Remember: never posed. Ever. The monkey comes by these situations naturally.
Remember: never posed. Ever. The monkey comes by these situations naturally.

 

Saturday night face plant.
Saturday night face plant.
Pendennis and my mom's dog, Scrabble, cuddling during an early morning blizzard. Door County, 2013.
Pendennis and my mom’s dog, Scrabble, cuddling during an early morning blizzard. Door County, 2013.
Too much Heidegger too quickly.
Too much Heidegger too quickly.

Record, Repeat, Dance, Advil.

Nicholas Kirkwood gold-studded chrome heel pump, pre-fall 2013.
How does this gorgeous pump translate to my fear of death? Read on! (Nicholas Kirkwood gold-studded chrome heel pump, pre-fall 2013.)

Every morning, I rise before the sun, make a pot of Earl Grey tea (milk and honey, please) and I write in my journal. I fill page after page with narrative just like this, except in the journal I gleefully put down every last nefarious, disgusting, turgid, and/or bodice-ripping detail. When I die, these books may be worth something, not because I’ll be Very Important but because there will always an interest in the market for steamy non-fiction, especially if that steamy non-fiction comes from a gal who enjoys making quilts.

These journals — there are thousands of pages by now — keep my brain in order and help me quash a deep fear: when I die, I will be dead and my life will be lost to the sands of time. I’m a realist, come on. Unless you’re a giant, a Mark Twain or a Queen Elisabeth, the average human gets maybe a couple generations of people who actually care that much that you’re not around. After they’re gone, you’re just someone in a photograph who “died a long time ago,” no different than all the zillions of people who existed before you showed up and then also died. Bleak? Oh, heavens yes.

I suggest keeping a journal.

Last night, I went out. Big and bold, dahhling. I wore very high heels with a very short dress and I had very big hair and a very small handbag. (These contradictions, they are fascinating — and smokin’ hot!) There was lip gloss, there was a sexy black jacket. There were multiple taxi trips due to epic venue changes throughout the evening. At the house party in Wicker Park, I did a shot. At Studio Paris, I was invited to join a party that had purchased bottle service and when I told one of the fellows inside the velvet ropes that I felt like dancing on the bar, he was enthusiastic about my plan and helped me up right away. At the dance club/bar in Lincoln Park, I just flirted and smooched on my man and that was maybe the best part. Well, that and the second Grey Goose and tonic. Hit the spot!

I tell you all this because this description, this chronicling of a night is proof that it happened. It happened to me. I did that. I may have a little baby someday and when I do, I will not be dancing on bars — not till the kid is eight or nine, anyway. Chronicling is important for nights in, too, and plane trips, and mornings in Chicago. A record of it all is proof of life and I am a person who demands proof, needs proof. Life is slippery; it’s easy to forget not just details but whole swaths of time, whole people, whole versions of oneself.

Though I frequently read through the journal in which I’m currently writing, the time isn’t right to pull out the entire catalog and start reading from, say, Oct 12-Dec 23rd, 2009. No, that will be saved for my old and wizened days, when my knees are shot from wearing high heels every day and my rheumy eyes drip tears onto the pages before I can even really cry about it all. I look forward to that, actually. (Not the rheumy eyes; the journal reading.) Really, I’m just following the advice given by Gwendolyn in Wilde’s The Importance Of Being Earnest:

“I never travel without my diary. One should always have something sensational to read in the train.” 

Cheers, comrades.

Traveling Quilter

See, it's a hobo duck and it's got a patch on its jeans, so it's like me, kinda homeless, trying to figure out how to be a quilt designer/maker without a studio.
Illustration © Magic Sweater 2013. Permission Pending. (Also: a patch on the elbow and on the pants? He’s so a quilter.)

The phrase, “I’m just really stressed out” is a tired one. The phrase is tired. Upon hearing it, the listener is tired, and we all know the person saying it is extremely tired. I stay away from phrases like this because George Orwell said I should. But Orwell also believed in saying what you mean and this time I mean it: I’m stressed out.

On Wednesday, I get in a plane and fly to New York City. I will stay there for six weeks. Six weeks! If you’re new around here or if you don’t have room in your head for the details of my life (I don’t either), here’s why I’m leaving Chicago: I have a refrigerator, a dishwasher, a range, and a kitchen’s worth of cabinetry in my living room which was already layered with dust and compromised with construction zones. (I’m renovating a kitchen and bathroom in a 1500 sq. ft. condo.) Also, my main squeeze is moving to New York City. Also, my sister lives there. Reasons abound for a sojourn in Manhattan, but it’s no weekend jaunt: I’m going there to live for over a month and a half. It will be mid-March before I’m home again. Jiggity-jig.

Here’s the main issue: I’m a quilter. I make quilts. I ask you, fellow quilters: how do you pack up your studio for a six-week trip in the middle of a tremendously inspired and productive period? Seriously, your input — or commiseration — would be appreciated.

 

For those of you who don’t know, fabric to quilters is as paint is to painters. Fabric is our palate. I have a mad decent palate, too: my stash is sick. If I want, say, a black and white polka dot, not too big, mostly black, well, I just go grab it from the drawer. Whatever will I do in New York City? Yes, yes, I could buy more, but I’d rather not my NYC spell be doubly expensive because I’m 3,000 miles away from my fabric. Trust me: this relocation is gonna cost a few bucks already. And my design wall! And my cutting mat! Oy.

Here’s my solution so far: make up kits for the two quilts I have going right now. Pack them with fabric I want and additional fabric that I might want. Send my machine ahead of me. Commandeer a wall in the apartment to serve as my design wall: be flexible, gentle, and concessionary on everything but this in terms of space-sharing with the fellow.

And make my quilts. And do my work. And look out whatever window I end up with and smile, because my life is charmed, charmed, charmed, after all.

Fons In Love

Love means absolutely saying you're sorry. A lot. Who writes this stuff?
Love means absolutely saying you’re sorry. A lot. Who writes this stuff?

Well, I’ve gone and done it. I’m in love.

Given as I am to hyperbole and dramatics, one could read the above sentence and figure I’m in love with a dress, or an author, or a particular kind of squash. But no, I’m in love with a man. It’s happened, and it’s time to say something.

Admitting that you’ve fallen in love is a bit (I hear) like sharing that you’re pregnant: you don’t want to say anything until you’re absolutely sure and everything looks rosy because, you know, things happen. And people are so excited when someone falls in love or gets pregnant because except in a very few sad cases this is a happy occasion. (Sad cases for falling in love include it occuring when you are married to someone else; sad cases for getting pregnant include when you have a gaggle of children already and someone just lost a job. These sorts of things.)

It’s going on five months, now, spending time with this fellow. I reckon that’s about how long it takes to go gaga and see a relationship of consequence grow and inspire. Think about it: one month is just enough time to understand the other person’s job. Two months is great fun but come on. Three months and you’re like, “Hm, now wait a second,” four months is like, “Holy crap, I like you so much and we’re sort of dating,” and entering the fifth month is the bare minimum in terms of acceptability for announcing the world that you’ve gone round the bend and there has been embarrassing levels of eyeball-gazing between the two of you.

Is this all too sterile an analysis? It might even sound defensive. Okay, then forget all that. Let me just tell you about this person.

He’s devastatingly good-looking. (I will spare you details of his perfect smile, his sparkly eyes, his abdominal muscles.) He’s gainfully employed. He’s an excellent writer — perhaps the only “dealbreaker” I have, much as I hate that concept — he’s witty, he’s responsible, he’s way too much fun, he’s trilingual, and ladies? Brace yourself: he’s an accomplished piano player. HE PLAYS THE DAMNED PIANO. Very well, I might add. Oh for heaven’s sake! The moment I witnessed that, I was toast. Toast!

I out with it now because at this point, I’m skipping huge swaths of juicy PaperGirl content for the sake of modesty. But the adventures I’m having with this person are too good not to write about. So here we are.

He’s marvelous. I’m over the moon.

And in a mad change of plans, I’ll be leaving the icy slick of Iowa tomorrow morning on a plane to sun-drenched California. He’s visiting his family there and we’ve been apart almost three weeks. We can’t stand it another minute, so I booked a ticket. When I arrive in Santa Ana at 2:30 tomorrow afternoon, it’ll be the smooch heard ’round the world.

Darling, I’m on my way.

PaperGirl Celebrity Sighting: Simon Doonan!

Dashing.
His tie matches his shirt. His tie matches his shirt!

I wish my interaction with Simon Doonan had taken place today. If it had, I might still be able to pick up a whiff of whatever orchid-root-stem-cell-shea-butter lotion he had on his hands the day I did meet him. But this story is not from my trip to Arizona this week, sadly. When I met Simon Doonan in Scottsdale it was this past June. My story is day-old — but it’s half-price!

Simon Doonan is creative director of Barneys New York. Barneys is a luxury department store with flagship locations in the usual places: Chicago, Dallas, Boston, Omaha, etc. (Okay, not Omaha.) Barneys was founded in 1923 and naturally the high-end retailer has been through all the ups, downs, and way-downs any store would experience over the course of nearly 100 years in business. Through it all, Barneys has remained fabulous.

You know how everyone freaks out about the Macy’s Christmas window displays? Child’s play! Amateurs! As part of his job, Simon Doonan directs the window displays year-round at Barneys (take that, Santa) and they are resplendent n’ transcendent. They shimmer, they shock, they make you look. The scale is enormous or the scale is tiny. The displays poke fun and provoke and they are frequently quite funny. Beyond the windows — literally — Mr. Doonan is in charge of making Barneys Barneys, with its chrome and leather, its glass cases and $3,000 hat racks. When you see a Jimmy Choo delicately perched on a buttery-soft, buff-colored shoe tuffet, think Simon Doonan. He is responsible for the tuffet.

Mr. Doonan an excellent writer on top of all that; look up his work and you won’t be disappointed. He’s also married to designer Jonathan Adler, so if he needs advice when sketching something out, he can just holler from the den.

Okay, okay. So I’m in Arizona last June. I’m in Fashion Square Mall, walking toward Barneys. I’m killing time in the mall, schlepping around, marveling at how a fancy-pants shopping center like Fashion Square in Scottsdale for crying out loud could have such a dismal food court when there, straight ahead, was a man walking toward me who I recognized to be Simon Doonan.

He is a very handsome fellow. Diminutive. Impeccably dressed, naturally, in a velvet jacket — purple, I seem to remember. His hair was coiffed and jaunty. I made a little squeak — I don’t think he heard me — and I smiled a friendly smile. I was genuinely happy to see him. Simon Doonan of all things! He saw me smile and smiled back at me like, “Hm. I know you. Do I know you?”

“Hello,” I said, surprising myself that I was approaching a celebrity. But I had put the ball into play and so I instantly committed to making the interaction not lame. “Gosh, you’re Simon Doonan.”

“Yes, hi,” Simon Doonan said. “Do I know you?”

He really asked me, like he honestly thought he had met me before. Can you imagine how many people this person must meet in a week? Good heavens. I also felt exceptionally happy that I like fashion and tend to dress up “for no reason.” I think there’s always a good reason for fashion. Case in point: you might meet Simon Doonan in the mall. This is one of the many reasons sweatpants will never do. I looked chic and I was glad.

“No, you don’t know me,” I said, “But I know who you are. And I just want to say thank you. Thank you for all that you do to make the world a more beautiful place.”

We both raised our eyebrows. He was surprised to hear that. I was surprised to hear it, too — it was like I had rehearsed my whole life for my 20 seconds with Simon Doonan. It just came out like that, perfectly — and perfectly sincere.

“Well… Well thank you,” he stammered. “That’s… Well, lovely. Are you..?”

He asked what I was doing there, if I was with Barneys, etc., etc., and we chatted briefly. I told him that I was a quilter, a magazine editor, and that I host a show on PBS. He approved of all of this. And I even got a business card into his hand, though I have no doubt he tossed it into a dish of other business cards along with his South African dominoes, solid gold bricks, etc. The junk drawers and catch-all dishes of the fabulously wealthy and stylish contain items we do not posses. I’m resting at the bottom of one of those dishes, I’m afraid: Simon Doonan has not yet asked me to lunch. Still, I consider my moment with him to be a total win. I was not a nerd. I was not weird. I was chill. He invited me to a trunk show or some sort of reception at the store, but I was leaving the next morning.

Mr. Doonan, there’s still time. I’ll be in New York City for six weeks starting at the end of the month. I can tell you all about quilts, we can discuss the food court at Fashion Square Mall, or we could sort business cards and stack your gold bricks while we watch what’s happening on the Paris runways. I’m dying to see, aren’t you?

I’m also very good at drinking Champagne. I also would like to gauge your interest in me doing a capsule collection of quilts for Barneys. That is all.

Mary Fons, Chips

Google Analytics reveals much. But lo, like the Oracle at Delphi, the Great Google Analyst In The Sky conjures more questions than answers. Oh, Great Google Analyst In The Sky, what secrets do you hide? (Cue synthesizer music, fog machine.)

According to Google Analytics, the top-rated searches that lead to this site are:

Wow, okay.
Let’s discuss.

What can we learn?

Well, people like to get the dirt. Am I divorced? how long ago? pregnant? how recently? diseased? in general or in a specific place? But we know already that people are like that. Heck, I’m like that. Scuttlebuttery is to the Internet as puddin’ is to a long-john donut: inevitable. And bad for you — and delicious.

That “mary fons divorce” comes up before the actual URL to my website is a little weird, but all right. And I look at the words “divorce” and “cancer” attached to the googling of my name and feel a little defensive. But who knows? Maybe those searches are born of concern. I have been very sick in the past and I am divorced. There you go: your search has ended.

The “is mary fons pregnant” search throws me into a mini-funk, though. It really is true that television makes a person look wider than they are in real life. I went through a phase when I enjoyed wearing geometric tunic tops with black tights and kitten heels. A good look walking down big city streets, for sure; on television, not so much. I look like I’m wearing a different mu-mu on every show that series. Why would I be wearing such strange, diaphanous clothing on TV?

Well, many people thought I was pregnant. A woman actually came up to me in Sacramento and whispered, “Mary, I hope you don’t mind if I ask, but… Were you pregnant?” I opened and closed my mouth like a fish for a few seconds and then the woman realized she did that thing that you’re never, ever, ever supposed to do. I said, reflexively, “You’re not supposed to ask people that.” She blushed nine ways from Sunday and that was the end of the conversation. But seriously: what if I had been pregnant? I don’t have a baby. If I was pregnant in the recent past but don’t presently have a baby, we could conclude one of a number of sorrowful outcomes had occurred in my life. Best not to ask a person that. Just google it when you get home.

Enough of that. We need to consider that other google result. You know, the other one up there. Third from the bottom we see:

Chips.

Chips!?

Just “chips.” Not even “Mary Fons, chips.” But it has to be. People have to be typing in something that connects my name with chips. I’m picturing potato chips, but is it paint chips?? Chocolate chips? Chip-off-the-old-block chips? Cow chips? How can we know? Separated by a comma like that in a search engine field, it sounds like a command to eat potato chips: “Chips, Mary Fons.” Typed the other way, it’s like I’m being introduced by a friend to chips:

“Mary Fons, chips.”

“How d’you do, chips?”

:: crunch, crunch, crunch ::

“The pleasure is all mine. That’s a lovely blouse.”

I can’t explain these search results. I do not understand “chips.” But I am happy with the wisdom and insight you have brought to me, Google Analytics. Please let me know if you would like me to make a burnt offering, or perhaps tithe to you a small goat served with chips and a pop.

5 Ways To See The West

"Desert Girl 3," by Gastounette.
“Desert Girl 3,” by Gastounette.

I may be done with Arizona, but Arizona might not be done with me.

This morning, they cancelled my flight. When I checked in for the replacement, the Phoenix Airport ticket lady gave me a warning. “There’s weather in Chicago,” she said. “We can’t guarantee your flight will take off. The airline assumes responsibility to get you into Chicago, um, eventually, but assumes no outside costs for necessary accommodations or meals.” One might put it another way: “You’re on your own, kid. The days of ‘Here’s a burrito punch card and a straw mat at the Holiday Inn Express’ are extremely over. Take care. Next customer please step up?”

To pass the time, I’ve been working. I’ve also been looking out the panes of huge floor-to-ceiling glass here in Terminal 3 because the desert’s out there and there’s no better place to look than that.

It’s odd, but there’s something in me that doesn’t want to love the desert. Whither this ridiculous feeling? I intensely dislike “Southwestern-style” artwork, with the howling dog silhouettes and the tutti-frutti sunsets and all those terra cotta jars, but can that really be my problem? It doesn’t seem fair to dismiss an entire landmass because of a few cheesy art galleries. Is my resistance to falling head over heels for the desert born out of my love of oak trees and the lushness of land near the Mississippi? There is no oak, no mighty river out here. As I look out across the sand, I feel perhaps that it’s not the desert itself that I love: it’s the West. From Cali to just before Kansas, baby. I am in love with it.

And could you blame me.

Grand Canyon
In 2004, my friend Sarah and I hiked Grand Canyon for six days. We hiked down, down, down into the rocks, we camped in a tent, we cooked beans in a tin. We talked. Nietzsche said that “The best thoughts are conceived while walking” and hiking through a field of daisies with Sarah, yes. We skinny-dipped in an ice-cold stream at the bottom of the canyon. That day, the light was silver and we were gold.

Tuscon, Arizona
A rodeo. I watched the riders with the wide-eyed fascination and glee of a six-year-old at Disney. This was when I was married. My former husband and I had a ball. We ate a whole bucket of buttery popcorn, he had a couple beers. The smell of horse manure mixed with the smell of Tuscon cowboys and those horses! Bucking and throwing and running, running in the ring. The only thing more exhilarating was the endless, dusky sky above us. We saw the stars come out.

Las Vegas, Nevada
Last year, I understood how to love Las Vegas: you gotta open your hands and turn your wrists up, so that Vegas can bind you with its rope. If you let it do that, Vegas will lead you around and you won’t trip, but you must submit. Don’t fight the lights. Bring your bathing suit. The moment you moralize, you are at odds. Be one with the hammer. You’ll dig the hit.

Somewhere Outside Sacramento
College, 1998. I went with my new college BFFs to Sacramento to visit my aunt and uncle for spring break. We drank fresh orange juice on the terrace and smoked cigars at night. Madonna’s Ray of Light album had been released. We listened to that single on blast, over and over and over in our rented pick-up truck, flying down Interstate 5. I still remember Nellie’s blonde hair whipping and I remember Scott just laughing.

Denver and Boulder, CO
I flew in to visit my high school girlfriend. I remember coming up out of the bowl of Denver and how the whole place seemed dove gray, steely. Then on into Boulder and the rolling green of it all. The air was better than anyplace I had ever been.

See ya later, cactus-gator.

:: plane takes off ::

This Be The Flight.

It all looks so civilized.

 

I’ve said it, I’ll keep saying it: I love airports and I love flying in airplanes.

Flying around is one of my favorite things and that’s lucky because I’m set to jet all over the place approximately twice a month starting now and going through June, give or take a take off. Why, just the other day, I remarked to myself, “Self, it sure is great, flying around in the sky. Airplanes are the best!”

It was as though an evil airplane jinn heard me, rubbed his naughty hands together, and cackled, “Ooh-hoo! Well, let’s have a little fun, shall we?” My flight to Arizona yesterday was comically bad. I’m still laughing. And crying. And laughing. Mostly crying.

I fly Southwest almost exclusively. At this point, I’m putting several Southwest kids through college and thus have been granted “A-List” status. This means I get to choose my seat early in the queue, which has never been that big of a perk for me, as I am one of the only people I know who kinda likes a middle seat up at the front; A-List or not, I rarely don’t get a seat I’m okay with. But yesterday, I decided to use my Fancy Pants Status and take a coveted place by the window to see how the other half lives.

The moment I took my seat, I saw that I had made a terrible mistake. I had trapped myself in a cage of pain.

The pain began with the squalling — but it wasn’t a baby. Rather, it wasn’t just a baby.

It was a family, in the row in front of me and to my right. A family of screeching humans who, the entire time we were joined together in that unholy, winged union, yelled, insulted, and ignored each other into a frenzy. There were so many of them. Grandpop and Grammy. Mom. Brother. Uncle. Baby. And then there was Gracie. We’ll get to Gracie.

Watching this family interact could short-out wires in a normal person’s head. The social contract meant nothing to them.

Now, it’s a delicate thing, sharing the defining physical characteristic of my fellow journeymen, but it’s a fact: they were enormous. All of them, except the baby and Gracie — we’ll get to Gracie — demanded seatbelt extenders, which speaks to their size. Pointing out their obesity is not a condescension: it’s a problem. It was for me, anyway, because I was claustrophobically wedged in the onboard land they had claimed. The two square-feet of space I had for the next four hours had been drastically compromised. No one in the family was able to reach a decision about seating. Everyone changed their seat twice in twenty minutes, including Gracie — and we’ll get to Gracie. This seat-changing meant that the Doe Family girth was continually heaved up, over, down and back up again and I was tossed, tossed like a smelt upon the sea.

But I’m cool. It’s gotta be tough to travel with a big (!) family. But then Grandpop was extremely rude to the airline attendant and this I could not forgive. The pleasant-but-weary Southwest employee made a comment about moving to the side to let other travelers board and Grandpop, in a mean voice honed over years of practice barked, “Oh, relax, honey.” My blood boiled. My shackles shot up. My hyena-sense was in the fully upright and locked position. Oh no you don’t, you [REDACTED.] I bit my tongue and withheld the desire to punch the back of his seat. It was at that point the flight attendant spoke to the family. What she said proves this story is not a dramatization. The woman calmly stepped over to the family and said:

“Folks? There’s an easy way to do this and a hard way. You all have done it about as hard as I’ve ever seen. Take your seats. Now.”

I have a theory as to why it was so bad, pretty flight attendant lady. Her name is Gracie.

That toe-headed girl of six was a genius. She was running the entire show. From the pink barrettes in her pigtails to the purple laces on her shoes, that Damienette was 100% committed to fulfilling her needs 100% of the time and she was doing a fine, fine job of it. She was a puppet master, I tell you. One scream, one caterwaul, one throw of her stupid video game at her mother’s head and it was, “Gracie, honey, what do you need, sweetheart?” and the steady stream of “Gracie! Stop it! Gracie! Sit down! Gracie! Gracie! Gracie! Gracie! Gracie!” only served her purpose. Her bad behavior whipped her family further into a hot, smelly lather, making it easier for her to work her dark magic. (I think her goal was candy, but it was still dark magic.)*

We took off. And it didn’t get better. It got worse. Because that’s when the farting began.

I gasped when the first one hit. ‘Twas an evil stench; Macbethian in its foulness. I covered my nose and held my breath and tried to keep reading my book. But then, a few minutes later, another assault. I sat up, ramrod straight with a wild look in my eyes. “No!” I cried. “No, no, no!” The gal across the aisle looked over at me and then her eyes widened and she slapped her hands over her face. She smelled it. She was in this with me. (“This” = fart fog.)

Spluttering, choking, I folded myself in half to get to my wrap, which was under the seat in front of me — Grandpop’s seat, which was the source of the issue, if you know what I mean. I held my breath and dove down, grabbed the blue-and-white polka-dotted material and wrapped it around my head, making sure I had two layers at my nose. I spent the entire flight in a burka because Grandpop spent the entire flight as he spends it in his easy chair back home. Farting. Under a rock.

A bad flight can’t make me not love flying, but that was a rough one, comrades. When I told a friend about the experience, he gave me a tool to use the next time it’s that bad. He reminded me of the advice Queen Victoria gave her daughters on each of their wedding nights:

Lie back, grit your teeth, and think of England.

 

*Gracie is why I get scared to have kids. My kid won’t be like Gracie but my kid might meet Gracie and I love my hypothetical kid and would like to see him/her not be pushed to his/her death by a sociopath named Gracie.

Losing The Punishment — But Keeping My Figure.

posted in: Day In The Life, Story, Tips 3
"And lift! And lift!"
“And lift! And lift!”

On and off (mostly on) for three years or so, I was a Bikram yogini. Bikram yoga is the hottest of the so-called “hot yoga” practices. The room is heated to 105 degrees. For 90-straight minutes you stand in very little clothing in front of full-length mirrors with the rest of the class. The twenty-one poses in the practice are always the same. And it’s as hard as it sounds, which means that it feels fantastic. Exercise is like that: the tougher the better — at least when it’s over.

But I got a little too into Bikram. The practice is advertised (!) as being most effective when it’s done daily; I jumped onboard with the fervor of a new cult recruit. I would frequently take two classes in one day. Two classes a day! Once, just to prove I could — I’m hesitant to admit this — I did three. Three Bikram yoga classes in a single day. But why?

Subconsciously or consciously, I thought Bikram yoga could fix me, cure me, make me acceptable as a person. Acceptable to whom, I do not know. I spent much of my twenties, I see now, concerned about everything that I felt was wrong with me. I don’t do that anymore. There’s plenty wrong and I haven’t given up aspiring to be more happy, more helpful, etc., but rather than seeing myself as a damaged, cute-but-junky heap in need of major renovations, I simply make tweaks and modifications to a person that I actually like pretty well. Dammit, I’m not broken. You’re not either. That’s the key to the lock.

Bikram drifted away, eventually. At some point, there came some peace; I needed it less. But to tell the truth, there was also a traumatic event that helped me let go: my ostomy bag leaked in class. Oh, yes. Yes, it did. If you’d like to live a nightmare, I recommend that one. The combination of feeling like I didn’t have to kill myself in class everyday and the desire to actually die when that happened put me off my yoga.

To keep my figure these days, I do dance aerobics because I love to dance. I mean I love to dance, though I’m hopeless in classes. In classes, I have two left feet. My dancing is best when I’m at a club or in my living room. Even in the construction, my condo becomes my dance floor. I put on legwarmers and short-shorts and pull my hair into a ponytail and hop around like a bunny rabbit, leaping and twirling and whipping my hair all around.

When I’m dancing, it’s fun. It’s not punishment. It’s not obligatory. I don’t do it three times in one day for 90-minutes a pop. Dancing like this comes from a place of spontaneous joy: it doesn’t work, otherwise. I sweat, I keep my figure, I smile. And I hope the neighbors in the mid-rise building across the street can see me. I do better with an audience. Always have.

Arizoned.

posted in: Day In The Life 2
Photo of Bisbee, AZ. (c) The Mudflats, 2013.
Bisbee, AZ. Look at the hills up in the middle distance. We lived sorta up there. Photo (c) The Mudflats, 2013.

My trip to Las Vegas turned into a trip to Arizona. These things happen.

I have feelings about Arizona. I don’t have feelings about every state in the union. I have no feelings about North Carolina, for example. I’m neutral on North Carolina. I’m sure she’s lovely, but I’ve never been, so I can’t say. Arizona is not a state I’m neutral about because I actually lived in Arizona for a minute and that time was rather remarkable. I lived in Bisbee, an old copper mining town nearish to Tucson. I went to a rodeo. I wrote a play. And I was married back then.

Speaking about my marriage is something I don’t do on PaperGirl for a variety of reasons. These reasons include:

– valuing my and my former spouse’s privacy on the matter
– not wanting to be the chick who writes about her divorce
– ain’t nobody’s bidness, anyhoo

However, the facts are the facts: I was in Bisbee because my ex-husband, an Army Reservist, was stationed near there. Everyone thought time in warm Arizona would be good for my health: when I touched down in Tucson I was still skeletal from my illness, though by then I did have more hair, yay. We all thought Arizona would be smart for the marriage, also: my then-husband and I desperately needed face time that did not take place in a hospital. We rented a small house in Bisbee. We had a car. I read Great Expectations. We did okay.

The town of Bisbee was — and surely still is — full of aging hippies, recovering drug addicts, and aspiring artist-types. I liked everyone I met. And I liked my routine. Each morning very early, after [REDACTED] would get up and drive to the base, I would rise and pack a modest lunch. I would wrap myself in several layers, as it can be quite cold in the mountains before sunrise. Our little house was at the top of a long, alarmingly steep hill. I would make the slow trek down with my knapsack, lunch and notebook nestled inside. Through the small town I would go, for that was the only way to go. There’s just the one street in Bisbee (see photo.) The sun would glint off the windows and no one was about. It was just me and my busted body, my troubled relationship, and the desert.

And at the end of the street, there was a good coffee shop and across the street from the good coffee shop was The Copper Queen Library. I went there every day to work (a little) and write (a lot) and I wrote most of my one-woman show upstairs at one of the big reading tables. I swear, when I think of Bisbee, I taste copper, or iron, or blood. This is my Arizona.

I’ll be in Phoenix on Sunday.

On White Stuff.

Credit: Chicago Tribune archive photo.
A shot of the aftermath of the Chicago snowstorm of ’67.  They got 23 inches in 35 hours. (c) Chicago Tribune archive photo.

I live downtown on the sixteenth floor of a mid-rise building. I have a south-facing wall and that wall has five windows: two of them are in my bedroom, the other three line up in the main room. I’m not surrounded by skyscrapers, thankfully, so from my perch, I can see Chicago for miles. Sometimes, I’ll bet you I can see clear to Indiana, all the way to those fruited plains. I don’t see the actual sun rise (being that I’m looking south and all) but of course I get the slowly strengthening light. I wake up quite early to catch this; it’s my favorite time of day. I make my tea, read one of the three things I have going, and write in my journal. I take from 90 minutes to two hours to do this every day, come rain, shine, or — wait for it — snow.

It’s been sifting down for hours. Every so often the white stops to catch its breath and then starts up again, and it was the same pattern a few days ago. It’s winter in the midwest.

The town I love is quiet. I look down on the street and no one is out. I look across the tops of the buildings and see white billows of steam from the heating systems working in overdrive because it’s not just snowing here: it’s cold. We’ll have temperatures back in the minuses the next few days and when it’s this bad, I think about the homeless people who will die this winter. Macabre, sure. Also true. Sometimes it’s hard to know what to do in the world.

To the couch. To the books. It’s Sunday and it’s a blizzard. I may have to venture down to the 7-Eleven for milk and chocolate later, but that’s later. For now, it’s time to hunker down and enjoy one of the many quilts I have made. I have quite a selection and I do believe they were made for this.

I’ll pick my favorite of all. It’s called “Whisper,” and it’s white.

New Year’s Alarums + Excursions

Find this lovely computer wallpaper -- free of charge -- on this equally lovely website: http://paper-leaf.com/blog/category/free-friday-wallpaper/
So elegant! Go to paperleaf.com for a free download of this wallpaper. This is not an ad, I just like this wallpaper.

I made noise some time ago about whooping it up in Miami for New Year’s Eve. If “whooping it up” means “nursing the same glass of wine for several hours” and “”Miami” is “my condo,” that’s just what I did.

No, there was no bacchanal in a Cuban mafia-run nightclub this year; my party pal had a project at work that interfered. I can’t say I was horribly bummed not to go, however. The trouble with going to a nightclub, Miamian or otherwise, is that you have to actually enter the thing (see: bouncers, loud girls who are twenty-two, cover charge) and eventually you have to exit it (see: bouncers, puking girls who are twenty-two, empty wallets.) My friend and I stayed in Chicago and just plain stayed in. He had a slight fever and I had a quilt top to finish. Party. Animals.

But being in a quiet place meant that I heard the sounds of Chicago when the clock struck midnight and was reminded of a cultural meme that has died: the sporadic midnight cheer across the city.

Now that most of America has smartphones, we’re all on the same clock. When my phone clicks from 11:59pm to 12:00am, so does yours, regardless of the operating system or the service provider. Midnight is midnight is midnight. At midnight on New Year’s Eve, my phone clicked to 12:00, Jan. 1, 2014 and the moment it did, the city outside my window erupted in fireworks, hollering, whooping, cheering, noisemaking — all from various condo balconies and down in the streets, at exactly the same moment. The city felt the moment together because we were all together in time.

But it hasn’t always been that way. In fact, it’s only recently changed.

It used to be that you’d get a bunch of “Yeah! Hap-ee Nuuu-yeeer!” cheers from over here; a few seconds later, another crop from across the street. Then, falling over each other, in a kind of round, the alarums would fall over each other and you would reach a kind of critical mass of celebration. There might even be a few stragglers, sending cheers up a minute or two late, which only prolonged the moment for everyone, which was fine. More kissing.

That’s over, now. I’m not the sort of person who thinks “the good old days” were that terribly good; I’m a fan of science and progress. But we do lose things in the march. While it’s nice to hear everyone hosanna-ing on cue, it was also nice to hear a collection of hosannas, all a little different, all a little off.

 

Flyer Man.

Coulda been worse, right?
As a rule, street flyers are to be avoided. Especially this one.

If you’re in Chicago in the early evening, any time of year, walking south on State Street just past Monroe, you will be offered a flyer by a tall black man. This is not an omen: it will absolutely happen, I can almost guarantee it.

This is because there is a dude that stands there at State and Monroe and hands out flyers. He’s always there. Neither snow nor rain nor heat nor gloom of night* keeps this guy from hanging out at his spot. I have passed him countless times in the past two years and said, “Nah, not today,” when he tried to give me his handbill. But in a city filled with hysterical street preachers, insane/vocal itinerants, and the jingling cups of a thousand beggars, here’s what’s interesting about this guy:

– he’s well-dressed
– he can’t be over 30
– he never says anything
– I’ve gotten tiny glimpses of the content on his flyers and have never detected hate speech, “Repent Now!!!” stuff, etc., which is typically the only content covered in such tracts.

Still, I never took what he offered — until tonight. My choice of evening was not great. I was walking with way too much stuff to carry by myself. It was eight degrees. I was hoping I could make it to the bus stop before the bus did, but it didn’t look good. I passed the dude and said “No thanks, man,” as usual, but I noticed he was offering a thick, perfect-bound book, not just the usual 8×10 photocopy. Hm. I walked a few paces, stopped, turned around, and went back.

“Hey, man. You know, I’ve been passing you for like two years, now, and never taken your stuff.” The plastic bag in my hand was about to rip open and was full of bedding that surely weighed twenty-five pounds if it weighed an ounce. The dude started to speak but I interrupted him. It had to be done. Remember, it was eight degrees.

“Wait, wait. The book. Is it full of religious stuff? Like, a lot of God stuff? I really wouldn’t be into that, so just tell me now.”

Up close, the guy did not in fact appear insane. He said, “Okay, well, there is God in there, I mean, but I write about all kinds of things.”

“Okay, cool. How much?”

Here was the pitch, which was to be expected. “The original price is $19.95,” he said, “But I’m selling it for ten right now.”

I hauled my bag over the other shoulder and dug into my purse. I opened my pocket book. I had exactly seven dollars. I showed him. “I got seven bucks, man. That cleans me out. Will you take seven?” He gave me dirty look but acquiesced. I gave him the dough, he gave me his book, that was it.

It’s pretty bad. For example, in the appendix (?) he talks about his process and says the following (all sic):

“The time inbetwee epipanies and lyrics will represent concentrated thought…absorbed by the reader and can be extracted or deduced or deconsentrated. For example, they would wonder what made you go from this idea to the next…This is how I write some of my literature.”

You see what I mean. But there’s heart, and in the dedication the guy thanks his elementary school teachers, saying that they, “did the best they could with whatever resources they had, to give us a quality education.” He also thanks his mother for her “constant home school lessons” and ends with a solemn and sincere, “This book wouldn’t exist without you all.”

Keep writing, man. I will if you will. And stay warm out there.

*Some may recognize this language; I’ve annexed the gorgeous U.S. Postal Service creed, which goes: “Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds.” Stunning.

Tops, Ramen.

Some things, they cannot be explained.
Some things, they cannot be explained.

When I had the flu the other day, I had zero appetite. The mere mention of eating was enough to make me holler in anguish from my sickbed. Except that one thing actually did sound good: chicken-flavored Maruchan Top Ramen.

Look, I don’t make the rules. I have no idea why a block of sodium starch is a curative for me, but when I am at death’s door, convenience store ramen noodles save the day. I can say with conviction because when I was gravely ill with ulcerative colitis and the first of the surgical complications years ago, Top Ramen kept me alive. Fine, okay, the horse pill antibiotics and the doctors did their part, but if it weren’t for the inexplicable deliciousness of cheap ramen, I would have had a feeding tube earlier than I did.

I would sit on my mother’s couch, an increasingly wispy wisp of a thing, dazed with morphine and woozy from the blood thinner delivered in my hindquarters twice a day via injection. I would watch something on television (I think?) and I would try and get up to walk because that was supposed to be important, but mostly I just waited till Mom or my husband at the time would come to flush my wound drains. I’ve described a fraction of it. It was horrid.

“Honey, what do you think you can eat?” my mother would ask, coming into the living room. She had new lines on her face.

We tried ice cream. We tried cheese. We tried pudding. We tried crackers. Chips. Soups. Cookies. I would take one bite and push it away and I missed my appetite. So many times as a twenty-something woman I had dieted for periods of time, fervently wishing I could have no appetite — it sounded so simple! — so that I could slim down my hips for the summer or whatever crucial event I felt couldn’t be fun or successful unless I was skinny. But when my appetite actually vanished, and for such a long time, I mourned it. Nourishment is not just about calories; it’s about vitality. I was not vital. There was no bloom in my cheek.

Then one day, I said, “Mom, I think I want some ramen noodles.”

I ate them. The whole block. They were salty and easy to swallow. They were fun to eat, those looooong curly noodles and the bullion broth was free of bits, chunks, vegetal matter of any kind. It is a benign substance, Top Ramen. There is nothing to avoid; there is surrender to simplicity. It is the anti-foodie food. The nutritional value is dubious at best, but dammit if there aren’t 400-something calories per block and at that point, that was 400 more calories than I was getting.

Every day, I ate ramen for breakfast, my sole “meal” of the day. I even looked forward to the moment when Mama would come in with my tray. It makes me cry to think of her now in her red robe, coming in with a chipper smile and the wooden tray with the big bowl. She always had a cloth napkin for me and a dinner fork. She’d place the tray on the big trunk we used for a coffee table and say, “Bon appetite, sweetie,” and I would say “Thanks, Mama,” and start to eat, slowly, bringing a forkful of noodles all the way up, high above my head. I’d tip my head back and open my mouth and the day would begin that way, looking up at the ceiling, at nothing but the moment and the noodle at hand. At that dark time, the moment was the wisest place to gaze.

My regards to Mr. Maruchan.

 

“Teach Me How To Do That.”

"I'm flyyyyyying!"
“I’m flyyyyyying!”

Today, we’re going to skate in Bryant Park in the name of Santa!

I have my own ice skates in Chicago, but I didn’t bring them. Placed in my suitcase, they left room only for a pair of panties and a toothbrush. Some people would argue that that’s all you really need when traveling to New York, but let’s not be those people.

I got my skates last year for Christmas after being a renter for years. Mama gave me a pair of pretty white ones with pink blade covers and a can of balm to keep the skates supple. I hooted with joy when I opened the box and promptly suppled up. When you love something, you should take care of it.

My first time with my very own skates was a cold night in January. In wintertime, the Millennium Park cafe space turns into an outdoor ice rink. The rink is a fifteen-minute walk from my condo, so I tied up the laces, slung the skates over my shoulder, wrapped a warm scarf around my neck/head and headed out. When I reached the park I looked like a character from a Normal Rockwell painting, all rosy cheeks and woolen mittens. I went through the gates, took a seat on a bench and laced up my skates. My skates! I was so excited.

That night, there was a group of teenage boys who were dominating the rink. Some would say they were terrorizing it, but they were having so much fun it was hard to be negative about them. The three boys were doing tricks, skating backward so fast they got the whistle blown at them, and doing spins and funky toe stuff. It was the backward skating thing that got me, though. I’m a decent ice skater but I have a really hard time going backward. I wanted them to teach me how to do it and of course the first thought was, “Well, it’s not like I can be like, ‘Hey, how do you do that?'” My second thought was, “Why on earth can’t I ask them?”

When the boys took a break and were hanging out just outside the gate talking to some girls, I skated straight up to them.

“Hi,” I said. I was out of breath and nervous, too. “I wanna skate backward. I don’t know how. Teach me how.” Saying “please” could come later, but in the moment, I felt a direct approach was best.

The boys were surprised, but they grinned after the initial “Who the hell is this chick?” reaction.

“Aiight,” said one of them. “I’ll teach you. Come on.”

And he taught me. To skate backward, you gotta stick your butt out. A lot. Yes, I was well aware that this young man was telling me to stick my butt out and that he might’ve had ulterior motives for doing so. But he was sticking his butt out, too, and he could skate backward like a champ. He also told me when I was sticking it out too much, which struck me as gallant. He praised me when I was getting it right, he helped me up when I fell, and he corrected me plenty, which — trust me — was appropriate.

Just ask for what you need. You might be surprised. Merry Christmas!

Fashion!

posted in: Day In The Life 1
From German Vogue, "bag lady fashion." I realize this is pretty awful.
From German Vogue, “bag lady fashion.” I realize this is pretty awful.

New York City has a population of 8.3 million, give or take that .3 million at any given time. Ninety-nine percent of these people wear clothes when they leave the house. In New York City, fashion can get pretty interesting, because if you’re a person who has a deep need to be seen and/or counted, one of the only avenues you have in a city this big is to wear yourself on the outside.

This morning, I woke up extremely late (after 9am) and needed coffee desperately. Here’s what I wore to schlep down to the nearest coffeeshop here in the East Village:

extremely oversized white Brooks Brothers shirt I slept in
jeans
burgandy jacquard jacket (tailored)
heels

And then there was my hair. I’m blonde these days, for one thing. Yesterday morning, I took a shower and realized I had no brush or comb, so my hair dried into a frizzed, knotty shrubbery on my head, which I braided into two braids and wrapped around my head. That worked out pretty well, actually, but I took out the braids last night. I woke up several hours ago with that familiar knotty shrubbery, only now it was kinked, too. I tied my shrubbery into two low, poofy pigtails, popped some blusher on my cheeks and went out the door.

In the East Village, it all worked.

Did I look slightly like the crazed homeless woman who lives between Avenue A and B on 12th? Well…no, actually. I looked like that crazed homeless woman’s slightly glamorous kid sister. I got my coffee and no one blinked an eye; I even caught a be-suited fellow looking at me, though that could’ve been a result of the shrubbery.

Coffee temperature = perfect. Morning in New York City = so far, so good.

Greetings From New York.

Why try?
Why try?

I wrote a poem for my friend Billy years ago. It goes like this:

In New York,
I think of you;
When I am,
I always do.

To tell the tale of this poem, however, we must leave New York for a moment and return to Chicago. When I moved to the city in 2001, I found a decent studio apartment for an unheard-of $420/mo. A year into my life there, Billy called to say he was moving to Chicago too. I felt like I had won the lottery. I was really lonely. Bill and I had met in college and instantly liked each other a lot. He was a tousled musician, I was… Well, it’s up to him to describe a junior co-ed me. But we bonded on enough occasions to become bonafide friends.

When he was on his way here, I nabbed him a unit in my building, so we were sort of like roommates except I didn’t have to wash his dishes, which was for the best. And so it was in the early 2000s, Billy and I were the best of friends during some tough times. We were both struggling to carve out lives in Chicago and we clung to each other. We never dated. We were just…Mary and Bill. He wrote songs. I wrote poems. We both worked nights: he worked the desk at a mental health facility on the west side; I worked coat check at a couple nightclubs downtown. We were simply there for each other, and even though he’d disappear for awhile or I would, we always came back together just in time.

 

Today, Billy is in a rock band that is doing very, very well. It was always so clear that that was exactly what he would do with his life. We always knew. And I always knew that it wouldn’t be long before I was making a living doing what I loved — and we were right about that, too. By 2005, I was a full-time freelancer, writing and performing; no waitressing or coat-checking needed.

So why is the poem about New York?

Because some of the best memories I have of New York City involve Billy. It hasn’t happened in a long time, but for years of our lives, even before that important time in Chicago, we would frequently end up in New York at the same time. And we’d connect and have an adventure, some bacchanalian night that ended up with him driving me in his red car to wherever I was staying. Sometimes we’d make out. Sometimes we wouldn’t. But there was always love, always creativity, inspiration, and learning.

One night, in Times Square, we were walking around. It started to rain. Billy was a few paces ahead of me. Suddenly, he turned around and grabbed me by the face and kissed me full on the mouth. He pulled back from me and smiled this huge smile and said,

“This the first night of the rest of our lives, baby.”

And we walked into the blur of Times Square, into the city, into the night. I’m pretty sure we were holding hands.

In New York,
I think of you;
When I am,
I always do.

 

Welcome, Members!

"Rick, this is Mary. Mary, Rick. Oh, and there's Dave! Dave, this is Mary, and this is Rick. You see Gina or Rob? I think they're here. Mary, Gina and Rob are..."
“Rick, this is Mary. Mary, Rick. Oh, and there’s Dave! Dave, this is Mary, and this is Rick. You see Gina or Rob? I think they’re here. Mary, Gina and Rob are friends of Rick’s. They’re here from Cincinnati — Rob is hilarious! Who wants shots?!”

I live within spittin’ distance of Chicago’s legendary downtown Hilton hotel. The Beaux-Arts-style building takes up a whole city block; there are over 1,500 rooms! It has some neat history, too: every U.S. president since 1927 has stayed there, and someone recently told me that when the riots broke out during the 1968 Democratic National Convention, so much tear gas was used by police on the protestors in Grant Park that the gas made its way inside the Hilton, where Hubert Humphrey was taking a shower. Sorry, dude.

The sky-high lobbies inside are gorgeous, especially this time of year; the whole place is festooned with pine bunting and poinsettias and twinkly lights aglow. There’s a towering Christmas tree inside the main entrance, too. Yesterday, I saw a kid nearly fall over backward while he looked up at it.

As I mentioned in a previous post, I’ve been working over there during the day. I’ve found an even better spot: downstairs, in front of the lounge fireplace. I go over each day and the first thing I do, the very first thing, is go to the hotel event screen. This is the big screen near the bank of elevators that tells what conventions are being held that day at the Hilton. (Though there are two hotels in the city with more rooms, nobody has more meeting or event space than my Hilton.) Nothing but nothing entertains me more than looking at a list of what people congregate to talk about. Here’s who’s meeting at the Hilton this week:

E & J Gallo Winery
Customer Supply Chain Connection, University of Chicago
The Mid-American Competing Band Directors Association (MACBDA)
Thompson Holiday Event

I love it! I love to think about a band director literally bumping into a wine salesperson in the long line at the interior Starbucks. She spills her latte on him, he’s nice about it, they laugh about holiday craziness and bam! They fall in love. Years later, at a party, they recount the tale to their friend Julie. And now, a short play.

The Hilton Made Me Love You
A play by Mary Fons (c) 2013

(A party.)

SUE: Darling, why don’t you tell it?
CHARLES: Tell what?
SUE: How we met. Julie wants to know.
JULIE: Tell, tell!
CHARLES: (beaming at SUE.) Well… We were in Chicago.
JULIE: I love Chicago!
CHARLES: We do too, don’t we darling?
SUE: Oh, Charles!
CHARLES: I was there for Gallo. Sue was there for MACBDA, if you can believe it.
SUE: Back when I was still a band director! Isn’t it incredible?
JULIE: I’m so glad you moved into aeronautics.
SUE: Me too. Go on, sweetheart.
CHARLES: We were in line at the Starbucks and Sue bumped into me. She spilled her entire latte all over my shoes. It was an absolute disaster.
SUE: (swatting him.) It wasn’t the whole latte!
CHARLES: It was an entire latte.
SUE: Oh, you!
CHARLES: We got to talking. Sue actually got on her knees to wipe the milk off my shoes and we started laughing… Honey, that was the first day of the rest of my life.
SUE: (with a wink.) Room 1423?
JULIE: (gasps.) You didn’t!
CHARLES: Thirty years later, you’re still the girl of my dreams.
SUE: Charles, you’re my hero.

(CHARLES and SUE embrace, kiss. End of play.) 

 

Grief Quilt, Holiday Quilt, Impossible Quilt.

This is the caption.
This is the caption.

A Jewish friend of mine told me that if you do a charitable act…you kinda aren’t allowed to talk about it. Obviously, an office charity fundraiser requires group knowledge; a marathoner gets pledges; a wife will need to know about a sizable gift her husband wants to give this year, etc. That’s all fine. The point my friend made is that if you do something nice and go around crowing about it, it can all but cancel out your good deed. Your gesture toward your fellow man becomes about you and this great thing you did. “Suboptimal,” my friend said, and I agreed.

So in telling you the story I’m about to tell you, I am taking a risk. But it’s a story about a quilt, so I gotta. I also want to tell you about Alameda* and what happened to her this week. By doing that, perhaps her ball of grief will dislodge in some cosmic way and allow her to rest.

Alameda works in the receiving room in my building. It is a depressing, windowless box in the back hallway. She’s been there about four months, I’d guess; she came on when the management changed. Alameda is from Mexico. She’s around twenty-four, I’d guess, and smart. She’s funny, too, and upbeat, even in that dank, horrible room, and we chat whenever I’m picking something up or shipping something out; Alameda and I have become friends, because there’s a lot of shipping in my life.

Yesterday, I picked up a package. Alameda came from around the desk to take it and she looked awful. “Puffy” didn’t describe her eyes; they were red-rimmed, swollen, spent.

“Oh my,” I said, quietly, because there were other people behind me. “Are you okay? Have you been crying, Alma?” She nodded. “It’s okay, it’s okay,” she said, and smiled a “thanks for asking” sort of smile. I gave her a furrowed brow and a pat on her arm and I left.

Later that afternoon, I had to drop something off for UPS. I went in and no one else was there. Without being terribly nosy, I made the attempt to talk to her if she wanted to talk.

“Bad day?”

“Yeah.”

“Can I ask what’s wrong? You don’t have to… If you don’t want to talk about it, that’s totally cool.”

Alameda paused. “My brother died yesterday.”

I clapped my hand over my mouth. I asked her if it was an accident. It was not. Her brother killed himself. The entire family was at his house for Sunday dinner. Alma’s brother went downstairs and hung himself in his room. She said they “heard something” and didn’t think anything of it, kept eating dinner. He had been very depressed, she said. He was working three jobs, he wasn’t a citizen, he had a bad breakup, he was scared and anxious all the time. And he ended it on Sunday, right there in the house, while his two-year-old daughter sat in her booster seat eating mashed peas.

When she told me all this, I was too shocked to burst into tears, though it’s so awful, I wondered why I didn’t. The truth is, I cry less than I used to. When she said that his fondest wish was to join the Navy, get a pilot’s license, and fly, that’s when the tears burbled up for both of us.

“The potential,” I said.

“Yeah,” she said, and put her hand over her face.

It was hard to leave her. As soon as I did, I knew I wanted to do something for her for the holiday. But what? I called my sister Nan and asked for her sage advice. She didn’t disappoint.

“What do I do for this girl?” I asked Nan. “What do I give her?”

Nan paused. “Well, I reckon you should give her a quilt.”

I slapped my forehead, which hurt a lot because I was outside in the Chicago icebox. “Of course,” I said. “Of course.”

“People in crisis, they get quilts,” she said. “Think about the Red Cross. Floods, tornados, family crises — it’s quilts that bring people comfort.”

So I’m going to give Alameda a quilt from my collection. I’m not sure exactly which one, but I have an idea. And I’ll put a label on the back and I’ll put it into a big box, wrap it up pretty, and stick an enormous, obnoxious bow on it.

He hung himself. He hung himself downstairs.

*Name changed. 

1 20 21 22 23 24 25 26