The Day The Panties Died.

posted in: School 1
Underpants hanging on fence, 1972. Photo: Bill Gilette.
Underpants hanging on fence, 1972. Photo: Bill Gilette.

As a rule, I try not to feel embarrassed about anything. Look, we’re all complete idiots. We’re ridiculous. Humans say dumb things, trip on the ice, fart. We act like we know something and we get real loud about it and then holy water do we find out we were wrong — and on and on. So to be embarrassed about something is a waste of time. Don’t worry about it. You’re not that special — in a good way.

But this is all Thirtysomething Mary wisdom. When I was young and even more frivolous than I am today, something happened that embarrassed me so bad I was scarred for many years.

My friend Karen and I drove to New Orleans in 2002. Karen and I were neighbors in the same apartment building. We met because a month after I moved to Chicago, I was crying so loudly in my tiny apartment one night, Karen heard me from across the hall. I’m blubbering and sobbing and I hear this knock on my door. I open the door to find the friendliest, most wonderful, most pure-of-heart person.

“Are you okay?” she asked, looking over my shoulder to see if someone was responsible for making me so miserable. She looked back at me. “You want a beer?” And so it was that Karen Kowalski became my friend.

Karen had gone to school in New Orleans wanted to go visit old friends some months later. She invited me, I said there wasn’t anything I’d rather do than go with her, which was true. We got in her red pickup one summer day and set out. It was a fifteen-hour drive from Chicago to New Orleans and we were gonna just go straight through. This was never discussed: not only did we thrill to the idea of being road dogs who don’t need sleep, neither of us could afford a hotel.

We got to the city and I was dazzled. Delighted. I was craning my neck around so much I practically pulled a muscle. We drove straight to Karen’s friends’ house, smack dab on Magazine Street. When we got there, we found that there was a party going on in our honor. Folks were drinking beer on the porch and hanging out in the kitchen. When we pulled up, we were mobbed with people who loved Karen and people who loved me by association. It was great because back then I actually liked house parties.

But I needed a shower. Fifteen hours in the car, remember? I asked the host if I could shimmy upstairs for a quick shower. Of course, she says, and I get a towel and it’s perfect; no one is upstairs and I can do a lil’ rinsey-rinse and go have a beer in New Orleans. So cool. It all seemed so civilized…

Shower done, feeling refreshed, I put on my bra, shirt, and underpants and the jeans I had been wearing. They were in pretty good shape. I head downstairs. I meet folks in the kitchen. I get myself a beverage. Things are good. And I enter a big living room where there are a lot of people sitting around in kind of a (not intentional) circle configuration. Someone says, “Hey, you’re Karen’s friend, right? The Fonz!!!!!”

And just as I’m like, “Yep, that’s me!” and trying to be awesome, the underpants that I had been wearing before my shower suddenly came out the leg of my pants. They had been in the leg of my jeans and now they were on the floor of the enormous living room. Everyone was looking at them. Everyone.

They had gotten shoved into the leg of my pants! What can I tell you? I shoved my leg into my jeans and smooshed ’em down there. As I walked downstairs and through the kitchen, they just moved lower and lower until they had to get out. That thing about wanting a hole in the floor to swallow you up? Yeah. I would’ve been okay with that. I snatched those things up so fast, but it was too late. Everyone had seen my panties come out the leg of my pants and sit in a ball on the floor.

“Heh, heh!” I said, shaking my head, “Well that’s something you don’t see every day! I mean, we see underpants, but you know, well, haha… With the… On the… Okay.” And I left the room, most likely to do a shot.

Comedy = tragedy + time

You Are Not Shabby.

posted in: D.C., Day In The Life, Rant 0
This would be money. Photo: Rose garden at Castle Bank, Kirkcudbright; harbor view.
This would be money. Photo: Rose garden at Castle Bank, Kirkcudbright; harbor view.

Far worse than the feeling I had other day was that I allowed myself to indulge it for longer than .05 seconds.

I’ve connected with lots of fantastic people here in D.C. (quilters, I’m looking at you.) Lately, I’ve been spending time with a group of people who I would describe as fancy. These new friends are warm, they’re smart, and they’ve been extremely successful in their work. As a result of this last, their homes are — the two I’ve been in, anyway — exquisitely beautiful and well-appointed. Enormous art that costs more money than many folks take home in a year hangs on the walls; the lights are low. The wine glasses are fishbowl-size. The tiles in all five bathrooms are heated. The stereo system apparently works by way of air molecule; wherever you go in the house, Carla Bruni sings to you at a soft level that is surely scientifically-proven to be best for optimal aural pleasure. There are bidets, guest houses, pools. Stuff like that.

So I’m standing in the living room of one of these houses the other day and I suddenly felt a deep and terrible longing. And I felt like a guttersnipe. I’m just some dumb kid from Iowa. I’m a writer. I make quilts. Who cares? Sure, my shoes were fabulous, but I felt like a real phony-baloney, like okay, I have this great pair of shoes but these people have closets and closets of shoes and they don’t even think twice about them and here I am, excited about my dumb ol’ shoes. Envy, as it turns out, is less a toothy, green-eyed monster and more a sad, black mold over the heart. My life seemed small and I felt so far, far away from the life I saw before me. And I wanted that life. And I felt shabby.

And then I got mad. At myself. Really, really mad.

Unbelievable. How dare I? How dare any of us compare our lives to the lives of others in this way? Look, I’ve earned my place on this earth. To allow myself to feel less-than compared to anyone (even if they have their own table at Daniel) is a grave offense. It’s insulting; it’s also whiny and indulgent. I told myself to knock it off — and if you’re given to this kind of thing or have experienced it lately, you knock it off, too. To smack around or otherwise disrespect your hard-won experience, your unique outlook and perspective, to throw your life’s portfolio in the garbage or hide it behind your back because you want to be someone else, this is the only thing you should be ashamed of. Not your shoes. Not the space you take up. But at turning your back on who you are and what you’ve earned.

I love my quilts. I love my poems; after I left where I was that day and got over my damned self, I found myself loving them more. I’m proud of what I’ve done in my life so far and you should be proud of what you’ve done. It matters. You don’t need an invitation to a gala or a Maserati in the garage to be crucial.

My apartment is only a few square feet bigger than the master bathroom in the house where I was, no fooling. But it’s mine. And when I take a shower, I get just as clean.

 

The Honorable Maid’s Conundrum.

posted in: Family, Fashion 1
      That's me, second from the left. Photo: A bride and her attendants in New Ulm, Minn., in October 1974.
That’s me, second from the left. Photo: A bride and her attendants in New Ulm, Minn., in October 1974.

The engagement happened. The smash hit party for Rebecca happened. The next big event in my younger sister’s nuptials will be the wedding itself. And I need something to wear.

My sister Rebecca, who has been and always will be cooler than me by a long stretch, knows better than to put her Maid of Honor in something she has chosen herself. Being that I am her Maid of Honor, I love her for this. Because when I was married, I got swept up in the whole “let’s put girls who are different in dresses that are the same” thing, and that choice has been filed in my slim folder of regrets.

Rebecca will have no bridesmaids, just me. This fact, and the freedom she’s giving me to select my outfit have caused me a lot of brow furrowing lately. This is the most important wardrobe decision I’ve made in many years. I mean, it took me some time to decide what I’d wear on that date with the doctor, but this feels more special, somehow. (Dr. Lame-o is totally out of the picture, by the way. I’ll tell you later.)

Here’s what we know:

1. Not only would it be disgusting in the extreme to wear something that would distract from the bride on her wedding day
2. …it is impossible to wear something that would distract from a bride on her wedding day because no woman is more beautiful than a bride on her wedding day. I have seen zero exceptions to this.
3. It’s still possible to make a very wrong choice, here.

I need to be classy, naturally. But I ain’t wearing a dun-colored St. John’s suit. I’m thirty-something, not a wizened great aunt. The ever-perfect black dress is out because it feels a) a bit severe; and b) funereal. Yellow is out because yellow is too conspicuous, for one thing, and years later someone who didn’t know my family might assume my sister’s favorite color was yellow (it isn’t) or that yellow was part of her wedding color scheme (she has none.) Here are other things other colors communicate:

RED: “Hi, I’m Mary, the Whore of Honor.”
GREEN: “Hi, I’m Mary. Yes, I look terrible in green but it seemed safe.”
BROWN: “I’m depressed. What? Oh, sorry. My name’s Mary.”
WHITE: “No, it’s a joke! Get it? Like, white wedding??”
ORANGE: “Hi, I’m Mary. I’m the Maid of Honor. I dressed my bridesmaids in orange when I got married. I’m divorced, now. I really hate the color orange. Can I get you a glass of wine?”

My rigorous thought process on all this has yielded what I believe to be the two top contenders: a pale pink or a deep navy. Right? Beautiful, conservative, classy. Yes, but it’s not that easy. My wardrobe challenge doesn’t end there. There’s the matter of style and cut. I want the dress to be architectural, but not Gaga architectural. I want it to be feminine, but not soft. The matter of “softness” was the one guideline my sister gave me. “I know you’ll pick the right thing,” she said, “But I guess… I want to be the soft one that day, you know?” Yep. So no lace, no chiffon overlays, no bows on straps or anything.

And I wanna be kinda hot. I mean… It’s a wedding. But “looking hot” lands way down on the list and one must remember the “What We Knows” listed above.

So, with vorpal sword in hand, I snicker-snack through the jungle of the Internet, seeking the perfect frock, for the perfect couple, on their perfect day. Jeeves, bring me my perfect credit card, darling.

Wordy.

posted in: Poetry 0
"Don't talk to me. I just spilled an entire bottle of India ink on the letter I just wrote and now I have to start over. Please go away."  (Illustration: Charles Dana Gibson, 1905.)
“Don’t talk to me. I just spilled an entire bottle of India ink on the letter I just wrote and now I have to start over. Please go away.” (Illustration: Charles Dana Gibson, 1905.)

My intention is to post on the ol’ PG at least six times a week and usually do. The past couple weeks have been a little thin, though I think I’m back in the saddle. The trouble is not that I haven’t had anything to say: I have too much.

I’m soaked with words lately. Work is going along, I’ve been traveling, etc., but my nose has been poked into a book at every opportunity. The 250-page journal I began two months ago is nearly out of pages. Poetry has been coursing through my veins. I’ve re-memorized Eliot’s Prufrock and have been reciting it as I tidy up the house or wheel my luggage to the train. I brushed up all my Parker. I’m planning to pull out my favorite Philip Larkin pieces and make sure I’ve got them down pat and I’m 90% on my favorite James Dickey poem, The Sheep Child. (Read that instead of the paper tomorrow morning. You’ll weep into your Cheerios and it will be totally worth it.)

I could be satisfied by the presence of these gems in my head. But those words have company, however shabby; I’m turning out new poems at a clip I haven’t seen for years. I don’t believe in writer’s block, and the concept of some hot muse coming to see you (or not) is for entertainment purposes only. But I’m the first to admit that sometimes the poetry is with thee, sometimeseth iteth noteth. Trying to force poetry is like trying to force yourself to paint a beautiful portrait. You can only do the best you can do: it’s either there that day or it isn’t, and even a lifetime of technique may not save you. So you wait and hope you have a few more portraits in you.

If I were a full-time writer, I think I’d go absolutely nuts. If the full-time living in my head didn’t kill me, the poverty would. But I think about Scottish poet William Soutar a lot. He was going about his life, doing his thing, making big plans. He loved poetry so much and wrote it when he could. Well, when he was around thirty, he was diagnosed with spondylitis, a disease that would paralyze him and render him bedridden for the rest of his life.

When he got the diagnosis, Soutar stood a moment and then said, “Now I can be a poet.” He didn’t have any excuses anymore. He was free to do what he needed to do.

Lost In a Sea of Landmarks!

posted in: D.C. 0
See? Teeth! Photo: Wikipedia, 2012
Watergate Building, Washington, DC. (I don’t like those shark teeth things.) Photo: Wikipedia, 2012. 

I had a doctor’s appointment at 600 New Hampshire NW today. I did not realize this meant my doctor’s appointment was deep in the Watergate office complex. When I walked up to the strange, round structure, I was like, “Wow! Watergate!” But my knowledge of the scandal of 1972 is pretty much this:

Nixon –> stuff taken –> lies –> more lies –> reporter Bob Woodward as bloodhound –> lies, lies, lies –> scandal –> Nixon busted –> Gerald Ford –> Chevy Chase making fun of Ford on SNL.

But I didn’t know that Watergate was the name of the office building where the theft went down. I think I thought Watergate was some code word for something? So I come up to the Watergate building and can’t find the doctor’s office for the life of me. I’m looking up from my Google maps and back down. I’m peering around Watergate this way and that; I’m telling you, Watergate was really in my way. It was a good thing I left enough time to get lost.

Meanwhile, I was wearing my fedora and my black trench coat; it was not lost on me that I looked mighty suspicious walking back and forth and back and forth on the street. At one point, I hit a dead end by a closed restaurant with all the windows papered up and I encountered a man smoking a cigarette back there. He glanced at me, we nodded to each other, and I felt like I was in a spy movie. All I needed was a briefcase and files of some kind.

Finally, I surrendered and went into a lobby. I asked the front desk lady, “I’m sorry, where is 600 New Hampshire? I’m new in town.”

“Sure, sweetie — it’s just at the end of the block. Go out and take a right.” I did, and discovered my doctor had an office in the Watergate scandal. It was so confusing. As I was disassembling what I thought I knew, I got whacked with another landmark. I took the elevator to the third floor, turned to my left and what do you suppose I saw? The office of flipping Atlantic magazine! The Atlantic! I’m not a subscriber, but I fly a lot and read a wide variety of magazines at 35,000 feet; me and the Atlantic go way back. So how about that! The Atlantic offices! I just shook my head.

But the Atlantic offices were actually the third landmark that smacked me in the face today. The other one? In a cruel, cruel twist of urban planning, directly across the street from Watergate is the Kennedy Center.

Oof. Poor Nixon. That one’s gotta hurt, buddy. Chin up.

The Motorcycle Ride: San Francisco, 2004

posted in: Poetry, Story 0
I can see my twenties from here! Image: Jack French, Wikipedia.

A song on the radio mentioned a motorcycle and it reminded me of something in a galaxy far away.

In 2004, I went on a slam poetry tour of the west coast. My friend Ezekiel went, too; he went to protect me and have a good time. He filmed the whole trip too, all the way from Portland to L.A. That there is footage of this adventure makes me wistful, curious, and horrified all at the same time. I’ve been out of the slam scene for so long, I’m not sure if folks are still doing tours like these, but in the early aughts, it was the thing to do. These tours weren’t lucrative; it was definitely the opposite. You’d end up spending money, not making it, because travel costs a lot and you’d be making only a couple hundred bucks at the gigs, if that. But what fun we had.

Ezekiel and I were in San Francisco. I had done my set at a slam and it must’ve gone well because we were in a celebratory mood. We went to a bar on the Haight. I was a tender 24 year-old wearing ripped jeans and an army jacket, surely waxing brilliantly about originality, spirituality, and all the other -alities 20-somethings talk about with zero authority and fiery conviction.

Then Motorcycle Guy walked in.

You could put a book of Allen Ginsberg poems to my neck and I wouldn’t be able to tell you his name but I remember exactly what he was wearing. It was leather motorcycle gear, top to bottom. Not Harley Davidson motorcycle, but like, drag racing, street bike motorcycle stuff. He was the sexiest thing I had ever seen in my life. Tousled sandy blonde hair. Five o’clock shadow. He looked like an ad for Gucci cologne or something. He had a sleepy grin and swagger for days. In short, he looked like sex.

I squeaked under my breath and said to Ezekiel that I was going to die of desire within the next few minutes and that he should be ready to deal with my dead, once-nubile body.

Ezekiel looked over at the guy and laughed. “I dare you to go talk to him,” he said. I flapped my hands at him. He was crazy. That person was not in my league.

“Double dog dare.”

I stared at the man sitting at the bar and melted into a pool of butter. After the rest of my pilsner and Ezekiel’s goading, I did go talk to him.

I marched right up to that fellow and lord knows what I said, but I did something right, because before too long, we were having a pleasant conversation. I would steal glances back at Ezekiel with huge eyeballs and point to the guy and be like, “Can you?? Are you??? Holy Haight Ashbury!!!” Motocross Guy was nice. He wasn’t terribly smart, but at twenty-four, neither was I; really, we were perfectly matched.

The night passed into the hour where decisions are made. Motocross Guy asked me did I want to come to his place for a drink. Yep. Let’s do it. I checked in with Ezekiel, who was summarily impressed that I had just successfully picked up someone at a bar. (I’ll have you know this was the one and only time in my life I have done this, not only because I can say I’m battin’ 1000, but also because I doubt I top this experience, ever.)

We walked outside. “Here,” he said, handing me his motorcycle helmet. “Put this on.” It had not occurred to me that a man in full motorcycle gear was dressed that way because he had arrived on a motorcycle. But there his bike was, beautiful, parked right there in front. The machine was pure testosterone. Slick, fast, hot — kinda like him. He got on the bike and told me to get on and hold onto him. Before I could take a breath, we peeled out of the parking spot and sped into the San Francisco night.

Not all cities are beautiful, but San Francisco is a jewel. If you’ve ever been to there, you know it is a city of hills. Those hills mean village lights shine from shelves below and above you; the Bay is endless and the Golden Gate watches over all the good citizens. We flew. We climbed up and up, then fast down, zipping around corners and zagging the switchbacks. It was a good thing I was behind the fellow and wearing a helmet because my mouth was hanging open the whole time.

“More! More!!” I shouted. “Can we ride a little longer? Show me more!”

I had never been on a motorcycle in my life, not because I hadn’t had the opportunity. One of my and my family’s dearest friends, Jeremiah, had died in a motorcycle accident at twenty-four. I was twenty at the time, in college, when that had happened. Taking this ride wasn’t just fun and risky, it was a terrifying leap into the life I missed so terribly. It didn’t make sense. It was a stupid, dangerous idea — and one I couldn’t have resisted for anything and still cannot explain.

We got to his place. The evening ran its course. In the morning, I rubbed my eyes and I saw the ketchup packets and the stale Chinese takeout on his kitchen table. These sorts of interactions are not what they’re cracked up to be, you realize, due to the eternal fact that morning follows evening. He offered to take me down to where Ezekiel and I were staying, which was gentlemanly of him. I was so happy I could ride on the back of the bike again, I don’t think I drank the orange juice he gave me.

On the way back, he was showing off and got stopped by a cop for speeding. It was one of the most awkward moments in my life and it might still make his list, too: I hopped off the bike as the policeman came up. Getting a ticket takes time. It was getting late in the day. I didn’t even know this person’s last name; he didn’t know mine. We had no connection to each other, really. I said, “Um, well… Hm. I think… I think the train is over there?” Motocross Guy was like, “Oh… Yeah. Yeah, you don’t have to stick around for this… Um… Well, that was great. I’ll… I’ll see you around.”

He got his license out for the cop and I bought a train ticket and there you go.

Insane Bachelorette Story…

posted in: Chicago, Family 2
The kid.
The kid today, right as everyone yelled, “Surprise!”

No one in my family has ever sipped a Hurricane slushy through a straw shaped like a penis. No one in my family has ever — or will ever — wear an inflatable hat. We don’t do feather boas, we don’t do party wagons, and we certainly don’t do male strippers (heh) or Jell-O shots. But the youngest Fons is getting married! What’s a bachelorette to do??

So much. So much that is not making Girls Gone Wild XXIIVI. The world is wide and beautiful. The world is grand and gay. There’s no reason any bride-to-be ever has to be sprayed with whipped cream. She never has to be carried out of the club, vomiting, with a broken high heel. This should not be the way nuptials are celebrated. I mean, girls.

Gather ’round, friends, and I’ll tell you how to throw a party for a bride. This weekend was Rebecca’s Surprise Wedding Fun Weekend. The grand plan was mine — I am maid of honor, after all — but without the logistical and financial contributions my mother and older sister made, it would not have been possible. Thank you, guys.

We picked the kid up Saturday morning, her only instructions to “dress like a lady.” At a favorite brunch spot of hers we gave her a box that contained a Visa gift card. There was a sizable amount of money on the card; we had all contributed to make the number a wowie-zowie one. “Today is a shopping spree!” we cried when she opened the box. “We have you all afternoon. You can spend that money on whatever you want — no rules or restrictions, no judgements. It’s your shopping day!” My sister was floored. Shocked. Thrilled. And, ever pragmatic, she bought a killer leather jacket and is choosing to spend the rest of the money on wedding needs.

But tonight, the piece de resistance: we rented out the historic Music Box movie house here in Chicago. We invited forty of my sister’s best friends and family. We put her name up on the marquee and booked a private screening of her favorite movie, Big Trouble In Little China.

When she walked up to the theater and saw her name in lights, that was good. When she passed the window of the lobby where all her friends were, waving to her, that was good, too. When she got into the little lounge area and saw exactly who all was there — superb. But the best moment came when Jack said, “Rebecca, wait… Did you see that?” and he pointed to Theater B where we were going watch Big Trouble. The movie title was lighted up above the door. My sister did this beautiful, involuntary convulsion and her hands went up to her head, looking like someone experiencing most pleasantly excruciating migraine headache in history. And then she said something I’ll never forget. She was so happy, so happy, and then it occurred to her. Through ugly-tears of joy, she looked at us all and squeaked out, “Are you all… Are you all going to w-w-watch it…with me???” Yes, Rebecca. Yes, we are.

It was a slam dunk weekend. And just in case you’re thinking, “Yeah, well penis-shaped sippy cups are a lot more affordable than renting out a whole damned theater, Mary Fons!” I want you to know that it was surprisingly doable. We did it on a Sunday, from 4pm-9pm. This is considered an off-peak time, so the space rental was quite reasonable. We didn’t go nuts with decorations. We didn’t order extra food or do a big cake or anything. We did have an open bar, but with 40 people — several with babies — that wasn’t too bad. All I’m saying is that with a little dough and a lot of creativity, you can do something awesome for someone you love.

And boy do we love you, Biccy.

Marianne Fons, Fashioner of Items.

posted in: Family 0
An actual toothbrush? Who needs it! Photo: Jonas Bergsten.
An actual toothbrush? Who needs it! Photo: Jonas Bergsten.

After thousands upon thousands of miles, innumerable flights, check-in counters, trains, cars, and so much shoe leather, my luggage has officially died.

My beloved silver Zero Halliburton suitcase used to have three different handles: the pulley-uppy retractable one, the grippy handle on top, and a similar grippy handle on the side. These handles were, as one might agree, useful for moving the piece of luggage through space. The pulley-uppy handle snapped off months ago. I would’ve gotten it fixed but I have this habit of needing my suitcase every other day. It wasn’t too bad; I could grip the top handle and wheel the thing along with not too much notice. I had to stoop slightly to the side but I almost looked cool with that little lean, like I was all, “Whatever. Planes.”

Well, the top handle broke off today at Midway. It’s over. My luggage is suddenly a horrible, heavy box. If that last handle snaps I will be forced to carry my suitcase like a baby, which is the exact opposite of what a piece of luggage is supposed to do for a person. The last handle — the one on the side — is what I’ve been using, which means I look like the worst casting decision in history for a production of Death of a Salesman. We don’t know what is good and what is bad, but come on.

When I told my mom that my luggage had given up on life, that the handles were off, she chirped, “Well, I could fashion you a handle.” We laughed, because how awful a fashioned luggage handle would be. Duct tape? Duct tape wrapped ’round and ’round the luggage when it was closed and twisted into some hideous, gnarled, sticky tape-handle? The thing is, my mother would not only figure out how to fashion a handle on a piece of luggage, she’d make it look pretty good and insist that the sticky side of the tape was all tucked in so you wouldn’t get sticky on your hand.

“It’s surprising I don’t like camping,” she said. “I loved The Swiss Family Robinson. They always had to make things out of what they had. They had to fashion things. I love fashioning things!” I said I knew it and I admired the quality in her. “Mom, you could fashion a hat out of a cinnamon stick,” I said, and it’s true.

“Remember when Jack was at the cottage and he had forgotten his toothbrush?” Mom said. “I told him, ‘Jack, I’ll just fashion you one!'” We all thought that was pretty hilarious at the time, but it wasn’t a serious offer; we keep extra toothbrushes at the lake house. But tonight, Mom and I tried to think how one might actually fashion a toothbrush.

“You could cut up a sponge!” I cried. “For the scrubby part!” I thought this was a rather inspired place to start.

“Yes, that’s it,” my mother said, miles ahead of me. “And I’d take dental floss or twine and wrap it around the sponge square so that you’d have nubbies, you know, like bristles. And then I’d get some drinking straws — three of them, for extra support — and I’d wind those together, too, for the handle. Then wind the sponge onto it and there you go: a fashioned toothbrush!”

My broken-down, put-er-out-to-pasture suitcase might be useful for something, but I don’t know what. A planter? A swimming pool for kittens? Does that mean I would be fashioning a planter? Fashioning a kitten swimming pool?

I Give You “Grompy.” (You’re Welcome.)

posted in: Day In The Life, Story, Word Nerd 0
This child is so cute and posed so strangely under this planter, she looks like a wax figurine in a glass case. Still cute as a button. Photo: Angela Sevin, 2005.
This child is so cute and posed so oddly under this planter, she looks like a wax figurine in a glass case. Still cute as a button. Photo: Angela Sevin, 2005.

I had the pleasure of visiting my southern belle girlfriends recently, including the lovely Lady of The Livermush. Ol’ Livermush did something remarkable again and I have to talk about it. (Understand that I can call this girl “Ol’ Livermush” because she looks she stepped out of a Vermeer painting or the pages of Valentino’s latest ad campaign. She’s gorgeous.)

We were finishing up dinner and the table’s attention landed on my friend as she was explaining a writing exercise she had done when she was five years old.

“Ah was just fahve,” she said with the accent I’d kill for. “And ah wrote this on mah paper, ah swear:

I like to eat ice cream.
I like to eat cheese.
I like to be tan.
I like to lay on the beach.

“Then,” she said, “On the next page, do you know what ah wrote? Ah wrote:

Sometimes I’m grompy.

“And ah spelled it just like that, too: grompy.” She shook her head. “Do you know nothin’s changed? Ah still like ice cream. Ah still like cheese. Ah like to be tan and laah on the beach. And I do get grompy, sometimes. Don’t we all?”

When I learned she spelled “grumpy” “grompy,” I laughed so hard I made a honking sound into my napkin. Not since the appearance of “hangry” — what you get when you’re so hungry you become angry — has there been a new word so perfectly onomonopoeic. Now, Ol’ Livermush simply spelled “grumpy” the way it sounded to her. But to me, “grompy” can — and should — now define a very specific sort of bad mood: the bad mood that happens to you when you’re disgruntled (probably about something work-related) and you’re having gastrointestinal issues. Right? Have I got it? Let’s take it for a spin:

Person A: What’s wrong with you?
Person B: Look, I’m just a little… I’m a little grompy today, sorry. 

or:

Person A: Stay away from Chuck today… Good lord is he grompy.

or perhaps:

Mother: Pick up your crayons!
Child: No!
Mother: I’m giving you to the count of five, Mr. Grompypants. ONE…TWO…

We’ve been given a gift, comrades, and you have Livermush to thank for it. Livermush, the great educational reformer Horace Mann once said, “Until you have won some victory for humanity, you should be ashamed to die.”

Livermush, please do not die. But if you should, know that your job here was done.

Let’s All Hit Each Other In the Face More (PaperGirl Archive)

posted in: Day In The Life, Rant, Story 4
Close your eyes and think of anywhere, anywhere else, little chick.
Close your eyes and think of anywhere, anywhere else, little girl.

This post is from April, 2014. I had reason to think of it the other day and thought I’d repost. I’d tell you to enjoy but you can’t, really.

I’m in Iowa filming TV. Tonight, the editorial team and several of our guests went out to dinner.

Halfway through the day, I began to feel poorly due to my excavated intestines. I therefore didn’t eat much and had the opportunity to visit the ladies’ room at the restaurant several times over the course of our dinner. On one of those visits, something awful happened.

I was in the furthest stall from the entrance when I heard the door open. Laid out in a kind of “L” shape, I’m sure the bathroom appeared empty. Ambient noise from the restaurant slipped in and then faded as the door gently closed. The moment that it had, I heard the unmistakable sound of someone being slapped across the face.

Hard.

A brief pause. Then an intake of air, and a child’s wail came high, high off the mountain and down into a deep, anguished sob. Confusion and shock and pain came crashing down in a tidal wave in a bathroom in Des Moines, IA.

“What is wrong with you?!” a woman’s voice hissed. And there was a tussle, a shake.

My rage came up fast from my legs to the very bottom of my throat. It stopped at my throat because I was speechless with horror and disgust for the slapper and an almost frantic need to console the child and take her into my arms.

I burst out of the stall the moment the two were going into the first. Their door shut. As I passed them, slowly, I could see the child now sitting on the toilet with the mother standing over her. Her scuffed up sneakers were dangling off the side of the toilet. Even now, I can see their little velcro straps.

My jaw was clenched so tight I might’ve shattered all my teeth.

“Where did you learn to make faces like that at Mommy?” the woman asked, now with a sticky, simpering tone in her voice. She screwed up, see. She thought the bathroom was empty. Now that she knew someone was there and had heard her hit her kid in the face, she was a little nicer.

The child wept. Plaintive, pathetic weeping. She was trapped. I stood at the sink and looked through my reflection in the mirror. I had to do something. I had to.

Once again I find myself, a single woman with no children, opining about parenting. I realize there’s a lot I don’t know about raisin’ up a chile; most ideals and proclamations about how I’ll do it someday are so much talking. But the argument that I know zero about childrearing because I presently have no children goes only so far. I am a human, and children are humans, so I’m qualified to take a position. You can’t be angry when you punish a kid, goddamnit. You calm yourself down, you get a hold of yourself, and then you figure out the negative consequences for that kid’s bad behavior. Never, ever punish out of anger. Is this not true? Is this not a stance I can take now, as a woman who has yet to hold her own baby?

So I’m standing at the sink in the bathroom, mentally eviscerating this kid-hitting woman four feet from me, and I remember a story my friend Lisa told about a similar situation she found herself in. She was on the subway in New York and this guy was roughing up his girlfriend. Really talking menacingly to her and smacking her around. Lisa was enraged. She was panicking. She needed to stop it, to say something to the guy. But she didn’t. Ultimately, she didn’t because, as she had to so horribly reason out, it might’ve made it worse for the woman later. The monster on the subway was maybe at 60%; at home, after an altercation on the train, would he hit 79%? 90% monster? What will monsters do at full capacity? Lisa burned and was quiet and told the story to me later, as upset at the time of telling me as she was that day on the train.

No, I wouldn’t speak. I wouldn’t make it worse for that little girl when she got to the comfort — the comfort — of her own home. But then I did do something. Something else that took me as much by surprise as I hope it took the monster.

Alone with them there in the bathroom, I smacked my right hand against my left. Loud. I made perfect contact with the one hand on the other: a loud crack sounded in the bathroom, bouncing off the tile and the linoleum. The talking in the first stall stopped. The sniffling ceased. I could almost see the confusion on the woman’s face and the “Wha?” on the kid’s.

I waited for total silence and then I did it again: crack! A crisp, violent sound.

In that moment, I might as well have been a professional sound effects person, paid thousands to come into a recording studio to capture the exact sound of someone being smacked across the face. Luck was on my side; if I tried to make that sound just so, right now, I might not be able to do it. But tonight, it was exactly what I needed it to be.

The slap hung in the air like a gun had been shot. I could tell no one in that first stall was breathing. The mother was surely, totally weirded out. The daughter, I don’t know, but at least for that moment her nasty mother wasn’t in charge. Of anything. I sent a silent, psychic message of love and hope to the little girl and then left the bathroom.

I had to run this story past my mom. Until I did, I wasn’t sure if my slap sounds were completely insane or if they were effective in breaking the evil spell that had entered the ladies’ room. Mom, who cried with me when I told her about hearing that little girl get hit, said she thought it was a great move. So there you go. We have an actual parent weighing in on how to do these things.

Don’t hit your kid in the face. That’s just a suggestion. But here’s another one: if you choose to hit your kid in the face in a public place, you are in my world. And my world might be kinda weird, but your kid is safer with me than she is with you.

 

Well, That Was Interesting: Making Out With a Doctor

posted in: D.C., Day In The Life, Story 4
Ah, dinner. Photo: Chris Phutully, 2013.
Ah, dinner. Photo: Chris Phutully, 2013.

The best way to tend a bruised heart is to go on a date with someone new. That’s what they say.

The breaking up of love, the move, the rats, the second move, the hemogoblins, etc. — all this has meant that for many moons my cocktail dresses have stayed put on their hangers, my evening bags and high heels in dust bags on the shelf. Not too long ago I began to look longingly at it all and I realized I might like to go out for dinner with a good-looking man. I’m absolutely allergic to love right now, but dinner would be nice. Maybe even some smooching would be nice. I’m a grown woman.

Well, I did go on a date and I even smooched but what’s really noteworthy about the whole thing is that mid-smooch I was diagnosed with an ailment I can now add to my list of ailments. I’m 100% serious.

My dinner companion, who I met online, is a doctor. He wore a beautiful suit and his Range Rover, as I would come to find out, had excellent butt warmers. (That is not a euphemism.) I wore a luscious, canary yellow dress with my favorite Dolce & Gabbana heels: black satin with bows on the toes. Dinner was great. I picked the restaurant: a mahogany-paneled, real power-dinner place where I know heads of state have done dirty deeds dirt cheap in the corner booths. There was a live piano player and a standup bass. The conversation flowed, the steaks were rare, the champagne was right on time. All of this factored into my mind as I looked at this very handsome fellow across the table from me and tried to decide if I’d let him smooch me when he dropped me off at home. Yes, I decided. Yes, I would.

We pull up to the door of my building about an hour later and we start smooching and it’s going great; he smelled incredible, all soap and cologne. He said all the right things, e.g., “You’re gorgeous,” and “You’re such a great kisser,” and a few other things that are not appropriate to mention here (hi, Mom.) So then Dr. Smooch gives me a little squeeze, kinda on my hip. I liked that a lot, so he squeezed me again. Then he like, poked me there on my hip a little. Poke, poke.

“You have a lipoma here,” he said.

I shot back like a shrimp and crammed myself against the window of the passenger seat. “What?! What are you saying? What do I have??” I felt just where his hand had been on my dress, there on the left side, right at my pelvic bone. Sure enough, there was a small bump that wiggled around when I massaged it.

He chuckled. “It could just be a muscle,” he said, poking it again. “It’s nothing serious. Just a little fat deposit.” I looked up at him. I had just been diagnosed with a fat deformity mid-makeout session, proving to me once again that if you just get out of bed in the morning, if you just get out of bed and walk out the door, things will happen to you. Things you could never have imagined. Things like this.

Thanks, Doc. I’ll get it looked at. Now, where were we?

Grist For the Mill: Madonna, Me, and TV

posted in: D.C., Day In The Life, Story 0
Madonna, Rotterdam, August 26, 1987. Photo: Wikipedia
Madonna, Rotterdam, August 26, 1987. Photo: Wikipedia

I had three entirely new experiences today:

  1. I chose to wear my Nike Dunks, favorite black pants, a crisp white shirt and a fedora this morning when I left the house. A real nice man on the street called to me: “Girl, you lookin’ good to-DAY! That’s a nice outfit!” In kind reply, I said “Why, thank you!” and literally tipped my hat to him. I tipped my hat! It surprised me how naturally it came. When you’re wearing a fedora, apparently you live in the 1956.
  2. On a busy street in Penn Quarter, a homeless man took out his penis and peed on the sidewalk. I saw it all before deciding to walk much, much faster.
  3. I went to the FOX News building and went on camera and now I’m all over the news in Europe!

The first experience explains itself; the second experience isn’t something I want to expound upon, so let’s talk about this third thing because man, was it cool.

Several years ago, a chap named Oli contacted me for an interview. Oli was writing a big paper on slam poetry and he tracked me down. We Skyped a few times because Oli is a Brit and lives in London. Oli must’ve done well in school because he’s got a seemingly impressive job with SkyNews, a kind of AP wire in the UK. We’ve stayed in touch here and there, and Oli reads my blog enough to know that I live in Washington, now. He also knows I’m a huge Madonna fan because I’m sure I said as much in our first interview.

Oli texted me from London this morning to see if I could dash down to the SkyNews bureau — housed within FOX News — and speak on camera about Madonna. She fell last night at the Brit Awards. It was a scary fall; her cape malfunctioned and she went backwards down three stairs. Beyonce, Gaga, and Naomi Campbell have all taken famous tumbles: it happens. When you’re dancing onstage in high-heels three-hundred days out of the year, what do you expect? Because I wrote an essay in a book called Madonna & Me (Soft Skull Press, 2012)* I am an expert on Madonna and clearly have something devastatingly insightful to say on such a breaking news story.

I got to the big FOX News building and security cleared me. I went up to the fifth floor and took lots of selfies in front of lots of monitors. The girl who met me said, “Thank you for coming. Would you like your hair and makeup done?”

All nonchalant, I was like, “Oh, yes, well, maybe I should, you know, with the snow and all.” Getting my hair and makeup done at FOX News was not something I was going to pass up. She asked me if I wanted something to drink, too, and I said I would like some water please and thank you very much.

I went into the makeup room and was met by two of the most stylish, laconic, “we’ve-seen-it-all” makeup artists on the planet. They were just hanging out in this room with special chairs all the bright makeup lights, waiting for the next person to come in. Who were the people who came in? The talking heads you see on TV! Three of them came into the makeup room while the gals were working on me! I saw dudes in the chair next to me getting powdered and then I saw them on live TV like ten minutes later! It was so weird and fun. The lady with bright red hair did my makeup and the other lady did my hair. The hair lady had geometric glasses and really, really long nails that she used to squiggle through my hair to make it go this way and that.

Once I was all done — and I looked good but not at all like myself, which is why getting hair and makeup done isn’t really that great, so don’t feel like you’re missing anything if you’ve never had the experience — I went into the green room. I couldn’t sit down because I was going to be on live TV in like ten minutes! I just paced and made myself not drink the free Keurig coffee they had set up. I didn’t want to get up there and talk too fast.

The gal came in for me. I went into one room and taped a segment for the radio with one British dude. Then I went into another room where all the cameras were, got my earpiece and was given my lapel mic. I stared into the void of the big camera and eventually a lady started asking me questions. The live segment got pushed further and further out because there was a lot of bad news in the UK today — and this bad news does not include Madonna falling at an awards show. In the end, the live segment never took place, which was a bummer, but my taped segment was a smash, and Oli has informed me that the interview is being played on the hour in 118 countries. I don’t totally understand this, but Oli has no reason to lie to me. They were so pleased with me, in fact, I might get to go back and do more segments about other things. I would like that because it was really fun.

Consider how many news segments are taped in the world every single day: thousands upon thousands. I was simply grist for the mill this morning, but it was neat. If I can, I’ll post a clip of the piece on Facebook.

All in a day’s work.

 

*Available at fine bookstores everywhere.

“But Miss Tully, This Is Cashmere.”

posted in: Art, Chicago, Poetry 0
I have to use public domain pictures because I can't afford to buy images. So I have to use things like this. Terrifying. Photo: Siu Ooyuen, 2013
I have to use public domain pictures in PaperGirl because I can’t afford to buy images. So I have to use things like this. Terrifying. Photo: Siu Ooyuen, 2013.

I feel so grateful to have a blog. Because I can share stories like this one with more than three people.

If you’ve been reading the past few days, you know I was in Chicago several days over the past week to perform poetry and teach writing workshops in a number of schools. I’m home in DC now, where it is about six degrees warmer. I have named each of those six degrees because I cherish them like I might my very own children.

One of the schools I visited is an affluent one. Real affluent.The parents who send their kids to the school are affluent, the neighborhoods these families live in are affluent neighborhoods, and the school, which is private, is therefore well-heeled by default. It’s breathtaking to see. The student body — remarkably diverse, I’ll note — has in-school yoga classes, an organic lunch program, and all kinds of autonomy in their day, as far as I could tell. On the walls of one hallway, I checked out the art on the walls: there was a sign that said, “All these pictures were made by code!” Meaning that the kids are coding, for one thing, and through their coding are creating fractals on paper. When I was their age, I think we melted crayons between wax paper. And I thought that was great.

There were cups of grapes on trays for the kids in case they needed a snack en route from like, Spanish XVI and microbiology. Did I mention this is a middle school? I have to make sure I say that the students are delightful. They’re engaged, polite, and 100-watt bright, every last one. I’ve been the school many times and it’s a joy, but it’s also disorienting.

For example:

At the beginning of my workshops, the teacher in the room will pass out sticky-back name tags so that I can call on the kids by name. Miss Tully (not her real name) was handing them out when a concerned-looking young man raised his hand.

“Miss Tully?” he said.

“Yes, Nick?”

“I can’t put this name tag on my sweater. This is cashmere.”

I had been looking down at my lesson plan, but upon hearing this my head snapped up. “This is cashmere”? Did that ten-year-old boy just say that he couldn’t put a name tag on his sweater because it’s cashmere? My eyes were big as dinner plates. And the kid was not being a jerk. He’s ten. He was worried his cashmere sweater would get jacked up if he put on his name tag. He’s just doing him.

One planet, many worlds.

Quilts Are Like Poems Are Like Quilts: Fremd High School

posted in: Poetry 1
[Photo credit forthcoming.]
First period performance at Fremd High School Writer’s Week. About 8:12am. Photo: Gina Enk.

Thank you to all the students at Fremd High School today, the kids at the Latin school last week, and the students I’ll see tomorrow at Bartlett.

It’s an honor and a privilege to come to your schools and revel in the beauty of the English language and all the marvelous tricks it can perform. Fetch! Shake! Roll over!

I hope to see you all soon.

Oscar Nite: Out of the Office

posted in: Chicago, Family 0
Lucille Ball at the 61st Academy Awards in 1989. This was Lucy's last public appearance; she died about a month later.
Lucille Ball at the 61st Academy Awards in 1989. This was Lucy’s last public appearance; she died about a month later. Photo: Alan Light

Tonight I’m Chicago watching the Oscars with my sister Rebecca and her betrothed, Jack. I haven’t tuned into the show for probably eight years, but this is the first year that I have seen exactly none of the films nominated. This makes me feel triumphant and hopelessly isolated at the same time. I did it to myself; I just never want to go see a movie. It’s all sewing and books for me when I have a free evening.

The gilded stage pieces, the lace beadwork, the shiny white teeth — it’s all distracting me, so I’m going to make this short: if there’s big money riding on your predictions (an office contest, perhaps, or some crazy bracket system you’ve found on the Internet) may you drink the blood your foes and secure your legacy by guessing correctly in every category from Best Supportive Actress to Best Copy Editing to Best Sweater.

Have fun. I gotta go change out of this dress.

 

Rejected For QuiltCon.

posted in: Quilting 1
Nolandia Top
“Welcome To Nolandia,” by Mary Fons, quilted (eventually) by Angela Huffman, 2014.

I submitted a quilt to QuiltCon and didn’t get in. I meant to write about this a long time ago but it’s good that I didn’t, not that I would’ve ranted about it — ew — but now that I’m at the show, my feelings went from bummed to 100% okay-ness with the decision the jury made.

“Welcome To Nolandia” is the oddest quilt I’ve ever made and one of the quilts I’m most proud of. The quilt depicts a town, and the story is told from top to bottom. The sky/gods are above, then come the houses of the people. (You can’t see them in the picture, but all the houses have little fussy-cut pieces in the windows: pink pigs flying, frogs fishing, faces, flowerpots.) The sidewalks and streets come next, then the vegetation and trees. Below that, the dirt — that’s the improv-pieced purple and black. There is buried treasure down there, represented by gold and yellow pieces; there are old bicycles and metallic fabric, too, striations of sediment. Then comes deep bedrock, limestone. This picture doesn’t show the last row I put on, which was the water far below; I pieced flying geese in light and dark blue.

[Note Yuri’s feet. This picture was taken in our East Village apartment this summer.]

Now that I’m at the show, I realize how inappropriate this quilt is for QuiltCon. It’s not modern at all. It’s bizarre, it’s got a few elements of the modern style, but it would stick out like a funky, misshapen thumb at this show. The jury knew what they were doing, of course, and if I were on that jury, I wouldn’t have accepted my quilt, either.

As a writer, I get a lot of rejections. A writer has to submit to magazines, has to try and get an agent, has to “put herself out there.” Any writer that has succeeded in any measurable way will tell you they have a stack of rejection emails and letters. The good-natured ones refer to them with a certain sense of pride.

I understand the QuiltCon organizers got something like 2,000 submissions. There are like, 100 quilts in the show. (I should verify that, but it can’t be many more.) The quilts are stunning, inspiring, and each quilter brought their A game, big time. The quilts are perfect specimens of this aesthetic and hats off to each one of them. I mean, dang, y’all.

At the risk of sounding like a motivational speaker, I say unto thee: if your quilt didn’t get into the show, shake it off. Rejection usually means you tried something hard. Good for you. Most of the time, there is a good reason your work was rejected: your article wasn’t right for the magazine, your pottery style was already represented by three artisans at the art festival, your quilt wasn’t appropriate for the show. You didn’t get the job because the hiring person thought you’d be miserable if you were hired or you don’t know Excel well enough or something.

Enjoy the quilts here, quilters. If you’re not actually in Austin, enjoy the tsunami of social media reports all over the quilter web. And if you aren’t in the show — like 1,900 of your comrades — let yourself feel lucky. You can sit back and enjoy while all the quilters who did get in bite all their fingernails off hoping they’ll get a ribbon or prize money.

And remember why you make quilts anyway. I don’t have to tell you why. You know.

This Is Not About The Weather.

posted in: Chicago, Day In The Life 0
"Court of Honor, World's Columbian Exposition, 1893"; painting by John Henry Twachtman. [Could be worse: my last name could be Twachtman.]
“Court of Honor, World’s Columbian Exposition, 1893”; painting by John Henry Twachtman. [Could be worse: my last name could be Twachtman.]
I will not write about how cold it is in Chicago. I will not write about how cold it is in Chicago. I will not write about —

My god.

It’s so cold in Chicago, “minus twenty-five” actually refers to the number of people we’ve lost to frostbite in the last hour.

It’s so cold in Chicago, when your older brother tells you to chill, you burst into tears.

It’s so cold in Chicago, you’d think you be at a bar where all the chicks is models.

It’s so cold in Chicago, the ice machines in all the restaurants are out back smoking cigarettes because dude.

It’s so cold in Chicago, I put on a shirt, a sweater, and another sweater this morning. I carefully wrapped my scarf around and around my neck and face, put on my hat and gloves, and pulled on my flea-market fur coat. Double socks, then out the door to the Latin School to talk about poems and teach storytelling to some of the most incredible students on the planet. (They’re also some of the most hardcore; Latin stayed open while most public schools in Chicago closed for the “extreme weather.” It really was -25 today.) I walked to the school from my hotel thinking, “Well, I’m bundled up. I’ll get a little walk in this morning.” The cold took my breath away; it took a half-hour being inside before my toes stopped aching.

I’m headed to Austin now for QuiltCon. When I get to Texas tonight, I’ll hang my fur coat up in the closet and I will not look at it till I leave. Remind me to get an entourage, by the way. I love my life but the schlep is killing me.

The Snow Twilight Zone!

"Maslanitsa," by Boris Kustodiev, 1918. Stick Rod Serling's face in there somewhere and you've got it.
“Maslanitsa,” by Boris Kustodiev, 1918. Stick Rod Serling’s face in there somewhere and you’ve got it.

I remember exactly one Twilight Zone episode out of the dozen or so I saw accidentally as a kid. The one I remember, not surprisingly, is the one that scarred me for life. I was about eight when I saw it and I think about it whenever life presents an obvious twist of fate.

In the episode, a pretty lady is driving a car one night and she gets into a bad wreck. The cosmos, God, fate, etc., had determined that she would die as a result. Like, it was written in some big ledger in the sky that her time was up and she was supposed to die that night. But then she doesn’t. There is a wrinkle in the time-space continuum or something and she survives without a scratch. She’s happy about this until zombies.

These way-too-scary-for-an-eight-year-old people-creatures who, looking back, were totally zombies though I didn’t know what zombies were at the time, began appearing in this woman’s world. They weren’t everywhere at first but as she went through her life in the next few weeks, these people-creatures would pop up and like, grab at her.** Their goal was to take her to the other side, the side she was supposed to be on. She was in the living world, but that was wrong. She was an escapee from the natural order of things, a rogue moment that had to be corrected because… Well, because it made for a great Twilight Zone episode, I guess.

NOTE: To all the brilliant, gracious, attractive ladies in my lecture and class outside Richmond, VA, thank you for a wonderful day today and please do not in any way think that I am connecting you with zombies from the Twilight Zone. 

That said, tonight I’m totally the lady from the other side. Because I should still be in Richmond. It is written that I should be giving my second lecture right now to a large group of quilters at the fabulous Sew Refreshing shop. But I’m not there. There’s been a wrinkle in the time-space continuum and I am home. In my pajamas. AAAAAGHHHHH!

It’s because a snowpocalypse snow storm is bearing down on the east coast. Richmond, a city that owns maybe 1.2 snow plows, both made in 1946, is expected to get a foot of snow tonight. Terri, my host and owner of the shop picked me up this morning and said, so sweetly, “Mary, ah… Well, I’m just wondering about the lecture we added this evening… Well, we’re going to get about twelve inches starting this afternoon and I just don’t know that the ladies should be driving in the weather…” I knew what she was suggesting and was 100% onboard, sad as it is to cancel an event. Truth was, I wasn’t so sure about doing the evening lecture after I heard the weather report.

“Terri, absolutely. We should cancel the evening program. I’ll look at the train schedule.”

And so it was that after my morning lecture and the 1,000 Pyramid class — such a good class! — I went to the train station and got the 4:00-ish #80 Amtrak back into Washington. I almost got off at Fredericksburg because I’m a Civil War nerd and I’m dying to check it out, but I figured with the blizzard and all and not knowing a single thing about Fredericksburg other than it being an historic battle site, I should wait.

I should be in a smart outfit with a laser pointer, but instead I’m drinking juice. I’m on my couch. There are no zombies in the closet, though. I know because I checked.

** Please remember that I’m describing a Twilight Zone episode I saw once when I was like, eight. If some of you know the episode well, forgive me for butchering (!) it. I’m only recounting what scarred me for life, not the mise en scene or the actress in the title role. I only remember death.

For My High School Homies.

posted in: Art, Paean, Poetry 0
Sample card.
Sample card.

I’m at Washington, DC’s palatial, awe-inspiring Union Station, waiting for my Amtrak to Richmond, VA. I’m lecturing and teaching tomorrow and very much looking forward to it; not only do I get to earn a living in a soul-affirming way, I get to hang out in Union Station and then take a train for a couple hours, which is neat. I feel a bit lightheaded and dizzy today, but who cares when there is actual gold leaf on the domed ceiling high above my head. If I pass out I’ll get a great visual before everything goes dark.

Next week is almost entirely on the road. QuiltCon approacheth in Austin but before and after that, I’ll be in Chicago doing a number of poetry gigs for high schools and one middle school. In February and April every year there is lots of creative writing programming in schools in the Chicagoland area. You could say I’m on the circuit; I’ve been a visiting writer-performer at these sorts of events for many years, now.

Because I get paid to do them, they are jobs. But barely, because I love them so much. The gigs  typically consist of me performing poems and reading stuff I’ve written in a big auditorium; sometimes I teach a workshop or two. There’s one high school I love the best — I feel like I shouldn’t say which one but you know who you are — because the students are incredible and the teachers are fiercely invested in their jobs. When I tried to figure out how many years in a row I’ve been to this particular Writer’s Week, I got pale: I think it’s nine. Nine years has zapped past me? Oh, boy.

Each year I do school poetry/writing gigs — and this goes for all the schools — I try to do something totally different. Last year, I climbed up on a ladder and set a poem on fire. I do a Neo play where I kiss a student (on the cheek) and one year I put on big sunglasses at one point and covered a Lady Gaga song as though it were a poem, which it is. This year, because I’m feeling mortal, I’ve decided to treat the gig at my favorite school as though it were my last ever. I certainly hope it is not, but I asked myself: “If I never got to come back to this school that I love so much, what would I tell these people?”

Giving a physical gift to an audience member makes a huge impact; I learned this from my years as a Neo-Futurist. But I don’t want to give a gift to one person in the audience; I want to give a gift to every last one. So what I’ve done is copy off little cards that say what I would say to these students if I never saw them again. But giving a slip of paper is lame and since I happen to be a quilter with way, way too much fabric in my scrap bag(s), I am stitching fabric to the back of every card (see scan above.) There are, um, thousands of these to be made. I’m about halfway through the stack. After I get back from Richmond, before I go to Chicago, I’m gonna have to race to finish them.

But it’s worth it. I’ll make some tea. I’ll turn on my podcasts. I have a lot of other work to do on Tuesday, but I’ll make it. Not every student will care about these cards, and I know that. Plenty will get tossed in the garbage, which is lousy, but come on: it’s high school.

Sorry I didn’t do a spoiler alert to those students who read PaperGirl. But I promise my “show” will be good and hey, if you care to, you can make a little space in your wallet ahead of time.

Shine On, Crazy Shoes.

posted in: Day In The Life, Tips 0
Astaire in Royal Wedding. Can you imagine how shiny his shoes are? With the suit and the top hat?? Oh, brother.
Astaire in Royal Wedding. Can you imagine how shiny his shoes are? With the suit and the top hat?? Oh, brother.

I’m in downtown Chicago for the next twenty-four and I’m feelin’ fine.

The buildings look just like I remember them (tall, smart) and the weather is a familiar negative ten-thousand degrees. It’s great! I love Chicago so much. As I clippity-clopped through the city today, doing errands, I thought about the expression, “I know _____ like the back of my hand.” I’ll bet I know downtown Chicago better. I’ve seen the back of my hand a lot, but which one? And at what stage of life? My hands keep changing, but Chicago is Chicago is Chicago.

But a city is hell on shoes. The low-slung cowboy boots I’ve been hoofing around in for the past couple months were looking awful: dirty and dull, desperately in need of a shoe facial. So, after I turned in a bunch of work, etc., I went in search of a shoe shine shop. Find one I did, and I sat there trying not to smile like a weirdo through the whole thing because I had forgotten that there is perhaps nothing on Earth — on Earth — that feels better than walking out of a shoe shine shop with shiny shoes. Hey, don’t take my word for it: take Fred Astaire’s word for it. Take Fred Astaire’s word for everything. There’s a song he sings called “Put a Shine On Your Shoes” in the MGM movie The Bandwagon. This song says everything better than I could say on this topic. Consider:

When you feel as low/As the bottom of a well/And can’t get out of the mood/Do something to perk yourself up/And change your attitude/Give a tug to your tie/Put a crease in your pants/But if you really want to feel fine/Give your shoes a shine

When there’s a shine on your shoes/There’s a melody in your heart/With a singable happy feeling/A wonderful way to start/To face the world every day/With a deedle-dum-dee-dah-dah/A little melody that is making/The worrying world go by

Put a shine on your shoes/Put a shine on your shoes… [REPEAT AD INFINITUM.]

The number is marvelous. Astaire twirls up to the guy working the shoe shine stand and wins him over like he always wins everyone over; before long, the guy is killing the rhythm with his brushes and his towel as he works. Of course, all the extras in the background are happy, smiling at the song and dance. There are some charming slapstick moments — there so often were in these sorts of films — but obviously the best thing about it is that it’s a number about feet and it’s Fred Astaire, so what more do you want in life? In life! A number focusing expressly on Fred Astaire’s feet?? Just… Just stick a fork in me. I’m done. You’re done, too! There’s no way you’re going to keep reading this because you’re clicking over to YouTube right now to watch Fred Astaire dance, aren’t you? It’s okay. I left writing to watch it, too.

Have you come back? I hope so. I’m almost done. I only wanted to say that my boots look brand new after my shoe shine. In fact, they look better than when I got them. I’m a new woman. And the coolest thing was when the guy was almost finished, he did one final back n’ forth with the clean towel around each heel and quick whipped it off with a “thwap!” It was like a gun went off, it was so loud! Awesome. If it’s possible to tip too liberally, I did.

Shine those shoes.

The Trouble With Backpacks.

posted in: Rant 0
Backpack, rucksack, satchel, bomb. Photo: Ligar, 2001.
Backpack, rucksack, satchel, bomb. Photo: Ligar, 2001.

I touched on the subject of current events the other day; I am allergic to doing this usually (see: The Papergirl Pledge) but I keep seeing abandoned backpacks and this forces me to think of terrorism. I used to see backpacks left someplace and think of Grand Canyon hikers sick of carrying freeze-dried goji berries or students who got careless. Now I think of bombs. This makes me furious.

There was a satchel in a leaf-clogged corner outside of Union Station the other day. It was tattered, old, and looked empty as could be; a deflated balloon of a bag. No threat there, surely. But a bomb at Union Station would be a smart move for a terrorist. Abort transportation at a major hub and you abort infrastructure and flight. This morning there was an old duffel bag crumpled against the wall right where you turn in the corridor to Terminal A here at Washington Reagan Airport (I’m headed to Chicago for a do-over of my catastrophic trip a few weeks back.) It wasn’t a satchel, exactly, but it was an abandoned canvas thing and I immediately eyed it, suspicious.

The worst incident, however, occurred when my family and I were at the vodou exhibit at the Field Museum over Christmas. I didn’t mention it at the time, probably because I was too bitter about losing my Kindle.

We were milling about in the main gallery and suddenly, a museum guard said in a loud voice, “Does this belong to anyone? Excuse me! Does this backpack belong to anyone?” She held up high a very full backpack and the museumgoers turned to look.

The two girls who were standing next to me murmured, “Oh my god… That… Let’s get out of here,” and they slowly inched toward the door. I stepped toward my sisters and said, “Okay, that’s an abandoned backpack? That is not okay. Where are Mom and Mark?” We were instantly discomfited and looked for our parents and my blood pressure rose. Why the Sam Hill would someone leave a backpack in a corner of a public place? First of all, do you not care about your belongings? Second, and much more importantly, did Boston escape your attention? Do you have the context everyone else has for abandoned backpacks in crowded places?

I felt more fear as the guard shouted again, “Excuse me! Does this bag belong to anyo — ” and then it was claimed. A young man went to the guard and apologized, saying, “I’m sorry, I’m sorry, I set it down and forgot.” I looked at him with dagger eyes. I could’ve socked him in the gut. Look, I’ve misplaced things. That very day, I left my Kindle on the bus. But carrying a heavy backpack ought to take up a small space in one’s consciousness. If it was set down, one might wonder, “Moments ago I was a pack mule and now I feel light as a feather. What has changed in this situation?” and retrieve one’s backpack.

When I lived in New York City, I became neurotic the moment I got a mailing address. I feared things I never feared before: hurricanes, bed bugs, epidemics, terrorist attacks. Once out of the city, I returned to my baseline outlook: naive, optimistic, Iowan. But backpacks remain a source of fear and likely always will. Maybe more in the near future. I resent this a great deal.

As my ex-uncle-in-law used to say in his heavy Croatian accent, “Eyes open. Eyes open.”

Hat Frisbee.

posted in: Art 0
This hat came up when I searched for a public domain image of a stocking cap. You should've seen the other ones.
This hat came up when I searched for a public domain image of a stocking cap. You should’ve seen the other ones.

On the train late this afternoon, I was out of sorts. My psyche was pulling to the right while some other part of my self was tugging on the leash to go left. This is a strange feeling but I was on a wobbly train on top of it. Good thing I had a cup of Dunkin’ Donuts coffee or I might’ve slipped through the cracks.

The train conductor announced the next stop: Smithsonian. I jerked up in my seat, seized with the desire to not go home but go there, to Smithsonianworld. Seeing some art would jerk my brain stem back into alignment for sure. I could do it fast, too; take a quick dip in the eternal pond and then get back to my day. The Smithsonian museums are all free, so you just walk right in, fill up your tank and walk back out the door. Surely a painting or some kind of strange installation would break my mini-fugue.

I decided this almost too late, however; right before the doors closed at the Smithsonian stop, that’s when I decided to execute my plan. I shot out of my seat at the last possible second — scaring the bees out of everyone, I’m sure — and jammed my body through the closing doors. I was the person that annoys everyone riding a train: the person who delays the train leaving because they’re standing in the doors. Sorry about that, comrades.

The doors released their silver jaws and I went, “Phew!” and began to walk away. Then I hear this, “Hey!” and I turn around to see my stocking cap flying through the air.

I had left my stocking cap on my seat and someone inside the train had chucked it out the doors as they closed for real. “Wow, thanks!” I called after the car as it pulled away. Someone threw my hat out for me. They saved my hat. I stood there for a second, feeling my heart get warm and my brain get right. Also, flying stocking caps = comedy.

Up at street level, I passed several museums but couldn’t go in. I couldn’t handle the Holocaust Museum, clearly; I couldn’t give proper attention to the African American museum or the Chinese art collection at another grand building I passed. I saw a Barbara Krueger exhibit advertised at the Hirschorn but no freaking way could I have handled Barbara Krueger today. I found the sculpture garden out back of the Hirschorn, though, and that was just right.

My stocking cap kept me warm as I walked among the statues.

There Is No Time For Poetry.

posted in: Poetry 0
Something like this, maybe. Photo: Kofler Jurgen, 2003.
Something like this, maybe. Photo: Kofler Jurgen, 2003.

Eternally true statements are hard to properly credit. Time is one big VitaMix, chopping, sluicing, pureeing all the words. The phrase, “Good artists borrow, great artists steal,” for example, has been attributed to Pablo Picasso, T.S. Eliot, Stravinsky, Faulkner, and many others. Does it matter who said it? Not really — unless you’re a guy named Joe Smith and you said it and never got credit. That would be kinda sad.

There’s a statement I love that I thought belonged to Mark Twain. He wrote a letter to a friend, the story goes, and said, essentially, “I apologize for the length of this letter; if I had had more time, it would’ve been shorter.” What he meant, of course, is that it takes longer to write tighter, better sentences than loosey-goosey, long, unfocused ones. It takes far more time to put all one’s thoughts onto a single handwritten page than it does to type half those thoughts in a small novel. As it turns out, it may not have been Twain at all who said that; I looked it up and the “shorter letter more time” concept might have come to us by way of our man Blaise Pascal or George Bernard Shaw. Whoever said it, however they did, they were right.

This post is proof. Here’s why.

I rode in a taxi this morning for about thirty-five minutes. The sky in D.C. is grey; it’s a blustery February day, a Monday. In my cab, I craned my neck all around to look at what we were driving past; I’m still soaking in all the places and sights and streets of this town and riding in a taxi is great for sightseeing, for bearing-finding. We drove east on Constitution, and that meant we went right by the Washington Monument, right by the Museum of Natural History, and then we passed the National Gallery, and so many more Beaux-Arts buildings standing white and pristine in the dull, sunless sky.

There was a lot of traffic, so we stopped a lot and for many minutes at a time. Right before the Washington Monument, I looked out the window and saw an extraordinary sight. There was a park on our right, many hundreds of yards from the street. The trees in the park were tall, tall, tall, and spindly — and leafless, of course. They were all skinny and went so high up; they were needles. And deep in the tree line (is that right? the tree line?) was a woman in a well-cut, fine red coat. The shade of the coat was not tomato, nor cherry, nor brick, but cardinal red, so precisely cardinal red that she looked as natural as could be in the trees there, as though she were the bird itself.

I saw her and thought, “She must have a dog.” Because this woman was standing there in the trees and looking up; it would have made sense for her to be waiting for her dog to finish doing its business. But I squinted and saw she had no pet. She was just standing amongst the trees, looking up at the sky, I guess, regarding it. Considering it, all by herself, on Monday morning, near the tallest structure in this entire city. Black birds flew. A car horn sounded. I watched her as long as I could, waiting to see if I could discern what she was doing, standing so still and alone in that park. The cab began to pull forward and I began to lose sight of the woman. Then, the car we got behind was playing a Bob Dylan song loud enough it was like the taxi driver had turned on the radio in our car.

What this post should be is a poem. I should go write a poem about female cardinal, the needle trees, and Bob Dylan; I should work on a poem about the white of the stones in the monuments against the pewter sky in a city I’m falling in love with. But I don’t have time. It would take a long time to write that poem properly. But I can’t do nothing. I can’t forget it. I can’t put it out of my mind. So loosey-goosey it is, PaperGirl is the clearinghouse for my experience this morning.

What were you looking at?

Win A Quilt, Help a Pal.

posted in: Paean, Quilting 1
"Libby's Log Cabin," by Marianne Fons, 2014.
“Libby’s Log Cabin,” by Marianne Fons, 2014.

The thing about being sick for a long time is that when you first get sick, everyone’s like, “Oh no! You’re sick! Can I help?!” but then life continues apace and no one can be faulted for kinda forgetting about sick folks. Not completely, not everyone, but the blush is off the IV tree after awhile. It’s okay. We are all doing our best, usually.

Libby Lehman is a quilt industry visionary who had a massive aneurism last year. She nearly died but did not die, which is to say she barely survived. When she came through her ground zero, her life was altered forever. She’ll probably never make a quilt again, though extraordinary things do happen and when they do, they do because people like Libby do them. Libby is in therapy, she is working on using her hands again and she learning to speak again. She’s gettin’ her sass back, too, from all reports. She needs 24-hour care, though, and there is nothing about that that does not suck.

My mom made a quilt to raise money for the medical bills not covered by Libby’s insurance. Mom used fabric by Moda that was expressly produced to raise money for Libby, too. The quilt is called “LIbby’s Log Cabin” and it’s gorgeous and it’s pictured above; the quilt is 60” x 75”. You can win this quilt by sending a donation of any amount to the address below; Libby’s sister is taking the donations. Mom will draw a name on Friday, February 13th and I promise to announce the winner on Facebook. Moda is also covering this contest, so watch their blog and Twitter and all that, too.

Libby was one of the first quilt industry people who was like, “Can we please stop using slide projectors and get on the whole digital projector thing?” She also pioneered new techniques in thread painting in contemporary quilts. Without innovation, art goes nowhere. Without early adopters, people go nowhere. Libby is as cool now as she has always been, she just can’t walk or talk very well. By helping pay the Man for in-home therapy, medicine, and maybe even a dinner out at some point for her 24-hour caregivers, you’re helping your fellow man, your fellow women, and yourself. Because we are all temporarily-abled, you know.

For your chance to win, send a donation of any amount to:

Libby’s Log Cabin
c/o Cathy Arnold
2220 Stanmore Drive
Houston, TX 77019

Good luck, Lehman.

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